December New Music: Cello Conspiracies, Mandolin Messiahs, and an Unsilent Night

by Maggie Molloy

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Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

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Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and tag it with “new music.”

Program Insert - December 2017

 

Wayward Music Series
Concerts of contemporary composition, free improvisation, electroacoustic music, and sonic experiments. This month: American gamelan, ambient drones, homemade instruments, and experimental chamber ensembles.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15

UW Percussion Ensemble: John Cage’s ‘The City Wears a Slouch Hat’
Under the direction of Bonnie Whiting, the University of Washington Percussion Ensemble presents a theatrical rendition of John Cage’s recently-discovered radio play The City Wears a Slouch Hat, pairing Cage’s vintage music with brand new works by UW composition students.
Fri, 12/1, 7:30pm, Meany Studio Theater | $10

‘The Saci’ & ‘The Greater Trumps’
New music and modern dance collide in this brand new partnership between Karin Stevens Dance and the Universal Language Project. Their debut collaboration features performances of Jovino Santos-Neto’s Saci – A Brazilian Folktale alongside a new rendition of Stravinsky’s The Soldier’s Tale, reimagined here for the 21st century with a libretto by Doug Thorpe.
Fri, 12/1, 8pm, Cornish Playhouse | $15-$50
Sat, 12/2, 2:30pm, Cornish Playhouse | $15-$50

The Esoterics: EXCELSIS – Contemplating Extremity
The Esoterics cast their choral gaze upward in this program featuring works inspired by spirits, galaxies, comets, and the cosmos. The centerpiece of the program is Pulitzer Prize-winning composer Kevin Puts’ To touch the sky: a nine-movement compendium of celestial feminine poetry.
Fri, 12/1, 8pm, St. Stephen’s Episcopal Church (Seattle) | $15-$22
Sat, 12/2, 8pm, Holy Rosary Catholic Church (West Seattle) | $15-$22
Sun, 12/3, 7pm, Christ Episcopal Church (Tacoma) | $15-$22

On the Boards: Phil Kline’s ‘Unsilent Night’
In this contemporary twist on holiday caroling, audience members each download one of four tracks of music which, when played together, comprise Phil Kline’s ethereal Unsilent Night. Participants meet up with boomboxes and speakers and each hit “play” at the same timethen walk through the streets of Lower Queen Anne creating an ambient, aleatoric sound sculpture.
Sat, 12/2, 6pm, On the Boards | FREE

On Stage with Classical KING FM: Holiday Concert with KING FM Personalities
KING FM personalities step out of the radio booth and onto center stage to perform old and new Christmas carols and festive classical arrangements—including music for dueling cellos, tubas, and even a theremin.
Sat, 12/2, 7:30pm, Resonance at SOMA Towers | $20-$25

Ladies Musical Club: Expressions of Winter
Seattle’s longest-running musical organization celebrates the season with a concert of original winter-inspired works composed by Ladies Musical Club members.
Sun, 12/3, 2pm, Music Center of the Northwest | FREE

Town Music: A Cello Conspiracy
Joshua Roman performs in an all-cello show alongside four of the Seattle Symphony’s superstar cellists: Efe Baltacıgil, Nathan Chan, Meeka Quan DiLorenzo, and Eric Han. Featuring works ranging from Rossini and Paganini to Reena Esmail and Christopher Cerrone, this is one cello showdown you do not want to miss.
Mon, 12/4, 7:30pm, Fremont Abbey Arts Center | $15-$20

UW Modern Ensemble: Messiaen, Stockhausen, Glass
Under the direction of Cristina Valdes, the University of Washington Modern Music Ensemble tackles three iconic masterworks of the 20th century: Olivier Messiaen’s Quartet for the End of Time, Karlheinz Stockhausen’s Tierkreis, and Philip Glass’s Music in Similar Motion.
Tues, 12/5, 7:30pm, University of Washington, Brechemin Auditorium | FREE

Emerald City Music: The Miró Quartet
The world-renowned Miró Quartet performs Kevin Puts’ stunning Credo for string quartet in a vogue, open bar setting alongside classic quartets by Haydn and Schumann.
Fri, 12/8, 8pm, 415 Westlake Ave (Seattle) | $45
Sat, 12/9, 7:30pm, Evergreen State College (Olympia) | $10-$43

Seattle Art Song Society: Together
Seattle Art Song Society celebrates the centennial of Finland’s independence with an evening of art songs and Christmas music penned by Finnish composers ranging from Sibelius to Kilpinen, Merikanto, Nummi, and Kuula.
Sat, 12/9, 7:30pm, Queen Anne Christian Church | $20-$40

Cornish Presents: Quince Contemporary Vocal Ensemble
The four-voice, all-woman Quince Contemporary Vocal Ensemble performs a program of genre-bending new repertoire from the 20th and 21st centuries.
Sat, 12/9, 8pm, Cornish College of the Arts, PONCHO Hall | $5-$20

Seattle Mandolin Orchestra: Mandolin Messiah
Handel’s immortal oratorio comes to life on the plucked strings of the Seattle Mandolin Orchestra in this abridged Messiah performance featuring a cast of four vocal soloists and a whole lot of pizzicato.
Sun, 12/10, 7pm, Green Lake United Methodist Church (Seattle) | $15-$20

Portland Cello Project: Celebrating 20 Years of OK Computer
Portland Cello Project’s massive 800-piece repertoire ranges from Bach to Kanye and beyond. The group celebrates 20 years of Radiohead’s OK Computer with a performance at Benaroya Hall featuring special guests Kyleen King and Adam Shearer.
Sun, 12/10, 7:30pm, Benaroya Hall | $35-$40

NOCCO: Mystics, Servants, & Devils
A week before Winter Solstice, the North Corner Chamber Orchestra presents a program contrasting the old and the new, the magical and the devotional. A world premiere of Jim Knapp’s Noverture is paired with works by Bach, Pärt, and Stravinsky.
Sat, 12/16, 2pm, Magnolia United Church of Christ (Seattle) | $15-$20
Sun, 12/17, 7:30pm, The Royal Room | $15-$20

LIVE CONCERT SPOTLIGHT: April 17-26

by Maggie Molloy

This week’s marvelous music calendar has everything from minimalism to medieval poetry!

Pianist R. Andrew Lee Performs Shepard, Knight, Evans, and Gibson

andrewleephoto1-600x400For pianist R. Andrew Lee, less is more. Throughout his career, he has garnered critical acclaim as one of the foremost interpreters of minimal music.  But despite the genre’s somewhat misleading title, minimalism is anything but basic.

“I am entranced by the invitation that minimal music offers the listener,” Lee says. “Rather than pushing and pulling listeners through a piece—manipulating us (no matter how deftly) into some experience—minimal music presents an invitation to explore a musical space slowly and carefully. Where Beethoven gave us drama that touches our souls, for which we rightly praise him, minimal music gives us a sunset, and we gaze in wonder.”

This weekend, Lee is coming to Seattle to share two evenings of newly commissioned minimal music. The Friday program opens with a performance of Craig Shepard’s “December,” an exploration into the rumbling overtones of just a few bass notes on the piano. Lee will also perform the world premiere of two new works: local composer Nat Evans’ improvisatory “Desert Ornamentation” for piano and electronics and Adrian Knight’s “Obsessions,” a piece which explores stubborn habits, routines, patterns, and, well, obsessions.

Saturday evening features a performance of Randy Gibson’s immersive “The Four Pillars Appearing from the Equal D under Resonating Apparitions of the Eternal Process in the Midwinter Starfield.” The only thing longer than the title is the piece itself—it’s over three hours! But don’t worry, it doesn’t drone on. Rather, the ambient drone piece creates an entrancing melodic soundscape by patiently exploring the overtones of each D on the piano, in combinations and alone, with the aid of electronics.

The performances are this Friday, April 17 at 8 p.m. and Saturday, April 18 at 7 p.m. at the Chapel Performance Space at the Good Shepherd Center in Wallingford.

Turtle Island Quartet and Simple Measures: It’s Island Time

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Take a much needed vacation from the April showers with a trip to Turtle Island—Turtle Island Quartet, that is. This weekend you can relax to the soothing sounds of this Grammy Award-winning ensemble whose innovative and eclectic music combines the best of classical and jazz.

Since the quartet’s inception nearly 30 years ago, they have cultivated a massive and diverse body of repertoire consisting primarily of original compositions and arrangements by quartet members. This weekend, they are joining forces with musicians from Seattle’s own Simple Measures classical chamber music group to present an evening of captivating “clazzical” music, including a works composed by Turtle Island violinist David Balakrishnan and cellist Mark Summers, as well as octets by the Beatles, Darius Milhaud, and more!

The performances are this Friday, April 17 at Town Hall at 7:30 p.m.and Sunday, April 19 at Mt. Baker Community Club at 2 p.m.


Donald Byrd’s “Carmina Burana” World Premiere

Carmina-Slider2-1024x689When you hear the word “cantata,” you probably think of an old-fashioned, early 17th century vocal work used for church services or other religious occasions—and you’d be correct. But the 20th-century German composer Carl Orff updated this antiquated musical medium in 1935 when he composed his scenic cantata “Carmina Burana,” a 25-movement vocal work based on 24 poems from the medieval poetry collection of the same name.

And now, Seattle’s own Spectrum Dance Theatre is pushing the piece even further: this weekend they are presenting the world premiere of choreographer Donald Byrd’s fully staged “Carmina Burana” in a co-production with Seattle Theatre Group. Byrd reimagines Orff’s popular work, combining music and dance to illustrate a larger narrative: the journey from doubt and disillusionment to restoration of faith in humankind. The performance is scored for two pianos, percussion, and voice, featuring the operatic expertise of singers Cyndia Sieden and José Rubio.

Performances are next Thursday, April 23 through Saturday, April 25 at the Moore Theater. Doors open at 7 p.m. and the show begins at 8 p.m. A matinee show will also take place on Sunday, April 26. Doors open at 1 p.m. and the show begins at 2 p.m.

The Esoterics Present “AGONIA”

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When it comes to expressing the most intimate human experiences of pain and suffering, few artistic media are as compelling as the human voice. But the voice can also be a powerful tool for expressing compassion, joy, and release—and as it turns out, suffering and reprieve are deeply intertwined. This weekend, the Esoterics are performing three modern choral masterworks inspired by medieval poetry on the theme of agony and liberation.

 

The Esoterics’ “AGONIA” program begins with Russian composer Alfred Schnittke’s ghostly, mystical “Verses of Repentance,” a piece which explores contrasts between dark and light, chaos and control, sin and salvation. Next is American composer Ned Rorem’s haunting cycle of madrigals, titled “In Time of Pestilence.” The program ends with the tragic lament and ultimate triumph of South African-born English composer John Joubert’s “Pro Pace Motets.”

“AGONIA” is next Friday, April 24 at St. Stephen’s Episcopal Church in Seattle at 8 p.m. The Esoterics will also perform their “AGONIA” program at Christ Episcopal Church in Tacoma next Saturday, April 25 at 7:30 p.m. and at Holy Rosary Catholic Church in West Seattle next Sunday, April 26 at 3 p.m.