Feast Your Ears on New Music: Our November Concert Guide

by Maggie Molloy

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Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

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Keep an eye out for our flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and tag it with “new music.”

November 2018 New Music Flyer

 

Wayward Music Series
Concerts of contemporary composition, free improvisation, electroacoustic music, and sonic experiments. This month: spatial explorations, dramatic incantations, sonic meditations, and a whole lot of drummers.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15

Creativity in Hard Times: The Federal Music Project of the 1930s
Pianist Leslie Amper presents a multimedia lecture-recital telling the story of President Roosevelt’s Arts Initiative. The performance includes images, historic recordings, and piano performances of music by William Grant Still, Ernest Bloch, Henry Cowell, Roger Sessions, Ruth Crawford, and Aaron Copland.
Thurs, 11/1, 7:30pm, UW Brechemin Auditorium | FREE

Seattle Modern Orchestra: The Invisible
The depths of the unknown are explored in this program of sobering works ranging from George Crumb’s Eleven Echoes of Autumn to Chinary Ung’s Still Life After Death. Music by Yigit Kolat and Rebecca Saunders complete the program.
Thurs, 11/1, 8pm, Good Shepherd Chapel | $10-$25

Pacific Northwest Ballet: All Premiere
Haunting sounds from Dustin Hamman, King Creosote & Jon Hopkins, Ólafur Arnalds, and Nils Frahm form the basis of Silent Ghost, a new PNB premiere with choreography by Alejandro Cerrudo. It’s presented alongside performances featuring the music of Michael Giacchino, Haydn, Beethoven, and Schubert.
11/2-11/11, Various times, McCaw Hall | $37-$189

Hanna Benn. Photo by Mallory Talty.

Seattle Collaborative Orchestra: Sankofa
In the Twi language of Ghana, ‘Sankofa’ translates to “Go back and get it.” It’s also the title of Hanna Benn’s musical meditation on the ways in which our heritage shapes our future. Seattle Collaborative Orchestra performs the piece alongside world premieres by Northwest composers Julian Garvue and Makenna Carrico.
Fri, 11/2, 7:30pm, Roosevelt High School Theatre | $10-$20

Sæunn Thorsteinsdóttir with the UW Symphony
Schelomo (Hebraic Rhapsody) was the final work in Ernest Bloch’s “Jewish Cycle,” a series of compositions exploring his musical and religious identity. The fiercely lyrical cello solo, performed here by Sæunn Thorsteinsdóttir, was envisioned as the incarnation of King Solomon, with the orchestra representing the world around him. Music of Hindemith and Brahms complete the program.
Fri, 11/2, 7:30pm, Meany Theater | $10-$15

Cellist Sæunn Thorsteinsdóttir.

Music of Remembrance: 20th Birthday Celebration
For the past two decades, Music of Remembrance has honored victims of the Holocaust through music. In this special anniversary performance, they are joined by guests from Spectrum Dance Theater and the Northwest Boy Choir for an evening of opera, dance, choral, and chamber works.
Sun, 11/4, 4pm, Nordstrom Recital Hall | $55

Cornish Presents: Gamelan Pacifica
The sacred echoes of gongs, chimes, and wide-ranging percussion make up the traditional gamelan ensembles of Indonesia. Gamelan Pacifica honors and expands upon that history with a unique blend of traditional and contemporary musical forms.
Sun, 11/4, 7pm, PONCHO Concert Hall | FREE

Bremerton Symphony Orchestra: From the Silver Screen
Sci-fi fans rejoice! This concert of classical music from the movies features a triad of pieces  from 2001: A Space Odyssey, including György Ligeti’s haunting Lux Aeterna, Johann Strauss’s The Blue Danube, and the opening of Richard Strauss’s Thus Spoke Zarathustra. Plus, music from The Godfather, ET, and more!
Sat, 11/10, 7:30pm, Bremerton Performing Arts Center | $10-$28

Meany Center Presents: Brooklyn Rider
A string quartet for the 21st century, Brooklyn Rider explores the healing properties of music in this concert of brand commissions from four of today’s top composers (all of whom happen to be women): Reena Esmail, Gabriela Lena Frank, Matana Roberts, and Caroline Shaw.
Tues, 11/13, 7:30pm, Meany Hall | $40-$48

Brooklyn Rider.

Black Violin.

STG Presents: Black Violin
It’s not everyday you see a hip-hop duo playing classical instrumentsbut violinist Kev Marcus and violist Wil B. are redefining both genres. They bring their unique brand of “classical boom” to the Paramount Theatre.
Thurs, 11/15, 7:30pm, Paramount Theatre | $31-$61

Philharmonia Northwest: Seattle Sounds
The sounds of the Pacific Northwest take center stage in this concert of music by contemporary Seattle composers. Hear William Bolcom’s jazzy Seattle Slew Suite, Ken Benshoof’s lyrical Concerto for Cello and String Orchestra, and the world premiere of Sarah Bassingthwaighte’s enchanting Sleeping in the Forest.
Sun, 11/18, 2:30pm, St. Stephen’s Episcopal Church (Seattle) | $15-$20

UW Percussion Ensemble: Percussion Music as Revolution
The visceral energy and powerful sounds of percussion ensemble are on full display in the U.S. premiere of Yiheng Yvonne Wu’s Violent Tender, performed alongside Edgard Varèse’s groundbreaking Ionisation and Philip Schuessler’s The Glass Abattoir for speaking percussion ensemble, among other works.
Fri, 11/30, 7:30pm, Meany Theater | $10

Emerald City Music: The Daedalus Quartet
Beethoven’s infamous Kreutzer Sonata (and the dramatic tale behind it) form the basis of this concert exploring how the Kreutzer theme inspired future composers. String quartets by Leoš Janáček, Sergei Taneyev, and Tchaikovsky are performed alongside a quartet arrangement of Beethoven’s original Kreutzer Sonata.
Fri, 11/30, 8pm, 415 Westlake | $45

October Concerts You Can’t Miss

by Maggie Molloy

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Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

thvLYmNB

Keep an eye out for our flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and tag it with “new music.”

October 2018 New Music Flyer

 

Wayward Music Series
Concerts of contemporary composition, free improvisation, electroacoustic music, and sonic experiments. This month: atmospheric soundscapes, improvised noise, music inspired by historic women of Mexico, and more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15

Max Richter and ACME
There are few places more appropriate for the rainy day soundscapes of Max Richter than Seattle. Hear the prolific composer with the American Contemporary Music Ensemble as they perform Infra in its entirety, plus selections from The Blue Notebooks. Check out our interview with the composer for more details on what’s in store.
Tues, 10/2, 7:30pm, Moore Theatre | $35-$45

Photo by Wolfgang Borrs.

Leslie Odom, Jr. with the Seattle Symphony
Leslie Odom, Jr. launched into stardom when he originated the role of Aaron Burr in a little musical called Hamilton. Now he joins our own Seattle Symphony for an evening of jazz standards and Broadway hits.
Tues-Wed, 10/2-10/3, 7:30pm, Benaroya Hall | $46-$103

SMCO: American Experiences
It’s rare to see the concertmaster of PNB on the same program as the rapper from Macklemore’s “Thrift Shop”but then again, Seattle Metropolitan Chamber Orchestra’s 10th anniversary is cause for boundary-bursting celebration. Michael Jinsoo Lim joins the orchestra for Samuel Barber’s Violin Concerto, Wanz performs Randall Woolf’s Blues for Black Hoodies, and masterworks by Leonard Bernstein and Jennifer Higdon complete the program.
Thurs, 10/4, 7:30pm, Nordstrom Recital Hall | $15-25

Wanz guest stars in SMCO’s Tenth Anniversary concert.

The Esoterics: CŌNSŌLŌ
Requiems are reimagined in this concert exploring the sense of comfort found in the musical act of remembrance. Included in the program are new works from the three winners of last year’s POLYPHONOS competition: Anna-Karin Klockar, Sarah Rimkus, and Ily Matthew Maniano.
Fri, 10/5, 8pm, St. Stephen’s Episcopal Church | $15-$25
Sat, 10/6, 8pm, Holy Rosary Catholic Church | $15-$25

OSSCS: The Bounty of the Earth
Orchestra Seattle and Seattle Chamber Singers launch a season-long celebration of the music of Lili Boulanger, performing her extraordinary setting of Psalm 24 (“The Earth Belongs to the Eternal One”). Also on the program is Aaron Copland’s Appalachian Spring, Haydn’s The Seasons, and a composition by the OSSCS’s new conductor, William White.
Sat, 10/6, 7:30pm, First Free Methodist Church | $10-$25

Earshot Jazz Festival: Amy Denio
Vocalist and multi-instrumentalist Amy Denio brings her inimitable brand of politically-charged avant-jazz to Earshot, performing compositions and improvisations that color her four-octave vocal range with electronics.
Wed, 10/10, 8pm, Good Shepherd Chapel | $10-$18

Kin of the Moon & Karin Stevens Dance: lily/LUNG
Kaley Lane Eaton’s 30-minute electroacoustic composition LUNG receives its world premiere by musicians from Kin of the Moon and Strange Interlude, with choreographed dance by Karin Stevens and Amelia Love Clearheart. Also on the program is Eaton’s chamber opera lily [bloom in my darkness], which tells the story of Eaton’s great-grandmother, an orphan who fled England at the start of WWI.
Thurs-Sat, 10/11-10/13, 8pm, Erickson Theatre | $20-$50
Sun, 10/14, 11am, Erickson Theatre | $20-$50

Photo by Michelle Smith-Lewis.

Samantha Boshnack: Seismic Belt
Seattle-based trumpeter and bandleader Samantha Boshnack takes listeners on a sonic adventure into the Ring of Fire in Seismic Belt, her latest large-scale work scored for seven-piece band.
Fri, 10/12, 7:30pm, The Royal Room | $10-$20

Seattle Symphony: [untitled] 1
Enter the sparse and haunting sound world of Danish composer Hans Abrahamsen’s Schnee (“Snow”), an immersive, hour-long chamber work filled with ghostly canons and crystalline frost. Fellow Dane Thomas Dausgaard conducts.
Fri, 10/12, 10pm, Benaroya Hall | $16

ROCCA: Enescu, Bartók, Prokofiev
Romanian American Chamber Concerts and Arts presents an afternoon of scintillating masterpieces by George Enescu, Béla Bartók, Gabriela Lena Frank, and Sergei Prokofiev.
Sat, 10/13, 3pm, Nordstrom Recital Hall | $26

Music of Today: Mivos Quartet
The New York-based Mivos Quartet travels to Seattle for a performance of music by University of Washington School of Music faculty composers Huck Hodge, Joël-François Durand, and more.
Tues, 10/23, 7:30pm, Meany Theater | $10-$15

Jesse Myers & Leanna Keith: Lizée’s Hitchcock & Tarantino Etudes
Cult classic fans rejoice: pianist Jesse Myers and flutist Leanna Keith present two of Nicole Lizée’s etudes for glitch film. In her Hitchcock Etudes, the composer glitches and stitches together live piano music with scenes from Psycho, The Birds, Rope, and The Man Who Knew Too Much. For her Tarantino Etudes, a virtuosic bass flute solo flutters between scenes from Reservoir Dogs, Pulp Fiction, and Kill Bill.
Fri, 10/26, 8pm, Good Shepherd Chapel | $5-$15

Earshot Jazz Festival: Allos Musica
Classical, jazz, and Middle Eastern musical strands are woven together in this improvising ensemble of clarinet, launeddas, accordion, oud, harmonium, and percussion.
Thurs, 10/25, 7pm & 9:30pm, The Royal Room | $10-$22

Emerging Artist: Joep Beving
Lose yourself in the delicate, melancholic melodies of Dutch advertising-executive-turned-composer Joep Beving in this solo concert of intimate piano music.
Fri, 10/26, 8pm, Nordstrom Recital Hall | $25-$30

Emerald City Music: Café Music
Be whisked away to the warmth of a quiet café in this program of 20th-century French Impressionist and American composers, including music by Jean Françaix, Francis Poulenc, Darius Milhaud, Camille Saint-Saëns, and Paul Schoenfield.
Fri, 10/26, 8pm, 415 Westlake | $45
Sat, 10/27, 7:30pm, The Minnaert Center (Olympia) | $25-$45

New Music for May: Joshua Roman, JACK Quartet, and a Microtonal Music Fest

by Maggie Molloy

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Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

thvLYmNB

Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and tag it with “new music.”

New music flyer May 2018 FINAL

 

Wayward Music Series
Concerts of contemporary composition, free improvisation, electroacoustic music, and sonic experiments. This month: avant-garde piano solos, Eastern-European cimbalom songs, a dark ambient memorial, and more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15

Live Music Project: 4th Annual Lecture-Concert
The Live Music Project celebrates its 4th birthday with a scintillating lecture from a cyborg, a centuries-spanning solo violin performance by Mikhail Shmidt of the Seattle Symphony, a ticket giveaway, and the most adorable cupcake toast this side of the Cascades.
Tues, 5/1, 6:30pm, Naked City Brewery & Taphouse | $30

DXARTS: Points vs. Fields
UW School of Music faculty performers Cuong Vu, Ted Poor, Richard Karpen, and Juan Pampin perform an ephemeral new improvisation for trumpet, drums, piano, and live electronics, programmed alongside Bernard Permegiani’s classic exploration of the meaning of sound itself, De Natura Sonorum for loudspeaker orchestra.
Tues, 5/1, 7:30pm, Meany Theater | $10-$15

Emerald City Music: Metamorphosis
A season-long celebration of Leonard Bernstein’s centennial ends with a special multimedia feature on the iconic conductor, plus performances of two composers whose work he championed during his lifetime: Strauss and Beethoven.
Fri, 5/4, 8pm, 415 Westalve Ave, Seattle | $40-45
Sat, 5/5, 7:30pm, Evergreen State College Recital Hall, Olympia | $23-$43

Matt Shoemaker Memorial Concert
Longtime friends and collaborators of the late Matt Shoemaker perform works in his honor ranging from experimental noise to sound art, dark ambient, and beyond.
Sat, 5/5, 7pm, Good Shepherd Chapel | $5-$15

Town Music: JACK Quartet with Joshua Roman
Cellist Joshua Roman joins forces with the JACK Quartet to perform his new piece Tornado, inspired by his roots in Oklahoma. Works by Jefferson Friedman, John Zorn, Amy Williams, and Carlo Gesualdo complete the program.
Thurs, 5/10, 7:30pm, Seattle First Baptist Church | $15-$20

Harry Partch Festival
Experience the handmade microtonal instruments of Harry Partch in this sprawling three-day music festival featuring new works composed for Partch’s instruments, as well as rarely-performed works from the composer’s archives. Master classes, demonstrations, and lectures, complete this homage to a uniquely American artist.
Fri-Sun, 5/11-5/13, Various times, Meany Theater | $10-$60

Portland Cello Project
Equally at home in rock clubs and concert halls, Portland Cello Project reimagines classical favorites and contemporary hits alike for their famous choir of cellos. Expect everything from Bach to Coltrane to Radiohead.
Tues, 5/15, 7:30pm, The Triple Door | $26-$35

Seattle Art Museum: John Cage’s Themes and Variations
John Cage is best known as one of the leading figures of the 20th century avant-garde in music—but much of his work crossed boundaries into performance art, theatre, and even visual art. His sculpture Not Wanting to Say Anything About Marcel recently joined the Seattle Art Museum’s collection. Learn more about his contributions to both art and music in this conversation with curators Catharina Manchanda and Carrie Dedon.
Wed, 5/16, 6:30pm, Seattle Art Museum | $10

Peter Nelson-King: Post Avant-Garde
Multi-instrumentalist and modern music rabble-rouser Peter Nelson-King presents an eclectic program of individualist piano music from the 1980s, featuring works by Robert Beaser, George Benjamin, Peter Sculthorpe, John Tavener, Augusta Read Thomas, Charles Wuorinen, and more.
Thurs, 5/17, 8pm, Good Shepherd Chapel | $5-$15

Seattle Pro Musica: Sacred Ground
Explore the intersections of music, spirituality, and the natural world in this program of nature-inspired works by Tõnu Kõrvits, Hyo-Won Woo, and Healey Willan.
Fri, 5/18, 8pm, St. James Cathedral | $12-$38
Sat, 5/19, 8pm, St. James Cathedral | $12-$38

Nat Evans: Flyover Country
Composer and interdisciplinary artist Nat Evans uses his family history across the last three centuries as a lens to look at ecological destruction, genocide of indigenous people, capitalism, and food systems in the United States.
Sat-Sun, 5/19-5/20, 8pm, The Grocery | $5-$20

Mostly Nordic: Finlandia
The Emerald Ensemble perform Jean Sibelius’s beloved hymn to Finland alongside 20th century works by Finnish composers Einojuhani Rautavaara, Jaakko Mäntyjärvi, and more.
Sun, 5/20, 4pm, Nordic Museum | $25

Music of Remembrance: Gaman
A world premiere by composer Christophe Chagnard explores the experience of Japanese immigrants who were forced into internment camps in the wake of the attacks on Pearl Harbor. Combining traditional Japanese and classical Western instruments, the piece brings a powerful story to life through the words and images created by three artists and poets during their captivity in the Minidoka camp.
Sun, 5/20, 5pm, Nordstrom Recital Hall | $30-$45

The Westerlies
Far from your typical brass band, this Seattle-bred, New York-based quartet is known on both coasts for their bold artistry, impeccable finesse, eclectic musical interpretations, and remarkable versatility. The band returns to the West this month for a one-night-only performance in Seattle.
Wed, 5/23, 7:30pm, The Royal Room | $5-$15

Frequency with Yura Lee: Dialogues
Guest violinist Yura Lee joins members of Frequency (violinist Michael Jinsoo Lim, violist Melia Watras, and cellist Sæunn Thorsteinsdóttir) for duos by Berio, Maderna, Ravel, and Watras. Also on the program is Dohnányi’s Serenade for string trio.
Sun, 5/27, 7:30pm, Meany Theater | $10-$20

From Symphonic Premieres to Improvised Festivals: New Music for February

by Maggie Molloy

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Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

thvLYmNB

Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and tag it with “new music.”

Program Insert - February 2018

 

Wayward Music Series
Concerts of contemporary composition, free improvisation, electroacoustic music, and sonic experiments. This month: improvised musical games, digital synthesis, site-specific sounds works, and piano pieces with alliterative pretensions.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15

Spontaneous Combustion New Music Festival: Ashley Bathgate
Cellist Ashley Bathgate is constantly pushing the boundaries of traditional cello repertoire with her performances of contemporary, avant-garde, and experimental works. For this performance she plays music with and without electronics by Steve Reich, Martin Bresnick, Fjola Evans, Emily Cooley, and Alex Weiser.

Thurs, 2/1, 8pm, Rainier Arts Center | $20

Karen Bentley Pollick: New York Women Composers
Violinist Karen Bentley Pollick premieres a new original solo violin piece in a program of music by New York women composers. Plus, Seattle violist Heather Bentley joins for the Washington premiere of Victoria Bond’s Woven for violin and viola.
Thurs, 2/1, 8pm, Good Shepherd Chapel | $5-$15

Matrio & Resonant Bodies
Taking its name from the Japanese word for “the space between two structural parts,” Matrio is an improvising collective that creates set-long experiences which explore the space between sound, noise, music, and silence. They’re joined by the jazz trumpet and percussion duo Resonant Bodies.
Thurs, 2/1, 8pm, The Royal Room | $8-$12

Byrd Ensemble: Paradise
There is no shortage ​of masterpieces about death and the afterlife. ​From Renaissance works to the early 20th century and the contemporary era, the Byrd Ensemble performs a program of the most hauntingly beautiful motets across the ages.
Sat, 2/3, 8pm, St. James Cathedral | $20-$30

200 Years of Music by Black Composers
Internationally acclaimed countertenor Reginald L. Mobley joins pianist Henry Lebedinsky for a program of music by Black composers from the Classical era to the present, including art songs, spirituals, and gospel. Featured composers include José Mauricio Nuñes Garcia, Florence B. Price, William Grant Still, and Harry Burleigh.
Wed, 2/7, 12pm, Christ Our Hope at the Josephinum | FREE

Seattle Symphony: David Lang World Premiere
David Lang is a pretty big deal in new music world. He’s a Pulitzer Prize and Grammy-winning composer, one of the founders of the Bang on a Can collective, the list goes on and on. This month the Seattle Symphony performs the world premiere of Lang’s symphony without a hero, playfully juxtaposed with a performance of Richard Strauss’s epic tone poem, A Hero’s Life.
Thurs, 2/8, 7:30pm, Benaroya Hall | $22-$74
Sat, 2/10, 8pm, Benaroya Hall | $22-$74

The Sound Ensemble: A Life Transformed
Seattle’s Sound Ensemble performs an evening of monumental works inspired by transformative experiences in either the life of the composer or the character of the piece. Featured works include Arnold Schoenberg’s Verklärte Nacht, John Adams’ Chamber Symphony, and a new work by composer Kevin Clark.
Sat, 2/10, 7pm, Good Shepherd Chapel | $5-$15

Seattle Improvised Music Festival
No scores, no plans, no safety net: just a whole bunch of artists from all different musical backgrounds collaborating in an atmosphere of spontaneity, intuition, and discovery. Featured performers include Tomeka Reid, Tom Baker, Evan Flory-Barnes, and many, many more.
Feb. 10-17, Various times and locations | $5-$15

Seattle Symphony: Celebrate Asia
Erhu and sitar soloists perform with the Seattle Symphony in their 10th annual Celebrate Asia concert featuring contemporary (and traditional) music by Japanese, Chinese, Korean, and Indian composers. Arrive early and stay late for pre- and post-concert entertainment in the lobby.
Sun, 2/11, 4pm, Benaroya Hall | $29-$67

Opera on Tap
Local singers let their hair down and sing their hearts out, performing famous operatic masterpieces and hidden musical gems alike in a friendly, relaxed atmosphere.
Tues, 2/13, 7:30pm, Solo Bar | $10

Meany Center: Danish String Quartet
The internationally acclaimed Danish String Quartet performs traditional classical music alongside their own contemporary arrangements of Scandinavian folk music. Catch their intimate performance at Cafe Solstice or see them on the Meany Theater mainstage.
Tues, 2/13, 7pm, Cafe Solstice | FREE
Wed, 2/14, 7:30pm, Meany Theater | $40-$48

Emerald City Music: Spiritual Journey
Emerald City Music explores the power of the voice in chamber music through a program of 20th century songs and spirituals by Charles Ives, Aaron Copland, Leonard Bernstein, and more.
Fri, 2/16, 8pm, 415 Westlake Ave, Seattle | $10-$45
Sat, 2/17, 7:30pm, Minnaert Center, Olympia | $10-$43

NOCCO: Vibrant Hearts – A Romanian Celebration
The North Corner Chamber Orchestra performs 20th century works inspired by Romanian folk music traditions, including compositions by George Enescu and Béla Bartók.
Sat, 2/17, 2pm, University Christian Church | $15-$25
Sun, 2/18, 7:30pm, The Royal Room | $15-$25

Philharmonia Northwest: Viva Americas!
The exhilarating colors and rhythms of Latin American music come alive in this concert featuring music by Astor Piazzolla, Silvestre Revueltas, Arturo Márquez, and a new commission by young Mexican composer Osvaldo Mendoza.
Sun, 2/25, 2:30pm, St. Stephen’s Episcopal Church (Seattle) | $15-$20

December New Music: Cello Conspiracies, Mandolin Messiahs, and an Unsilent Night

by Maggie Molloy

SI_button2

Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

thvLYmNB

Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and tag it with “new music.”

Program Insert - December 2017

 

Wayward Music Series
Concerts of contemporary composition, free improvisation, electroacoustic music, and sonic experiments. This month: American gamelan, ambient drones, homemade instruments, and experimental chamber ensembles.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15

UW Percussion Ensemble: John Cage’s ‘The City Wears a Slouch Hat’
Under the direction of Bonnie Whiting, the University of Washington Percussion Ensemble presents a theatrical rendition of John Cage’s recently-discovered radio play The City Wears a Slouch Hat, pairing Cage’s vintage music with brand new works by UW composition students.
Fri, 12/1, 7:30pm, Meany Studio Theater | $10

‘The Saci’ & ‘The Greater Trumps’
New music and modern dance collide in this brand new partnership between Karin Stevens Dance and the Universal Language Project. Their debut collaboration features performances of Jovino Santos-Neto’s Saci – A Brazilian Folktale alongside a new rendition of Stravinsky’s The Soldier’s Tale, reimagined here for the 21st century with a libretto by Doug Thorpe.
Fri, 12/1, 8pm, Cornish Playhouse | $15-$50
Sat, 12/2, 2:30pm, Cornish Playhouse | $15-$50

The Esoterics: EXCELSIS – Contemplating Extremity
The Esoterics cast their choral gaze upward in this program featuring works inspired by spirits, galaxies, comets, and the cosmos. The centerpiece of the program is Pulitzer Prize-winning composer Kevin Puts’ To touch the sky: a nine-movement compendium of celestial feminine poetry.
Fri, 12/1, 8pm, St. Stephen’s Episcopal Church (Seattle) | $15-$22
Sat, 12/2, 8pm, Holy Rosary Catholic Church (West Seattle) | $15-$22
Sun, 12/3, 7pm, Christ Episcopal Church (Tacoma) | $15-$22

On the Boards: Phil Kline’s ‘Unsilent Night’
In this contemporary twist on holiday caroling, audience members each download one of four tracks of music which, when played together, comprise Phil Kline’s ethereal Unsilent Night. Participants meet up with boomboxes and speakers and each hit “play” at the same timethen walk through the streets of Lower Queen Anne creating an ambient, aleatoric sound sculpture.
Sat, 12/2, 6pm, On the Boards | FREE

On Stage with Classical KING FM: Holiday Concert with KING FM Personalities
KING FM personalities step out of the radio booth and onto center stage to perform old and new Christmas carols and festive classical arrangements—including music for dueling cellos, tubas, and even a theremin.
Sat, 12/2, 7:30pm, Resonance at SOMA Towers | $20-$25

Ladies Musical Club: Expressions of Winter
Seattle’s longest-running musical organization celebrates the season with a concert of original winter-inspired works composed by Ladies Musical Club members.
Sun, 12/3, 2pm, Music Center of the Northwest | FREE

Town Music: A Cello Conspiracy
Joshua Roman performs in an all-cello show alongside four of the Seattle Symphony’s superstar cellists: Efe Baltacıgil, Nathan Chan, Meeka Quan DiLorenzo, and Eric Han. Featuring works ranging from Rossini and Paganini to Reena Esmail and Christopher Cerrone, this is one cello showdown you do not want to miss.
Mon, 12/4, 7:30pm, Fremont Abbey Arts Center | $15-$20

UW Modern Ensemble: Messiaen, Stockhausen, Glass
Under the direction of Cristina Valdes, the University of Washington Modern Music Ensemble tackles three iconic masterworks of the 20th century: Olivier Messiaen’s Quartet for the End of Time, Karlheinz Stockhausen’s Tierkreis, and Philip Glass’s Music in Similar Motion.
Tues, 12/5, 7:30pm, University of Washington, Brechemin Auditorium | FREE

Emerald City Music: The Miró Quartet
The world-renowned Miró Quartet performs Kevin Puts’ stunning Credo for string quartet in a vogue, open bar setting alongside classic quartets by Haydn and Schumann.
Fri, 12/8, 8pm, 415 Westlake Ave (Seattle) | $45
Sat, 12/9, 7:30pm, Evergreen State College (Olympia) | $10-$43

Seattle Art Song Society: Together
Seattle Art Song Society celebrates the centennial of Finland’s independence with an evening of art songs and Christmas music penned by Finnish composers ranging from Sibelius to Kilpinen, Merikanto, Nummi, and Kuula.
Sat, 12/9, 7:30pm, Queen Anne Christian Church | $20-$40

Cornish Presents: Quince Contemporary Vocal Ensemble
The four-voice, all-woman Quince Contemporary Vocal Ensemble performs a program of genre-bending new repertoire from the 20th and 21st centuries.
Sat, 12/9, 8pm, Cornish College of the Arts, PONCHO Hall | $5-$20

Seattle Mandolin Orchestra: Mandolin Messiah
Handel’s immortal oratorio comes to life on the plucked strings of the Seattle Mandolin Orchestra in this abridged Messiah performance featuring a cast of four vocal soloists and a whole lot of pizzicato.
Sun, 12/10, 7pm, Green Lake United Methodist Church (Seattle) | $15-$20

Portland Cello Project: Celebrating 20 Years of OK Computer
Portland Cello Project’s massive 800-piece repertoire ranges from Bach to Kanye and beyond. The group celebrates 20 years of Radiohead’s OK Computer with a performance at Benaroya Hall featuring special guests Kyleen King and Adam Shearer.
Sun, 12/10, 7:30pm, Benaroya Hall | $35-$40

NOCCO: Mystics, Servants, & Devils
A week before Winter Solstice, the North Corner Chamber Orchestra presents a program contrasting the old and the new, the magical and the devotional. A world premiere of Jim Knapp’s Noverture is paired with works by Bach, Pärt, and Stravinsky.
Sat, 12/16, 2pm, Magnolia United Church of Christ (Seattle) | $15-$20
Sun, 12/17, 7:30pm, The Royal Room | $15-$20

VIDEO PREMIERE: John Luther Adams’ “there is no one, not even the wind…”

by Maggie Molloy

John Luther Adams’ newest work whispers like the winds of the Sonoran Desert. Inspired by the stillness and light of the American Southwest, “there is no one, not even the wind…” is an immersive desert soundscape scored for two flutes, strings, piano, and percussion.

We are thrilled to premiere our video of Emerald City Music in their sold-out world premiere performance of Adams’ “there is no one, not even the wind…”

The piece takes its title from a poem by the great Mexican poet Octavio Paz titled Piedra Nativa (Native Stone). He writes, “No hay nadie ni siquiera tú mismo.” (“There is no one, not even yourself.”) Adams takes this line one step further, removing even the wind itself.

“there is no one, not even the wind…” was co-commissioned by Emerald City Music, the Chamber Music Society of Lincoln Center, Camerata Pacifica, the Redlands Symphony Orchestra, and Chamber Music Northwest. Click here to learn more about Emerald City Music’s world premiere performance in our conversation with Artistic Director Kristin Lee and Executive Director Andrew Goldstein.

 

Emerald City Music Broadcast on KING FM: Oct. 20 at 9pm PST

by Maggie Molloy

If you missed Emerald City Music’s sold-out world premiere of John Luther Adams’ “there is no one, not even the wind…” last month, you’re in luck. This Friday, October 20 at 9pm PST, you can hear the full concert broadcast on our parent station Classical KING FM. Tune in at 98.1 or click here to stream online from anywhere in the world!

Inspired by the stillness and light of the American Southwest, Adams’ piece is an immersive desert soundscape scored for two flutes, strings, piano, and a whole lot of percussion (expect to hear glockenspiels, marimbas, vibraphones, and a bass drum or two). The piece takes its title from a poem by the great Mexican poet Octavio Paz titled Piedra Nativa (Native Stone). He writes, “No hay nadie ni siquiera tú mismo.” (“There is no one, not even yourself.”) Adams takes this line one step further, removing even the wind itself.

“John Luther Adams’ work often resembles minimalism in the sense that it says as much as possible with as little as possible,” said violinist and Artistic Director Kristin Lee, who co-founded Emerald City Music with Andrew Goldstein in 2015. “It’s very ethereal, very atmospheric—often inaudible since it is so soft.”

John Luther Adams became a household name in the classical music community after the Seattle Symphony’s world premiere of Become Ocean in 2013. The 45-minute masterwork went on to win the 2014 Pulitzer Prize for Music and the 2015 Grammy Award for Best Contemporary Classical Composition, putting Seattle on the new music map.

“The Pacific Northwest is the most beautiful part of the country, in my opinion,” said Lee, who performed in the piece’s premiere. “We have the beautiful water and mountains, and the city, the sound of the people. It’s really the meeting point and the melting pot where nature and the city meets. It’s the perfect place for John Luther Adams’ music.”

Adams’ music also in many ways epitomizes Emerald City Music’s eclectic programming, which highlights new and experimental works alongside jewels of the traditional classical canon. Adams’ music famously transcends all manner of categorization, blurring the boundaries between classical, ambient, jazz, experimental, and other genres.

“John Luther Adams is one of the first, biggest examples of the post-genre world that we’re navigating,” said co-founder and Executive Director Andrew Goldstein. “The connection that his music has defies classical music, defies jazz, defies all these genres and just goes straight to touching the listener.”

The world premiere is framed by performances of Andrew Norman’s vibrantly colored “Light Screens” and Steve Reich’s canonic, notoriously virtuosic “Nagoya Marimbas.” Also included is a violin and piano rendition of Leonard Bernstein’s iconic “America” from West Side Story, tying in with a larger overarching season theme celebrating Bernstein’s centennial. And for the traditionalists: Dvorák’s sparkling Piano Quartet in E-flat Major.

“The way that Kristin [Lee] does her programming is so much about connecting to people and letting music touch you beyond just the barriers of what classical music is,” Goldstein said. “She really allows the genre to live outside of itself a little bit.”


Emerald City Music’s “Not even the wind…” concert will be broadcast on Classical KING FM 98.1 on Friday, Oct. 20 at 9pm PST. Tune in at 98.1 or click here to stream online from anywhere in the world.

This article was previously published on Sept.13, 2017. Please click here to read the original article.