Ecco Chamber Ensemble Makes Waves for Earth Day

by Maggie Molloy

Photo by Dan Mastrian, Jr.

Immerse yourself in the music of water this Saturday at the next On Stage with KING FM concert hosted by Second Inversion! We’re thrilled to welcome to the stage the Ecco Chamber Ensemble in a special Earth Day program featuring music about, inspired by, or in some cases, made from water.

Comprised of soprano Stacey Mastrian, flutist Sarah Bassingthwaighte, and guitarist Mark Hilliard Wilson, the Ecco Chamber Ensemble is dedicated to exploring the intersection of art and social change. For this Saturday’s program, titled Water is Life, the group explores the vital role of water in both our survival and our art, provoking listeners to think critically about humanity’s impact on Earth.

The concert juxtaposes adventurous water works by the likes of John Cage and Alvin Lucier with the oceanic art songs of Gabriel Fauré, Ralph Vaughan Williams, Mario Castelnuovo-Tedesco, Joaquín Rodrigo, José de Azpiazu, and John Corigliano. Also on the program is music of Toru Takemitsu, a composer who seamlessly blended the musical languages of East and West, exploring a “sea of tonality” in many of his works. Plus, the concert features new pieces penned by Ecco members Sarah Bassingthwaighte and guitarist Mark Hilliard Wilson.

Photo by Stacey Mastrian.

Some music on the program is even made from water itself. A world premiere by Stephen Lilly (written specifically for this event) features the ensemble performing alongside a block of melting ice, and audience members are invited to make their own music out of water for a piece composed by Cornelius Cardew.

Not only does the performance inspire audiences to listen to our environment, but it also urges us to take the next step: action. A portion of the proceeds from the concert, as well as audience donations, will go to the People for Puget Sound, a water advocacy group that has worked for the past 20 years on state, county, and municipal levels to create cleaner water for the native species and the humans in this area.

To learn more, we talked with the Ecco Chamber Ensemble about Earth, environmentalism, and the music of water.

Second Inversion: Water exists in many different forms. What are some of the nontraditional instruments or musical elements you are incorporating in this performance in order to capture its essence?

Photo by Britt Olsen-Ecker.

Stacey Mastrian: To quote the character Stefon from Saturday Night Live, “This place has everything”: an egg slicer, a bucket of rocks, bird-warblers, dripping ice, guitar drumming, a plastic bag, an oatmeal container, a photosensitive digital water instrument, and triangles and a pot lid in a bucket of water.

We also have electronic manipulation of the voice and the incorporation of physical theater with related utterances (Cage’s Song Books), recordings of water from all over the region and the use of vases, bowls, etc. (Lucier’s Chambers), and water sounds created digitally via transforming the sound of orating politicians (Lucier’s Gentle Fire, realized by Stephen Lilly, based on an idea of mine). 

Tom DeLio’s work that light for soprano playing percussion incorporates silences that aurally render the visual sparseness of poetry by Cid Corman, an American composer who lived in Japan.  Additionally, the consonants in the work bring to life the onomatopoeic elements of the nature images therein.

Sarah Bassingthwaighte: My piece, H2O, uses primarily unusual sounds, with no traditional notation. Key clicks, tapping on the guitar, rubbing our hands together and slapping our hands against our legs are sounds we’re using to represent rain.  We utilize the unvoiced syllable “p” to represent snow, egg slicer and dissonant harmonics to represent ice, crumpling paper and scraping the edge of a quarter along the string of the guitar to represent frost, bending notes to represent water droplets, and a soup pot with a whisk and spatula to create the sounds of a storm. 


Mark Hilliard Wilson:
My piece Wind and Water features an exploration of stillness and motion and internal drones on the guitar.  In the end it is ultimately an exploration of my testing your patience with having two players play in two different time signatures, or heartbeats if you will. Too often it seems that we hold an opinion that we will not yield on only to find that there can be another perspective that fits equally in the measure, so to speak, but just at a different division.

SI: What makes water compelling to explore through music? 

Stacey Mastrian: The sounds and images.  Water is interwoven throughout every aspect of our life, from our physical makeup, to our tears of joy and sadness, to the multitudinous descriptions of nature that we emphasize in poetry and music.

Mark Hilliard Wilson: Water is so mysterious and yet so normal, so essential to every day. What I find so compelling about water is its mutability.

Photo by Sarah Bassingthwaighte.

SI: What do you hear when you listen to water? Has putting this program together made you hear water differently?

Sarah Bassingthwaighte: Something I’ve noticed since working on this program is the constant presence of water in our lives. I’m listening to the waves of Puget Sound lap against the shore as I type this, I notice the sounds of the creek in the woods as I walk my dog, water as I pour my tea or brush my teeth or wash the dishes. I appreciate the great need for water after I go for a run. I even had the experience this last week, while backcountry skiing for four days, that we were at an elevation higher than any of the rivers or streams and had to melt snow for water for all of our needs. 

Stacey Mastrian: I am more closely aware of water now.  I am paying attention to it in all of its states and “see” the white noise, the distinct variances in dripping, and the changes in pitches and rhythm. This project also likely made people look at me differently, since for a while I was going around recording every single type of water that I encountered!

It definitely has made us all learn more about what is going on with water in our region and around the world, feeling even more strongly about the need for changes on our planet. Since I saw the film Chasing Coral at SIFF last summer (it is on Netflix—watch it!), I started thinking about the water on Earth as an entity that is ill; particularly striking to me was this description:  “A temperature increase of just 2 degrees Celsius may not seem like a lot in the air, but for marine life, this is like living with a constant fever.”  How would we feel going around with a 102.2 degree fever at all times and without having a reprieve for the rest of forever?

Photo by Stacey Mastrian.


SI: This program features a mix of classical works and experimental works. How do these two general styles differ in their interpretations of water?

Sarah Bassingthwaighte: Offhand, it seems to me that the more traditional works refer to water in terms of story—that something happened next to the water’s edge or that the water provided a setting for the story. The more experimental works seem to focus more on the sensory aspects of water (color, sounds, temperature, textures) or on our interpretation of these senses (how water is calming or invigorating).  

Stacey Mastrian: The more traditional works tend to be “about” water, and some of the more experimental works actually use water itself (or objects related to water) as sonic materials or to control some aspect of the work. This concert juxtaposes very new and more adventurous works with gorgeous art songs; with one exception (Fauré’s “Au bord de l’eau”) all of the works are from the 20th and 21st centuries.

Photo by Becca Bassingthwaighte.

SI: Many of the works on this program also feature aleatoric elements—how does this tie in with the concert’s broader themes of water, environmentalism, and social change?

Sarah Bassingthwaighte: A link between what we’re doing and social/environmental issues is that when we play much of this music, we are expected to improvisethat is, the music is affected by the choices we make and is not dictated to us.  Likewise, how we respond to the issues concerning water will require explicit choices and actions that we makeif we want safe drinking water (such as in Haiti), we will have to work to keep the water clean or to decontaminate it. If we’re running out of water (such as in Cape Town) we’ll have to create ways to preserve it. 

In our music, as in these issues surrounding water, we are asked to be resourceful and creative and to take action. 

Stacey Mastrian: Composer Stephen F. Lilly, on his new composition, Melt III:

Humans have spent centuries trying to control water—fixing the paths of some rivers while creating new channels for others, harnessing the power of its currents, and even using it to farm arid land. In this piece that relationship is reversed. The melting block of ice controls the pacing of the instrumentalists, whose dynamic levels and expressive abilities are constrained so as to balance with the delicate sound of dripping. To further bring the role of water to the foreground, the piece begins and ends with the water dripping on an empty stage.

As the crystalline structure of the ice breaks down, drop by drop, so does the ensemble slowly deconstruct the harmonic series of their lowest note–the open E produced by the guitar’s sixth and lowest string. However, this process is viewed as if through a microscope by the slow pacing of the piece, controlled and coordinated by the dripping of ice-melt. Thus, we are much more likely to focus on each individual event as it occurs rather than hear any overall relationship or trend, much in the same way a significant portion of the population cannot see beyond the current weather in their own backyard to the alarming trend threatening their very existence.


Second Inversion presents the Ecco Chamber Ensemble in Water is Life this Saturday, April 21 at 7:30pm at Resonance at SOMA Towers in Bellevue. Click here for tickets.

December New Music: Cello Conspiracies, Mandolin Messiahs, and an Unsilent Night

by Maggie Molloy

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Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

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Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and tag it with “new music.”

Program Insert - December 2017

 

Wayward Music Series
Concerts of contemporary composition, free improvisation, electroacoustic music, and sonic experiments. This month: American gamelan, ambient drones, homemade instruments, and experimental chamber ensembles.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15

UW Percussion Ensemble: John Cage’s ‘The City Wears a Slouch Hat’
Under the direction of Bonnie Whiting, the University of Washington Percussion Ensemble presents a theatrical rendition of John Cage’s recently-discovered radio play The City Wears a Slouch Hat, pairing Cage’s vintage music with brand new works by UW composition students.
Fri, 12/1, 7:30pm, Meany Studio Theater | $10

‘The Saci’ & ‘The Greater Trumps’
New music and modern dance collide in this brand new partnership between Karin Stevens Dance and the Universal Language Project. Their debut collaboration features performances of Jovino Santos-Neto’s Saci – A Brazilian Folktale alongside a new rendition of Stravinsky’s The Soldier’s Tale, reimagined here for the 21st century with a libretto by Doug Thorpe.
Fri, 12/1, 8pm, Cornish Playhouse | $15-$50
Sat, 12/2, 2:30pm, Cornish Playhouse | $15-$50

The Esoterics: EXCELSIS – Contemplating Extremity
The Esoterics cast their choral gaze upward in this program featuring works inspired by spirits, galaxies, comets, and the cosmos. The centerpiece of the program is Pulitzer Prize-winning composer Kevin Puts’ To touch the sky: a nine-movement compendium of celestial feminine poetry.
Fri, 12/1, 8pm, St. Stephen’s Episcopal Church (Seattle) | $15-$22
Sat, 12/2, 8pm, Holy Rosary Catholic Church (West Seattle) | $15-$22
Sun, 12/3, 7pm, Christ Episcopal Church (Tacoma) | $15-$22

On the Boards: Phil Kline’s ‘Unsilent Night’
In this contemporary twist on holiday caroling, audience members each download one of four tracks of music which, when played together, comprise Phil Kline’s ethereal Unsilent Night. Participants meet up with boomboxes and speakers and each hit “play” at the same timethen walk through the streets of Lower Queen Anne creating an ambient, aleatoric sound sculpture.
Sat, 12/2, 6pm, On the Boards | FREE

On Stage with Classical KING FM: Holiday Concert with KING FM Personalities
KING FM personalities step out of the radio booth and onto center stage to perform old and new Christmas carols and festive classical arrangements—including music for dueling cellos, tubas, and even a theremin.
Sat, 12/2, 7:30pm, Resonance at SOMA Towers | $20-$25

Ladies Musical Club: Expressions of Winter
Seattle’s longest-running musical organization celebrates the season with a concert of original winter-inspired works composed by Ladies Musical Club members.
Sun, 12/3, 2pm, Music Center of the Northwest | FREE

Town Music: A Cello Conspiracy
Joshua Roman performs in an all-cello show alongside four of the Seattle Symphony’s superstar cellists: Efe Baltacıgil, Nathan Chan, Meeka Quan DiLorenzo, and Eric Han. Featuring works ranging from Rossini and Paganini to Reena Esmail and Christopher Cerrone, this is one cello showdown you do not want to miss.
Mon, 12/4, 7:30pm, Fremont Abbey Arts Center | $15-$20

UW Modern Ensemble: Messiaen, Stockhausen, Glass
Under the direction of Cristina Valdes, the University of Washington Modern Music Ensemble tackles three iconic masterworks of the 20th century: Olivier Messiaen’s Quartet for the End of Time, Karlheinz Stockhausen’s Tierkreis, and Philip Glass’s Music in Similar Motion.
Tues, 12/5, 7:30pm, University of Washington, Brechemin Auditorium | FREE

Emerald City Music: The Miró Quartet
The world-renowned Miró Quartet performs Kevin Puts’ stunning Credo for string quartet in a vogue, open bar setting alongside classic quartets by Haydn and Schumann.
Fri, 12/8, 8pm, 415 Westlake Ave (Seattle) | $45
Sat, 12/9, 7:30pm, Evergreen State College (Olympia) | $10-$43

Seattle Art Song Society: Together
Seattle Art Song Society celebrates the centennial of Finland’s independence with an evening of art songs and Christmas music penned by Finnish composers ranging from Sibelius to Kilpinen, Merikanto, Nummi, and Kuula.
Sat, 12/9, 7:30pm, Queen Anne Christian Church | $20-$40

Cornish Presents: Quince Contemporary Vocal Ensemble
The four-voice, all-woman Quince Contemporary Vocal Ensemble performs a program of genre-bending new repertoire from the 20th and 21st centuries.
Sat, 12/9, 8pm, Cornish College of the Arts, PONCHO Hall | $5-$20

Seattle Mandolin Orchestra: Mandolin Messiah
Handel’s immortal oratorio comes to life on the plucked strings of the Seattle Mandolin Orchestra in this abridged Messiah performance featuring a cast of four vocal soloists and a whole lot of pizzicato.
Sun, 12/10, 7pm, Green Lake United Methodist Church (Seattle) | $15-$20

Portland Cello Project: Celebrating 20 Years of OK Computer
Portland Cello Project’s massive 800-piece repertoire ranges from Bach to Kanye and beyond. The group celebrates 20 years of Radiohead’s OK Computer with a performance at Benaroya Hall featuring special guests Kyleen King and Adam Shearer.
Sun, 12/10, 7:30pm, Benaroya Hall | $35-$40

NOCCO: Mystics, Servants, & Devils
A week before Winter Solstice, the North Corner Chamber Orchestra presents a program contrasting the old and the new, the magical and the devotional. A world premiere of Jim Knapp’s Noverture is paired with works by Bach, Pärt, and Stravinsky.
Sat, 12/16, 2pm, Magnolia United Church of Christ (Seattle) | $15-$20
Sun, 12/17, 7:30pm, The Royal Room | $15-$20

From John Cage to John Luther Adams: September in Seattle

by Maggie Molloy

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Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

thvLYmNB

Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and tag it with “new music.”

Program Insert - September 2017

 

Racer Sessions
A weekly showcase of original music with a jam session based on the concepts in the opening presentation.
Every Sunday, 8-10pm, Cafe Racer | FREE

Wayward Music Series
Concerts of contemporary composition, free improvisation, electronic/electroacoustic music, and sonic experiments. This month: saxophone sextets, prepared guitar improvisations, music for speaking pianist, and more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15

Untouchable Numbers: Celebrating John Cage
In celebration of what would have been John Cage’s 105th birthday, Seattle’s Ace Hotel hosts a 24-hour marathon of his music in the lobby.
Tues, 9/5, all day, Ace Hotel Seattle | FREE

Opera on Tap
Local singers let their hair down and sing their hearts out, performing famous operatic masterpieces and hidden musical gems alike in a friendly, relaxed atmosphere.
Tues, 9/5, 7:30pm, High Dive Seattle | $5-$8

Seattle Symphony: ‘Star Trek Beyond’
The Seattle Symphony busts out the big screen for a live performance of Star Trek Beyond featuring Oscar-winning composer Michael Giacchino’s soaring new orchestral score.
Wed, 9/13, 7:30pm, Benaroya Hall | $45-$120

Emerald City Music: Not Even the Wind…
Emerald City Music kicks off their second season with a John Luther Adams world premiere inspired by the Sonoran Desert. Chamber works by Bernstein, Norman, Reich, and Dvořák round out the program.
Fri, 9/15, 8pm, 415 Westlake Ave, Seattle | $45
Sat, 9/16, 7:30pm, The Washington Center, Olympia | $28-$43

Seattle New Music Happy Hour
Second Inversion and The Live Music Project host a happy hour for musicians, new music enthusiasts, and curious bystanders alike to come together and expand Seattle’s ever-growing network of artists and musicians.
Tues, 9/19, 5:30pm, Queen Anne Beerhall | Free; Food & drink available for purchase

Celebrating the Life and Songs of Bern Herbolsheimer
Seattle Art Song Society pays tribute to the late Bern Herbolsheimer with a recital featuring vocal works by the celebrated Seattle composer.
Sat, 9/23, 7:30pm, Queen Anne Christian Church | $20-$30

Seattle Classic Guitar Society: Matt Palmer
Guitarist Matt Palmer presents an evening of music by composers from Russia, Brazil, and beyond, including Sergey Rudnev, Olga Amelkina-Vera, Konstantin Vassiliev, Dilermando Reis, and more.
Sat, 9/23, 7:30pm, Nordstrom Recital Hall | $28-$38

New Music for Singing/Speaking Percussionists
Percussionists Bonnie Whiting and Jennifer Torrence perform an evening of world premieres for speaking and singing percussionists, including music for crash cymbals, resonant feedback, small electronic toys, deconstructed language, and more. Plus, an improvisation with DXARTS professor Afroditi Psarra featuring her signature wearable electronics and embroidered synthesizers.
Wed, 9/27, 7:30pm, Meany Studio Theater | $10-$20

Chris Botti with the Seattle Symphony
Grammy Award winner and pop-jazz powerhouse Chris Botti brings his trumpet and his acclaimed band to Benaroya Hall to perform with the Seattle Symphony.
Fri, 9/29, 8pm, Benaroya Hall | $65-$105
Sat, 9/30, 8pm, Benaroya Hall | $65-$105
Sun, 10/1, 2pm, Benaroya Hall | $65-$105

Seattle Pro Musica: Rearranged
Seattle Pro Musica lends their classically-trained voices to Broadway choruses and cabaret solos in this lively evening of show tunes at the Triple Door.
Fri, 9/29, 7:30pm, The Triple Door | $25-$49
Fri, 9/29, 9:15pm, The Triple Door | $25-$49

On Stage with KING FM: Seattle Marimba Quartet
Seattle Marimba Quartet performs a program of modern marimba repertoire from the 20th and 21st centuries, plus marimba arrangements of music by the likes of Bach, Ravel, Saint-Saëns, and more.
Sat, 9/30, 7:30pm, Resonance at SOMA Towers | $20-$25

Concert Preview: Orchestra ROCKS On Stage with KING FM

by Maggie Molloy

Photo by Jason Tang

Rock out with Second Inversion this weekend at our next On Stage with Classical KING FM concert: a rock ‘n’ roll reprise of the Seattle Rock Orchestra Quintet performing with the mesmerizing Tamara Power-Drutis!

Back by popular demand after a rousing concert last season, the band is back to transform popular song into art song, performing a program that reimagines both classic and modern songs as intimate and emotional chamber works born for the recital hall.

So how about a preview? Watch our exclusive videos below of the band performing works last year by Radiohead, Beck, and Jeremy Enigk:

Radiohead (arr. Scott Teske): Nude 

Beck (arr. Bischoff/Teske): Do We? We Do.

Jeremy Enigk (arr. Scott Teske): Ballroom

Plus, listen to the rest of last year’s setlist on-demand below:


Second Inversion presents the Seattle Rock Orchestra Quintet with Tamara Power-Drutis this Saturday, April 15 at 7:30pm at Resonance at SOMA Towers in Bellevue. Click here for tickets.

From John Cage to Afro-Cuban Jazz: Concerts You Do NOT Want to Miss This Season

by Maggie Molloy

Ahh, fall. The leaves are changing, the rain is sprinkling, the sky is cloudy, and the pumpkin spice marketing is in full swing. Those hot summer days are finally behind us and we’re back to our familiar, cozy, flannel-covered fall in Seattle. After all, October is a time for new beginnings, new adventures, and—most importantly—new music.

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Seattle’s 2016-2017 concert season is jam-packed with fresh new music of every shape, style, and structure (or lack thereof). From John Cage to Afro-Cuban jazz,  Astor Piazzolla to Andy Warhol, Benjamin Britten to Brazilian poetry—there is something for everyone. Here are some of our top picks for the season:

On Stage with KING FM: Second Inversion is thrilled to host two concerts this year as part of the second season of On Stage with Classical KING FM! In March, we’ll present the Seattle Marimba Quartet with an eclectic program of classical favorites, modern marimba repertoire, and interactive drumming rhythms drawing from Afro-Cuban, Brazilian, and African musical traditions.

Then in May, back by popular demand, we present the Seattle Rock Orchestra Quintet with the mesmerizing Tamara Power-Drutis for a program that transforms pop songs into art songs, reimagining both classic and modern tunes as intimate chamber works for the recital hall. Check out our videos from last season for a sneak-peek of what you can expect.

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Seattle Symphony: Ditch the conventional concert-going experience of strict seating, fancy attire, and three-hour long performances with Seattle Symphony’s [Untitled] concert series. This season you can catch landmark works by Witold Lutosławski (arguably Poland’s most innovative composer since Chopin), drench yourself in the dramatic soundscapes of Polish composer and singer Agata Zubel, explore the wide-ranging musical styles of Soviet era composers, and even enter into the twisted worlds of two of America’s most confounding cultural icons: pop artist Andy Warhol and jazz pianist Thelonious Monk.

And speaking of jazz: Seattle Symphony will also co-present their annual Sonic Evolution concert with Earshot Jazz this November. Grace Love and the Garfield High School Jazz Band join the symphony for an evening celebrating two extraordinary Seattle musicians: the incomparable composer and record producer Quincy Jones and the legendary blues singer Ernestine Anderson, both of whom attended Garfield High School.

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Meany Center for the Performing Arts: Formerly known as the UW World Series, Meany Center is still just as committed as ever to bringing music from around the world to their Seattle stage. In November, they’ll feature the Grammy-nominated Imani Winds quintet, known around the globe for their dynamic playing, culturally conscious programming, and adventurous collaborations. Argentine tango composer Astor Piazzolla, Cuban-born jazz saxophonist Paquito D’Rivera, and Palestinian-American oud and violin virtuoso Simon Shaheen are just a few of the composers listed on this program.

In January, the New York-based Jack Quartet presents an evening of composed and improvised music along with visiting artists from the internationally acclaimed Six Tones Ensemble and UW School of Music faculty members Richard Karpen, Juan Pampin, Cuong Vu, and Ted Poor. And if you can’t make it to these concerts, don’t sweat—Second Inversion will be broadcasting them live on our online stream.

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John Cage Musicircus: Come one, come all to the John Cage Musicircus this November 19! This multimedia concert “happening” features over over 60 musicians, dancers, performance artists, and poets simultaneously performing pieces from Cage’s expansive body of work, including the Sonatas and Interludes for prepared piano, In a Landscape for (unprepared) piano, Child of Tree for amplified cactus, Third Construction for unorthodox percussion instruments, Cartridge Music for amplified small sounds, 45’ For A Speaker for spoken voice, and much more!

Performers will be stationed all over Town Hall, with audience members encouraged to explore how the sonic and visual experience shifts as they wander freely throughout the building. Plus, Second Inversion’s own Maggie Molloy will present the pre-concert lecture, perform two piano works, and distribute free copies of her John Cage Diary series as a zine for audience members to take home!

john-cage-musicircusNorth Corner Chamber Orchestra: Celebrate those cozy winter nights with NOCCO’s annual Solstice Celebration, this year featuring the music of Stravinsky, Respighi, Bach, and Seattle composer Angelique Poteat. Then in February for Black History Month, NOCCO performs a program featuring a newly commissioned work by local composer Hanna Brenn and performance artist C. Davida Ingram alongside classics by two Pulitzer Prize-winning African American composers: Scott Joplin and George Walker. And in April, their season wraps up with a brand new world premiere by NOCCO’s principal clarinetist and composer, Sean Osborn, along with well-loved works by Rossini and Haydn.

noccoSeattle Modern Orchestra: These guys are starting their season off with a bang: three new premieres by living composers. First, a U.S. premiere by Lithuanian composer Vykintas Baltakas, then a West Coast premiere by German composer Wolfgang Rihm, followed by a world premiere by American composer Andrew Waggoner featuring Grammy-winning guest pianist Gloria Cheng.

The rest of the season features cutting-edge collaborations with University of Washington’s Solaris Vocal Ensemble and the Paris-based clarinetist Carol Robinson, a world premiere by SMO co-artistic director Jérémy Jolley, the 80th birthday of legendary Seattle trombonist Stuart Dempster, the 90th birthday of renowned Seattle clarinetist and composer William O. “Bill” Smith, and the centennial celebration of American composer Robert Erickson.

gloria-chengUniversal Language Project: ULP is back for another season of interdisciplinary and out-of-the-box collaborations between 21st century musicians and artists of all disciplines. In October: a multi-media work by Marcus Oldham about racial reconciliation (featuring Second Inversion regulars the Skyros Quartet). In January, composer Chris Stover showcases his works for chamber jazz ensemble featuring spoken word, found sounds, and dance inspired by Brazilian poets. Then in March, the season wraps up with a surreal, outer space-inspired performance featuring artist Erin Jorgensen with local musicians, the overtones of her 5-octave marimba merging with intimate whispering and beautifully minimal music in a small stab towards enlightenment.

erin-jorgensenEmerald City Music: Now in its inaugural season, Emerald City Music is on a mission to make classical chamber music accessible to broader audiences in Seattle and Olympia. And they’re not wasting any time: their inaugural season features 45 renowned guest artists from around the world. Each of the concerts offers a uniquely thematic glimpse into the chamber music repertory, featuring classical masterworks and newly composed music alike. Bookended by concerts featuring familiar works by Bach and Beethoven, this year you can also expand your classical music palette with cutting-edge performances of works by the likes of Henri Dutilleux, Thomas Adès, Benjamin Britten, Bohuslav Martinů, Percy Grainger, David Schiff, Per Nørgård, Ryan Francis, Thomas Koppel, and more.

dover-quartetTown Music Series: Curated by Second Inversion Artistic Advisor Joshua Roman, the Town Music Series programs cutting-edge and virtuosic chamber works which bring together the best of old and new classical traditions. Their 2016-2017 season kicks off with cellist Joshua Roman joined by violinist Caroline Goulding for an evening of dynamic duets by Halvorsen, Kodály, and Ravel. Stay tuned for details on the rest of the season!

joshua-romanWayward Music Series: If you’ve got wayward or otherwise unconventional music taste, the Wayward Music Series will keep you satiated all year long. Check their online calendar or subscribe to their newsletter for specifics on upcoming events, which span the new music gamut from contemporary classical to the outer limits of jazz, electroacoustic experiments to explorations of the avant-garde, eccentric instruments to unorthodox sound art, multimedia collaborations and much more.

wayward-music-seriesThese are just a handful of the new music happenings we’re most looking forward to this season—for more up-to-the-minute details on experimental, avant-garde, and otherwise unconventional music events around the Northwest, check out Second Inversion’s full event calendar!

Second Inversion presents Seattle Rock Orchestra Quintet & Tamara Power-Drutis (Saturday, April 9, 8pm)

by Maggie Stapleton

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For nearly 70 years, KING FM has been Seattle’s classical radio station. In this day and age, radio stations are becoming much more than boxes that play music. 

Our latest venture is a concert series of intimate performances at Bellevue’s newest concert hall, RESONANCE at SOMA Towers. Throughout the 2015-16 season, each concert has spotlighted brilliant local musicians and includes a little something extra, whether it’s food, wine, dancing or exclusive talks. Early Music Underground kicked off the season with a music and wine pairing, KING FM hosts Lisa Bergman, Dave Beck, and Bryan Lowe came out of the broadcast booth and onto the stage with their instruments. A Viennese New Years Waltz kicked off 2016 with style and grace. Musical husband-wife duos took the stage for a Valentine’s Day celebration. The Sempre Sisters, Brandon Vance & Eliot Grasso, and Magical Strings infused classical music with Irish fervor for a happy hour concert during the week of St. Paddy’s day.

And now, on Saturday, April 9 at 8pm, to close the season, Second Inversion is taking over and bringing some cross-genre fusion to RESONANCE with the Seattle Rock Orchestra Quintet featuring the inimitable, versatile vocalist Tamara Power-Drutis. These fine musicians will transform popular song into art song, performing a program that reimagines the work of artists such as Radiohead, Beck, Bjork and others as intimate and emotional chamber works born for the recital hall. 

Join us there!