November New Music: Prepared Piano, Electric Theorbo, & More

by Maggie Molloy

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Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

thvLYmNB

Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and tag it with “new music.”

New Music Flyer – November 2017

 

Wayward Music Series
Concerts of contemporary composition, free improvisation, and sonic experiments. This month: wind improvisations, sleepy music podcasts, jazz-infused songs on war and poetry, and electroacoustic ruminations on West Coast minimalism.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15

World New Music Days: Vancouver, BC
Not technically in Seattlebut definitely worth the drive. Nearly 50 countries come together for this festival of new music, which features over 30 experimental concerts and outreach events.
Thurs-Wed, 11/2-11/8, Vancouver, BC | $10-$39

Live @ Benaroya Hall: Hauschka
German pianist and composer Volker Bertelmann (better known as Hauschka) takes prepared piano to a whole new level, employing everything from ping pong balls to Tic Tacs and tin foil to create stunning new sonic landscapes.
Fri, 11/3, 7:30pm, Nordstrom Recital Hall | $25-$30

Peter Nelson-King: Modern American Piano
Multi-instrumentalist and composer Peter Nelson-King presents a concert of daring modern American works for the piano, featuring music by Dane Rudhyar, Stephen Jaffe, David Diamond, Hugo Weisgall, and more.
Fri, 11/3, 8pm, Gallery 1412 | $5-$15

Pacific Northwest Ballet: Her Story
PNB presents the American premiere of Crystal Pite’s haunting Plot Point, set to music from Alfred Hitchcock’s Psycho. The spellbinding program also features music by Benjamin Britten and Vladimir Martynov.
Weekends 11/3-11/12, McCaw Hall | $30-$187

Saratoga Orchestra: Un/Questionable Visionaries
Oak Harbor-based horn player Sean Brown performs his new Horn Concerto with the Saratoga Orchestra. Symphonies by Mozart and Louise Farrenc frame this world premiere performance.
Sat, 11/4, 7pm, Trinity Lutheran Church Freeland | By donation

Kronos Quartet
Known around the world for their adventurous programming, the San Francisco-based Kronos Quartet comes to Federal Way to share a bold program of string music ranging from George Gershwin to Aleksandra Vrebalov.
Sat, 11/4, 8pm, Federal Way Performing Arts and Event Center | $17-$73

Music of Remembrance: Snow Falls
Two world premieres by Japanese composers form the basis of this powerful program. Ryuichi Sakamoto’s Snow Falls is based around Kiyoko Nagase’s haunting poem of the same name, while Keiko Fujiie’s song cycle Wilderness Mute features English translations of Japanese poetry from Hiroshima and Nagasaki.
Sun, 11/5, 7pm, Nordstrom Recital Hall | $30-$45

Cornish Presents: Projeto Arcomusical
World music sextet Projeto Arcomusical reimagines the Afro-Brazilian berimbau through a program of original chamber music which draws from folk, classical, and traditional capoeira music.
Sun, 11/5, 7:30pm, Performing Arts Center, Western Washington University | $10-16
Mon, 11/6, 8pm, Cornish College of the Arts’ Kerry Hall | $10-$20

Opera on Tap
Local singers let their hair down and sing their hearts out, performing famous operatic masterpieces and hidden musical gems alike in a friendly, relaxed atmosphere.
Wed, 11/8, 7pm, Naked City | $5-$8

Early Music Seattle: Forces of Nature
Music and meteorology intertwine in this concerto for electric theorbo by Seattle-based composer Aaron Grad. Inspired by Vivaldi’s famous Four Seasons (adapted here to portray the idiosyncratic weather patterns of Seattle), each movement features its own sonnet narrated by Former KING 5 meteorologist Jeff Renner.
Sat, 11/11, 7:30pm, Nordstrom Recital Hall | $20-$40

Seattle Symphony: DeVotchKa
Denver-based indie rock band DeVotchKa joins forces with the Seattle symphony to transform their intimate melodies into a full-scale orchestral experience.
Wed, 11/15, 7:30pm, Benaroya Hall | $35-$50

Seattle Symphony: Harry Potter
Wizards rejoice! Seattle Symphony breaks out the big screen for Harry Potter and the Chamber of Secrets, performing John Williams’ iconic score alongside the movie.
Thurs-Sat, 11/16-11/18, 7:30/8pm, Benaroya Hall | $50-$120

Cornish Presents: Frequency
Frequency is a new Seattle-based chamber ensemble combining the talents of violinist Michael Jinsoo Lim, violist Melia Watras, and cellist Sæunn Thorsteinsdóttir. In this program, the group lends their bows to music by Daníel Bjarnason, Frances White, and Richard Einhorn.
Fri, 11/17, 8pm, Cornish College of the Arts’ Kerry Hall | $10-$20

Kin of the Moon Debut Concert
Three cutting-edge and iconoclastic women performers come together for a new chamber series that explores sonic rituals, improvisation, and a fearless cross-pollination of genres. Composer and vocalist Kaley Lane Eaton, flutist Leanna Keith, and violist Heather Bentley perform original works, improvisations, and a piece by Kate Soper.
Sat, 11/18, 8pm, Good Shepherd Chapel | $5-$15

UW School of Music: Hindustani Classical Music
Ethnomusicology visiting artist Zakir Hussain is known in India and around the world as a virtuoso tabla player, percussionist, and composer. In this program he performs the tabla solo and also presents the culmination of his work with UW faculty and students.
Sun, 11/19, 7:30pm, Meany Theater | $10-$35

From John Cage to John Luther Adams: September in Seattle

by Maggie Molloy

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Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

thvLYmNB

Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and tag it with “new music.”

Program Insert - September 2017

 

Racer Sessions
A weekly showcase of original music with a jam session based on the concepts in the opening presentation.
Every Sunday, 8-10pm, Cafe Racer | FREE

Wayward Music Series
Concerts of contemporary composition, free improvisation, electronic/electroacoustic music, and sonic experiments. This month: saxophone sextets, prepared guitar improvisations, music for speaking pianist, and more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15

Untouchable Numbers: Celebrating John Cage
In celebration of what would have been John Cage’s 105th birthday, Seattle’s Ace Hotel hosts a 24-hour marathon of his music in the lobby.
Tues, 9/5, all day, Ace Hotel Seattle | FREE

Opera on Tap
Local singers let their hair down and sing their hearts out, performing famous operatic masterpieces and hidden musical gems alike in a friendly, relaxed atmosphere.
Tues, 9/5, 7:30pm, High Dive Seattle | $5-$8

Seattle Symphony: ‘Star Trek Beyond’
The Seattle Symphony busts out the big screen for a live performance of Star Trek Beyond featuring Oscar-winning composer Michael Giacchino’s soaring new orchestral score.
Wed, 9/13, 7:30pm, Benaroya Hall | $45-$120

Emerald City Music: Not Even the Wind…
Emerald City Music kicks off their second season with a John Luther Adams world premiere inspired by the Sonoran Desert. Chamber works by Bernstein, Norman, Reich, and Dvořák round out the program.
Fri, 9/15, 8pm, 415 Westlake Ave, Seattle | $45
Sat, 9/16, 7:30pm, The Washington Center, Olympia | $28-$43

Seattle New Music Happy Hour
Second Inversion and The Live Music Project host a happy hour for musicians, new music enthusiasts, and curious bystanders alike to come together and expand Seattle’s ever-growing network of artists and musicians.
Tues, 9/19, 5:30pm, Queen Anne Beerhall | Free; Food & drink available for purchase

Celebrating the Life and Songs of Bern Herbolsheimer
Seattle Art Song Society pays tribute to the late Bern Herbolsheimer with a recital featuring vocal works by the celebrated Seattle composer.
Sat, 9/23, 7:30pm, Queen Anne Christian Church | $20-$30

Seattle Classic Guitar Society: Matt Palmer
Guitarist Matt Palmer presents an evening of music by composers from Russia, Brazil, and beyond, including Sergey Rudnev, Olga Amelkina-Vera, Konstantin Vassiliev, Dilermando Reis, and more.
Sat, 9/23, 7:30pm, Nordstrom Recital Hall | $28-$38

New Music for Singing/Speaking Percussionists
Percussionists Bonnie Whiting and Jennifer Torrence perform an evening of world premieres for speaking and singing percussionists, including music for crash cymbals, resonant feedback, small electronic toys, deconstructed language, and more. Plus, an improvisation with DXARTS professor Afroditi Psarra featuring her signature wearable electronics and embroidered synthesizers.
Wed, 9/27, 7:30pm, Meany Studio Theater | $10-$20

Chris Botti with the Seattle Symphony
Grammy Award winner and pop-jazz powerhouse Chris Botti brings his trumpet and his acclaimed band to Benaroya Hall to perform with the Seattle Symphony.
Fri, 9/29, 8pm, Benaroya Hall | $65-$105
Sat, 9/30, 8pm, Benaroya Hall | $65-$105
Sun, 10/1, 2pm, Benaroya Hall | $65-$105

Seattle Pro Musica: Rearranged
Seattle Pro Musica lends their classically-trained voices to Broadway choruses and cabaret solos in this lively evening of show tunes at the Triple Door.
Fri, 9/29, 7:30pm, The Triple Door | $25-$49
Fri, 9/29, 9:15pm, The Triple Door | $25-$49

On Stage with KING FM: Seattle Marimba Quartet
Seattle Marimba Quartet performs a program of modern marimba repertoire from the 20th and 21st centuries, plus marimba arrangements of music by the likes of Bach, Ravel, Saint-Saëns, and more.
Sat, 9/30, 7:30pm, Resonance at SOMA Towers | $20-$25

Electroacoustic Operas, Space Odysseys, and More: Summer Music in Seattle

SI_button2Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

thvLYmNB

Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and be sure to tag it with “new music.”


June-July 2017 New Music Flyer

Racer Sessions
A weekly showcase of original music with a jam session based on the concepts in the opening presentation.
Every Sunday, 8-10pm, Cafe Racer | FREE

Wayward Music Series
Concerts of contemporary composition, free improvisation, electronic/electroacoustic music, & more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15

Harry Partch Celebration: Works Arranged for Partch’s Instruments
The UW School of Music and the Harry Partch Ensemble, under the direction of Charles Corey, perform three different concerts on the Partch instruments collection, including music by Partch, Lou Harrison, James Tenney, and more.
Wed, 5/31, 7:30pm, Meany Studio Theater | $10
Thurs, 6/1, 7:30pm, Meany Studio Theater | $10
Fri, 6/2, 7:30pm, Meany Studio Theater | $10

Seattle Pacific University: Symphony of Psalms (World Premiere)
In commemoration of SPU’s 125th anniversary, university ensembles perform a new work for choirs and orchestra by SPU Professor Emeritus Dr. Eric Hanson.
Fri, 6/2, 7:30pm, First Free Methodist Church | Free

Kaley Lane Eaton: Lily (World Premiere)
Lily is a brand-new electroacoustic opera by Seattle Composer Kaley Lane Eaton based on the experiences of Eaton’s great-grandmother, an immigrant to the US who fled Europe at the start of the second world war.  Performance includes projected images by Rian Souleles.
Fri, 6/2, 8pm, Good Shepherd Chapel | $5-15

Seattle Modern Orchestra: Mystic Clarinet featuring Carol Robinson
Paris-based clarinetist Carol Robinson joins SMO for works centered around Italian Composer Giacinto Scelsi, including a world premiere composed by SMO Co-Artistic Director Jérémy Jolley.
Sat, 6/3, 8pm, Good Shepherd Chapel | $10-$25

Seattle Symphony: The Merriman Family Young Composers Workshop Concert
Players from Seattle Symphony perform 10 world premieres by composers under the age of 18. Presented in partnership with the Harry Partch Instrumentarium currently in residence at UW, under the direction of Charles Corey.
Mon, 6/5, 7pm, Nordstrom Recital Hall | Free (RSVP encouraged)

Town Music: Every New Beginning (with SYSO)
Curated and conducted by Seattle favorite Joshua Roman, current Seattle Youth Symphony Orchestra members, alumni, and professional mentor artists perform works by a diverse group of living composers, including Pulitzer-winner Caroline Shaw and Gregg Kallor, who contributes a world premiere.  Also broadcast LIVE on Second Inversion.
Wed, 6/21, 7:30pm, Town Hall | $5-$20

Seattle Symphony: Ligeti’s Requiem
Paired with the fifth symphony of Gustav Mahler, the Seattle Symphony and Chorale perform György Ligeti’s Requiem under the baton of Music Director Ludovic Morlot.
Thurs, 6/22, 7:30pm, Benaroya Hall | $37-$122
Fri, 6/23, 8pm, Benaroya Hall | $37-$122
Sat, 6/24, 8pm, Benaroya Hall | $37-$122

Seattle Symphony: 2001: A Space Odyssey LIVE
Join Seattle Symphony for a screening of Kubrick’s masterpiece with the score played live.  The mind-bending classic prominently features György Ligeti’s Atmospheres.
Fri, 6/30, 8pm, Benaroya Hall | $38-$128
Sat, 7/1, 8pm, Benaroya Hall | $38-$128

Seattle Symphony: Helen Grime U.S. Premiere
Alongside works by Felix Mendelssohn and Carl Nielsen, Thomas Dausgaard leads the symphony in the U.S. premiere of Helen Grime’s “Snow” from Two Eardley Pictures, which had its world premiere at BBC Proms last summer.
Thurs, 7/1, 7:30pm, Benaroya Hall | $22-$122
Fri, 7/1, 12pm, Benaroya Hall | $22-$122
Sat, 7/1, 8pm, Benaroya Hall | $22-$122

Seattle Chamber Music Society Summer Festival: Recitals and Concerts
SCMS offers a variety of new music in this summer’s series, including multiple pieces by Aaron Jay Kernis and Lisa Bielawa (one is a world premiere), and Messiaen’s Quartet for the End of Time.
Mon, 7/3, 7pm, Nordstrom Recital Hall | Free
Mon, 7/10, 7pm and 8pm, Nordstrom Recital Hall | Free-$52
Mon, 7/24, 8pm, Nordstrom Recital Hall | $16-$52
Wed, 7/26, 8pm, Nordstrom Recital Hall | $16-$52

Jesse Myers & Stacey Mastrian: Living in America & Binary Solo+
In a double-header concert, pianist Jesse Myers and soprano Stacey Mastrian share the bill.  Myers performs solo piano music of John Adams, Glass, Reich, Christopher Cerrone, and Mizzy Mazzoli, while Mastrian performs wide-ranging music for solo voice with electronics and piano.
Wed, 7/12, 7:30pm, The Royal Room | Free

New Composed Music: May 2017 Seattle * Eastside * Tacoma

SI_button2Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

thvLYmNB

Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and be sure to tag it with “new music.”


Program Insert - May 2017

Racer Sessions
A weekly showcase of original music with a jam session based on the concepts in the opening presentation.
Every Sunday, 8-10pm, Cafe Racer | FREE

Wayward Music Series
Concerts of contemporary composition, free improvisation, electronic/electroacoustic music, & more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15

Eighth Blackbird with Will Oldham (Bonnie “Prince” Billy)
Will Oldham joins Eighth Blackbird for half the program with original songs and Frederic Rzewski’s Coming Together. The program also includes Bryce Dessner’s Murder Ballades, and David Lang’s Learn to Fly.
Thursday, 5/4, 7:30pm, The Neptune Theatre | $33.50

Harry Partch’s Oedipus: A Musical Theater Drama
The UW School of Music presents the rarely performed Oedipus by Harry Partch after the play by Sophocles. This performance is a “multi-genre theatrical work” featuring a unique collection of Harry Partch’s handmade instruments currently in residence at UW.
Friday, 5/5, 7:30pm, Meany Theater | $10-$20
Saturday, 5/6, 7:30pm, Meany Theater | $10-$20
Sunday, 5/7, 2:00pm, Meany Theater | $10-$20

Seattle Classical Guitar Society Presents Antigoni Goni
Award winning guitarist and renowned pedagogue Antigoni Goni performs a solo recital including music by contemporary Greek composers and others.
Saturday, 5/6, 7:30pm, Nordstrom Recital Hall, Benaroya Hall | $38

Angelo Rondello: Music of Our Sister Cities
Seattle Music Exchange Project presents pianist Angelo Rondello.  The program includes music of Seattle’s sister cities in Italy, Japan, Hungary, and Norway.
Thursday, May 11, 7:30pm, Nordstrom Recital Hall, Benaroya Hall | $20-$42

Seattle Symphony: Celebrate Asia
Seattle Symphony is joined by Indian composer, producer, and performer A. R. Rahman is their ninth annual celebration of the musical traditions of Asia, focusing this year on India and Japan.
Friday, 5/12, 7:00pm, Mark S. Taper Auditorium, Benaroya Hall | $40-$105

DXARTS: Music of Today
The UW School of Music and The Center for Digital Arts and Experimental Media (DXARTS) present a concert of audio and video by current DXARTS students and alumni.
Friday, 5/12, 7:30pm, Meany Theater | $10-$15

Gamelan Pacifica: Lou Harrison at 100 Years
Celebrate the centenary of Lou harrison with a rare opportunity to experience his music for gamelan and percussion live.
Saturday 5/13, 8:00pm, Good Shepherd Chapel | $5-$15

Seattle Rock Orchestra Performs The Beatles
In a Seattle Mother’s Day tradition, Seattle Rock Orchestra performs the Beatles.  Bring your mom.
Saturday, 5/13, 8:00pm, Moore Theatre | $25
Sunday, 5/14, 2:00pm, Moore Theatre | $25

Nat Evans’s Vertical Saxophone Aura Readings at Seattle Art Museum
Nat Evans presents an interactive work for saxophonists on escalators. Two saxophone players serve as personal sound escorts to museum patrons on the escalators leading up to the Seeing Nature exhibition.
Thursday, 5/18, 7:00pm, Seattle Art Museum | free-$20

Ecco Chamber Ensemble: Enough is Enough
Ecco ends their inaugural season with music that protests modern violence and points toward peace, including a premiere by Seattle composer Sarah Bassingthwaighte.
Saturday, May 20, 2:00pm, St. John United Lutheran Church, | $15

Seattle Metropolitan Chamber Orchestra: SPARK.1
This Capitol Hill performance marks the first event in SMCO’s genre-bending SPARK series.  Live SMCO musicians are joined by local DJ Suttikeeree and the Skylark Horn Quartet.
Saturday, May 20, 8:00pm, Fred Wildlife Refuge (21+) | $25

New Composed Music: March 2017 Seattle * Eastside * Tacoma

SI_button2Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

thvLYmNB

Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and be sure to tag it with “new music.”


 

Racer Sessions
A weekly showcase of original music with a jam session based on the concepts in the opening presentation.
Every Sunday, 8-10pm, Cafe Racer | FREE

Wayward Music Series
Concerts of contemporary composition, free improvisation, electronic/electroacoustic music, & more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15
waywardmusic.org (check website for complete listings)

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Utterances
James Falzone and Bonnie Whiting present a seamless evening of original, composed, and improvised music based on text, spoken word, and translation.
Thurs, 3/2, 8pm, Good Shepherd Chapel | $5-$15
waywardmusic.org

4
The Sound Ensemble: From Page to Stage
TSE melds the artistic mediums of art and literature in this concert in which each piece is inspired by texts from different authors.
Sat, 3/4, 7pm, Good Shepherd Chapel | $5-$15

5
sound|counterpoint: The Red Earth Project
Curated by Seattle composer Adam Haws, this program spans centuries and genres with a re-imagining of Bach, tunes from jazz and rock greats, & more.
Sun, 3/5, 4pm, Waterfront Park Community Center, Bainbridge Island | $10-$20

8
Second Inversion Presents: Gabriel Kahane
Kahane presents his song cycle Craigslistlieder, Schumann’s Dichterliebe, and songs from previous albums and brand new, unreleased material.
Weds, 3/8, 7:30pm, The Triple Door | $15-$18

11
On Stage with KING FM: Seattle Marimba Quartet
SMQ showcases classical favorites and modern marimba repertoire from the 20th and 21st centuries plus drumming styles from around the world.
Sat, 3/11, 7:30pm, Resonance at SOMA Towers, Bellevue | $20

11
Seattle Modern Orchestra: Double Portrait
SMO celebrates the centennial of American composer Robert Erickson and the 80th birthday of legendary Seattle trombonist and composer Stuart Dempster.
Sat, 3/11, 8pm, Good Shepherd Chapel | $10-$25

11
Sound of Late: 2000 Moving Parts
Harpist Jennifer Ellis invites the audience to experience the customarily inaudible elements of this grand instrument. Music by Ellis, Andrew Stiefel & more.
Sat, 3/11, 8pm, FLUTTER Studios | $15

17
Seattle Metropolitan Chamber Orchestra: Hearing Nature
SMCO partners with Seattle Art Museum to trace the natural inspirations of composers of four different time periods, comparing their music to the visual art of their contemporaries.
Fri, 3/17, 8pm, First Free Methodist Church | $15-$20

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Cursive: Tall Wind
Specializing in performing hidden gems of modern classical music, Cursive presents a unique program inspired by the passions and unease of changing seasons.
Thurs, 3/23, 8pm, Good Shepherd Chapel | $5-$15

24-26
Choral Arts Northwest: A Kipling Passion
John Muehleisen uses the passion form to explore how we might find healing in the face of unspeakable tragedy, honoring and bringing voice to veterans and families.
Fri, 3/24, 8pm, Plymouth Church, Seattle | $24-$28
Sat, 3/25, 8pm, Everett First Presbyterian | $24-$28
Sun, 3/26, 2pm, Our Lady Star of the Sea, Bremerton | $24-$28

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Philharmonia Northwest: An Afternoon of PDQ Bach
Philharmonia Northwest presents the West Coast premiere of PDQ Bach’s Concerto for Simply Grand Piano and Orchestra with pianist Jeffrey Biegel.
Sat, 3/25, 2pm, Benaroya Hall | $20-$30

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Universal Language Project: Undertones
Marimba sounds merge with intimate whispering, stream-of-consciousness thoughts, DIY life philosophy, and beautifully minimal music. Featuring Erin Jorgensen and curated by Jim Holt.
Fri, 3/31, Resonance at SOMA Towers, Bellevue | $15-$20
Sat, 4/1, Cornish Playhouse’s Alhadeff Studio | $15-$25

Seattle Sounds and Musical Utterances: Q&A with James Falzone and Bonnie Whiting

“There is a ‘sound’ here, no doubt,” says James Falzone of Seattle’s distinctive new music scene. “It is one I would describe as patient and less influenced by the frenetic energy that you might find in a city with less vistas.”

Photo on left by Patrick Monaghan.

Those famous Northwest vistas are relatively new to clarinetist/composer James Falzone and percussionist Bonnie Whiting, each of whom recently moved here from the Midwest to serve as educators at two major academic institutions: Falzone as the new Chair of Music at Cornish College of the Arts and Bonnie Whiting as the Chair of Percussion Studies and Artist in Residence at the University of Washington.

Both powerful players in contemporary and experimental music circles, Falzone and Whiting first met at one of our New Music Happy Hours (co-presented with the Live Music Project)—and their conversation led to a musical collaboration which premieres this Thursday, March 2 at the Wayward Music Series.

Utterances is the name of the performance, which combines original, composed, and improvised music based on text, spoken word, and translation. The program merges the distinct sounds and styles of each musician: Falzone known for his matchless musical fusion of jazz, classical, and world music traditions, and Whiting for her interdisciplinary performances which often venture into nontraditional notation and instrumentation.

The concert program opens and closes with duo improvisations that expand, challenge, and subvert the traditional roles of clarinet and percussion. In between are solo sets featuring original works by Falzone, Whiting, and other composers, along with a performance by Falzone’s jazz-infused clarinet and saxophone sextet the Renga Ensemble.

We sat down with both artists to talk about Seattle sound experiments, unusual instruments, and musical utterances:

Second Inversion: You are both relatively new to Seattle, each serving as educators at two major academic institutions in the Northwest.  What do you find most inspiring about your respective new roles, and what do you hope to accomplish?

Photo by William Frederking.

James Falzone: Cornish has a legacy unlike any other institution, connected to the very heart of American experimentalism. Being the steward of that legacy is something I find very exciting but also humbling, and I intend to take good care of it. This means learning from that legacy and continuing the sense of openness, experimentation, and disruption that Cornish has always represented.

Bonnie Whiting: There are already so many fabulous opportunities that exist for percussionists at UW: the Harry Partch instrument collection on campus, a partnership with the Seattle Symphony, opportunities to perform with groups like the steel band and gamelan ensembles through the ethnomusicology department, and an ever-expanding jazz program.

I’m excited to teach, create, and perform new music by living composers alongside historical works from the 20th century. I also plan more touring and outreach for the percussion ensemble. In March, we’ll perform and lead a hands-on workshop for Tent City 3 (currently hosted on the UW campus.) I’ve been giving workshops in local high schools and middle schools, and we are going to be featured at the Northwest Percussion Festival in April.

In addition to my work with the students, it’s thrilling to have such great faculty colleagues. It’s an incredible scene for new music and improvised music, and I’ve met so many dream collaborators. Right now, I’m working on a project with another new faculty member in the DX Arts program: Afroditi Psarra. She has these incredible embroidered synthesizers and works with sensors, and so integrating these into a percussive soundscape has been fascinating.


SI: What do you find most unique or inspiring about the Northwest’s new music scene?

JF: There is a “sound” here, no doubt. It is one I would describe as patient and less influenced by the frenetic energy that you might find in a city with less vistas. I’m hearing this in composed music, in improvised music, in the soundscape around me; even in the way people speak.

Artists seem hard at work here, presenting their ensembles and music and building a sense of community, attributes of a healthy, vibrant scene. I’m delighted to be a part of it as an artist, and hope to use my role at Cornish to be of service. The wonderful NUMUS Northwest event—which, though not sponsored by Cornish, was held there as a means of service to the community—is an example of what I want to see Cornish doing more of in the future.

Solo improvisation by James Falzone, inspired by the writing of Christian Wiman:


SI: How did this collaboration come about, and how would you describe the music you’re creating together in this performance?

BW: James happened to sit across from me at a New Music Happy Hour last fall, and we had a great conversation. I had heard of him and was familiar with his music; we both moved from the Midwest and moved in similar experimental music circles but hadn’t yet had the pleasure of collaborating.

Earlier this month, we opened the Seattle Improvised Music Festival with a duo set and it was a real joy. One of the elements that has developed (that I love) is the way we subvert the traditional roles played by a percussionist and a wind player. Often, he’ll play rhythmic, groove figures while I make distorted long tones. He’s also happy to move while playing and explore the space. It’s been fun to find percussion instruments that can travel too.

Transcription of an electronic audio score by Richard Logan-Greene. Original realization and performance by Bonnie Whiting:


SI: The Renga Ensemble features six clarinets/saxophones—what is it about this instrument combination that grabs you and pulls you in?

JF: I love homogenous sounding ensembles, though I know many composers do not. The sound of six single reeds resonating together offers far more color than one might imagine. But Renga Ensemble, both in its original state and now with this Seattle mix of players, has always been about personality coming through the texture by way of improvisation.

All of the music I’ll be presenting incorporates improvisation, mixed with through-composed elements, and this back and forth—this teetering between the “already” and the “not yet”—is what my work focuses on. For me, improvisation brings forth a musician’s personality like nothing else can and the challenge I set for myself in the Renga music is to find the balance point so that you hear the voice of each player as much as you hear the voice of the composer.


SI: Many of your percussion performances feature unusual instruments, sounds, or spoken elements—has your career as a percussionist changed the way you listen to your surroundings in your everyday life? (Or vice versa—was it your interest in sounds that originally led you to percussion?)

BW: Even as a kid I had a long attention span, and I have always loved sounds. My mother says some of my first toys were pots and pans on the kitchen floor. Just the other night I was listening to the radio on a long drive across upstate New York, and I stumbled upon the last movement of Mahler 9.  It’s quite long and I was on the Thruway, so gradually the piece became punctuated by static as I moved out of range. This intensified the listening experience for me: my memory filled in some of the music, my imagination more, and I actually enjoy the sound of static.

I’ve spent more time than I’d like to admit trying to replicate the sound of static and white noise on my snare drum and sandpaper blocks, and my collection of found tuned pot lids are more valuable to me than my five-octave marimba. I’m naturally drawn to pieces that use speech patterns to generate rhythmic material: Globokar’s Toucher and Parenti’s Exercise No. 4 on our program feature this technique. These days, I have a very young son and I enjoy “performing” our bedtime stories, adding sound effects and rhythm each night.


SI:What were some of the written sources that inspired the music of Utterances?

JF: In addition to improvised duets with Bonnie, I’ll be presenting two works that connect to text. The first is an ongoing solo project I call “Sighs Too Deep for Words,” which is an improvised, long-form work that is inspired by language from the New Testament that speaks of “utterances,” which is sometimes translated as “sighs,” that communicate the prayers we do not have words for.

The other pieces come from music I’ve created for my Renga Ensemble, which takes its name from a form of Japanese collective poetry. Most of the music for Renga was created around a haiku by American poet Anita Virgil:

not seeing
the room is white
until that red apple

“The Room Is,” composed by James Falzone and performed with the Renga Ensemble:


SI: What are you most looking forward to with this performance, and what do you hope audience members will gain from attending?

BW: John Cage often said that his goal as a composer was to “make an art that, while coming from ideas, is not about those ideas, but rather produces others.” I echo this desire when I honestly answer that I don’t wish for our audience members to gain any one insight or worse, “message.” I hope our program might inspire others to improvise, or to make work of their own, or to seek out the fantastic spirit that is within each mundane utterance or environmental sound in their daily lives.

Photo on right by Marc Perlish.

Utterances is Thursday, March 2 at 8pm at the Chapel Performance Space at the Good Shepherd Center in Wallingford. For more information, click here.

New Composed Music: February 2017 Seattle * Eastside * Tacoma

SI_button2Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

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Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and be sure to tag it with “new music.”


 

Racer Sessions
A weekly showcase of original music with a jam session based on the concepts in the opening presentation.
Every Sunday, 8-10pm, Cafe Racer | FREE

Wayward Music Series
Concerts of contemporary composition, free improvisation, electronic/electroacoustic music, & more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15
waywardmusic.org (check website for complete listings)

4
Ancora presents Wild! With Skyros Quartet
Aimee Mell leads a program of works by Randall Thompson, Ola Gjeilo, Sarah Quartel, Joan Szymko, Dan Forrest, and Jackson Berkey.
Sat, 2/4, 7:30pm, Trinity Lutheran Church | $11-$16

4
Seattle Music Exchange
Pianist Angelo Rondello will perform works by Seattle composers Samuel Jones, Peter V. Stevens, Angelique Poteat, Adam Haws, & Benjamin Salman.
Sat, 2/4, 8pm, Nordstrom Recital Hall | $20-$42

4
Seattle Rock Orchestra performs The Police
SRO shakes out hits like ‘Roxanne,’ ‘Message In A Bottle,’ ‘Don’t Stand So Close To Me,’ and ‘Every Breath You Take.’
Sat, 2/4, 8pm, Kirkland Performance Center | $40

10
Solaris Vocal Ensemble with Seattle Modern Orchestra
SMO collaborates with UW’s Solaris Vocal Ensemble in a unique performance of Julia Wolfe’s Thirst and works by Dempster and Erickson.
Fri, 2/10, 7:30pm, Meany Studio Theater | $10-$20

12
Andrew Joslyn & the Passenger String Quartet
Violinist, composer, and arranger Andrew Joslyn presents an afternoon of music with The Passenger String Quartet.
Sun, 2/12, 4pm, Bainbridge Waterfront Community Center | $5-$20

12
Adagio: The Music of Arvo Pärt
An evening of music from Estonian composer Arvo Pärt where the spirit of early music meets ultra-spare modern minimalism in a meditative, intimate setting.
Sun, 2/12, 7pm, On the Boards | $20

17
Cornish Presents: Jesse Myers
Pianist Jesse Myers brings John Cage’s prepared piano music to the stage on which the instrument was born.
Fri, 2/17, 8pm, PONCHO Concert Hall | $10-$20

17
Inverted Space: Composers Concert
Inverted Space presents a concert of new works featuring the music of Adrian Swan, Charles Corey, Anna Stachurska, & Jacob Sundstrom.
Fri, 2/17, 8pm, Good Shepherd Chapel | $5-$15

18
Lake Union Civic Orchestra: Temptation
Baritone Charles Robert Stephens performs music by Seattle composer and pianist Jeffrey Moidel. Works by Milhaud and Shostakovich round out the program.
Sat, 2/18, 7:30pm, Center for Spiritual Living | $15-$20

18
Wayward Music Series: Melanie Voytovich
Percussionist Melanie Voytovich and friends bring you a night of new work featuring Storm Benjamin, Scott Langdon, Maggie Brown, Brad Hawkins, and Ella Maher (dance).
Sat, 2/18, 7:30pm, Good Shepherd Chapel | $5-$15

18-19
NOCCO: Resonance: Celebrating Black American Composers
Hear a newly commissioned work by Hanna Benn & performance artist Davida Ingram and works by Scott Joplin & George Walker.
Sat, 2/18, 2pm, New Holly Gathering Hall | $15-$30 (under 18 FREE)
Sun, 2/19, 7:30pm, Langston Hughes Performing Arts Institute | $15-$30 (under 18 FREE)

24
Melia Watras: 26 Album Release
UW faculty violist Melia Watras performs selections from 26, her newly released CD on Sono Luminus, with a video presentation and commentary.
Fri, 2/24, 7:30pm, Brechemin Auditorium | FREE

25-26
Seattle Pro Musica: Chichester Psalms
Bernstein’s Chichester Psalms is paired with James MacMillan’s Cantos sagrados, both exploring the desire of humankind to seek social justice and peace.
Sat, 2/25, 8pm, St. James Cathedral | $12-$38