VIDEO PREMIERE: ‘Robert Henry’ by The Westerlies

by Peter Tracy

The Westerlies take us on an upbeat journey through early childhood with their performance of “Robert Henry,” an original composition by the ensemble’s trombonist Andy Clausen.

“Written shortly after the birth of my first nephew, ‘Robert Henry’ aims to lovingly capture the vibrant energy that a new member of the family contributes,” Clausen says. At times groovy and melodic, at other times rhythmically complex and jazzy, the Westerlies capture the excitement and hopeful energy of early childhood—as well as some of its unexpected turns.

We’re proud to premiere our in-studio video of the Westerlies performing “Robert Henry.”


Want more music from the Westerlies? Click here for another video from this session.

Westerlies Go West: Wednesday, May 23 at the Royal Room

by Maggie Molloy

Photo by John Abbott.

Far from your typical brass band, the Westerlies are a Seattle-bred, New York-based quartet known on both coasts for their bold artistry, impeccable finesse, eclectic musical interpretations, and remarkable versatility. Fresh off a tour with the indie folk band Fleet Foxes, the Westerlies are back in the Northwest this Wednesday for a show at the Royal Room in Columbia City.

Comprised of Riley Mulherkar and Zubin Hensler on trumpet with Andy Clausen and Willem de Koch on trombone, the Westerlies grew up together playing music in Seattle under the mentorship of pianist and composer Wayne Horvitz, who is the co-founder and music programmer of the Royal Room. The homecoming concert is made even more special by the fact that it will be Zubin Hensler’s last performance with the Westerlies, as he is leaving the group to focus on music composition, production, and his solo project twig twig.

The Westerlies performing with Wayne Horvitz at the Royal Room. Photo by Daniel Sheehan.

This Wednesday, you can expect to hear a little jazz, a little classical, some folk, roots, blues, and chamber influences—but no matter what the Westerlies play, the one element that remains constant across all of their music is the warmth, camaraderie, charisma, and humor of four longtime friends.

“Whatever ‘sound’ the Westerlies have stumbled upon is the result of four friends channeling these diverse interests through warm air, buzzing lips and conical brass tubes—with a lot of love and saliva in there too,” says Andy Clausen.

For a sneak preview, check out our in-studio videos of the guys performing works by Charles Ives, Andy Clausen, and Wayne Horvitz:


The Westerlies perform at the Royal Room Wednesday, May 23 at 7:30pm. For tickets and additional information, please click here.

New Music for May: Joshua Roman, JACK Quartet, and a Microtonal Music Fest

by Maggie Molloy

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Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

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Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and tag it with “new music.”

New music flyer May 2018 FINAL

 

Wayward Music Series
Concerts of contemporary composition, free improvisation, electroacoustic music, and sonic experiments. This month: avant-garde piano solos, Eastern-European cimbalom songs, a dark ambient memorial, and more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15

Live Music Project: 4th Annual Lecture-Concert
The Live Music Project celebrates its 4th birthday with a scintillating lecture from a cyborg, a centuries-spanning solo violin performance by Mikhail Shmidt of the Seattle Symphony, a ticket giveaway, and the most adorable cupcake toast this side of the Cascades.
Tues, 5/1, 6:30pm, Naked City Brewery & Taphouse | $30

DXARTS: Points vs. Fields
UW School of Music faculty performers Cuong Vu, Ted Poor, Richard Karpen, and Juan Pampin perform an ephemeral new improvisation for trumpet, drums, piano, and live electronics, programmed alongside Bernard Permegiani’s classic exploration of the meaning of sound itself, De Natura Sonorum for loudspeaker orchestra.
Tues, 5/1, 7:30pm, Meany Theater | $10-$15

Emerald City Music: Metamorphosis
A season-long celebration of Leonard Bernstein’s centennial ends with a special multimedia feature on the iconic conductor, plus performances of two composers whose work he championed during his lifetime: Strauss and Beethoven.
Fri, 5/4, 8pm, 415 Westalve Ave, Seattle | $40-45
Sat, 5/5, 7:30pm, Evergreen State College Recital Hall, Olympia | $23-$43

Matt Shoemaker Memorial Concert
Longtime friends and collaborators of the late Matt Shoemaker perform works in his honor ranging from experimental noise to sound art, dark ambient, and beyond.
Sat, 5/5, 7pm, Good Shepherd Chapel | $5-$15

Town Music: JACK Quartet with Joshua Roman
Cellist Joshua Roman joins forces with the JACK Quartet to perform his new piece Tornado, inspired by his roots in Oklahoma. Works by Jefferson Friedman, John Zorn, Amy Williams, and Carlo Gesualdo complete the program.
Thurs, 5/10, 7:30pm, Seattle First Baptist Church | $15-$20

Harry Partch Festival
Experience the handmade microtonal instruments of Harry Partch in this sprawling three-day music festival featuring new works composed for Partch’s instruments, as well as rarely-performed works from the composer’s archives. Master classes, demonstrations, and lectures, complete this homage to a uniquely American artist.
Fri-Sun, 5/11-5/13, Various times, Meany Theater | $10-$60

Portland Cello Project
Equally at home in rock clubs and concert halls, Portland Cello Project reimagines classical favorites and contemporary hits alike for their famous choir of cellos. Expect everything from Bach to Coltrane to Radiohead.
Tues, 5/15, 7:30pm, The Triple Door | $26-$35

Seattle Art Museum: John Cage’s Themes and Variations
John Cage is best known as one of the leading figures of the 20th century avant-garde in music—but much of his work crossed boundaries into performance art, theatre, and even visual art. His sculpture Not Wanting to Say Anything About Marcel recently joined the Seattle Art Museum’s collection. Learn more about his contributions to both art and music in this conversation with curators Catharina Manchanda and Carrie Dedon.
Wed, 5/16, 6:30pm, Seattle Art Museum | $10

Peter Nelson-King: Post Avant-Garde
Multi-instrumentalist and modern music rabble-rouser Peter Nelson-King presents an eclectic program of individualist piano music from the 1980s, featuring works by Robert Beaser, George Benjamin, Peter Sculthorpe, John Tavener, Augusta Read Thomas, Charles Wuorinen, and more.
Thurs, 5/17, 8pm, Good Shepherd Chapel | $5-$15

Seattle Pro Musica: Sacred Ground
Explore the intersections of music, spirituality, and the natural world in this program of nature-inspired works by Tõnu Kõrvits, Hyo-Won Woo, and Healey Willan.
Fri, 5/18, 8pm, St. James Cathedral | $12-$38
Sat, 5/19, 8pm, St. James Cathedral | $12-$38

Nat Evans: Flyover Country
Composer and interdisciplinary artist Nat Evans uses his family history across the last three centuries as a lens to look at ecological destruction, genocide of indigenous people, capitalism, and food systems in the United States.
Sat-Sun, 5/19-5/20, 8pm, The Grocery | $5-$20

Mostly Nordic: Finlandia
The Emerald Ensemble perform Jean Sibelius’s beloved hymn to Finland alongside 20th century works by Finnish composers Einojuhani Rautavaara, Jaakko Mäntyjärvi, and more.
Sun, 5/20, 4pm, Nordic Museum | $25

Music of Remembrance: Gaman
A world premiere by composer Christophe Chagnard explores the experience of Japanese immigrants who were forced into internment camps in the wake of the attacks on Pearl Harbor. Combining traditional Japanese and classical Western instruments, the piece brings a powerful story to life through the words and images created by three artists and poets during their captivity in the Minidoka camp.
Sun, 5/20, 5pm, Nordstrom Recital Hall | $30-$45

The Westerlies
Far from your typical brass band, this Seattle-bred, New York-based quartet is known on both coasts for their bold artistry, impeccable finesse, eclectic musical interpretations, and remarkable versatility. The band returns to the West this month for a one-night-only performance in Seattle.
Wed, 5/23, 7:30pm, The Royal Room | $5-$15

Frequency with Yura Lee: Dialogues
Guest violinist Yura Lee joins members of Frequency (violinist Michael Jinsoo Lim, violist Melia Watras, and cellist Sæunn Thorsteinsdóttir) for duos by Berio, Maderna, Ravel, and Watras. Also on the program is Dohnányi’s Serenade for string trio.
Sun, 5/27, 7:30pm, Meany Theater | $10-$20

Westerlies Go West: Tonight at the Royal Room!

by Maggie Molloy

Photo by Sasha Arutyunova.

The Westerlies are back in the Northwest this week, coming home with new sounds and brand new music to premiere tonight at the Royal Room in Columbia City.

Far from your typical brass band, the Seattle-bred, New York-based quartet is known on both coasts for their bold artistry, impeccable finesse, eclectic musical interpretations, and remarkable versatility. Together, they’ve cultivated an expansive brass quartet repertoire featuring over 50 original compositions as well as adaptations of composers as diverse and wide-ranging as Ives, Ellington, Bartók, Ligeti, and many more.

Comprised of Riley Mulherkar and Zubin Hensler on trumpet with Andy Clausen and Willem de Koch on trombone, the Westerlies grew up together playing music in Seattle under the mentorship of Wayne Horvitz—making their homecoming performance all the more special, as Horvitz is the co-founder and music programmer of the Royal Room.

The Westerlies performing with Wayne Horvitz at the Royal Room. Photo by Daniel Sheehan.

Tonight, you can expect to hear a little jazz, a little classical, some folk, roots, blues, and chamber influences—but no matter what the Westerlies play, the one element that remains constant across all of their music is the warmth, camaraderie, charisma, and humor of four longtime friends.

“Whatever ‘sound’ the Westerlies have stumbled upon is the result of four friends channeling these diverse interests through warm air, buzzing lips and conical brass tubes—with a lot of love and saliva in there too,” said Andy Clausen.

For a sneak preview, check out our in-studio videos of the guys performing works by Charles Ives, Andy Clausen, and Wayne Horvitz:


The Westerlies perform at the Royal Room Thursday, June 15 at 8pm. For tickets and additional information, please click here.

2016 FOLKLIFE PREVIEW: Meet the Westerlies

by Maggie Molloy

The Westerlies are a Seattle-born, New York-based brass quartet named after the prevailing winds that blow from West to East—but this month they are reversing those winds and travelling from East to West. Their destination? The Second Inversion Showcase at Northwest Folklife.

We are thrilled to present the Westerlies, along with Sound of Late and the Skyros Quartet, at our Second Inversion Showcase at Folklife on Friday, May 27 at 8 p.m.

The Westerlies All photos credit Sasha Arutyunova, except the final

While the Westerlies may be charming, dapper, and impeccably dressed, let it be known that these guys are not your typical boy band. Comprised of Riley Mulherkar and Zubin Hensler on trumpet with Andy Clausen and Willem de Koch on trombone, the guys are known for their bold artistry, skilled technical finesse, eclectic musical interpretations, and remarkable versatility.

The guys grew up together playing music in Seattle under the mentorship of Wayne Horvitz, and after relocating to New York City to attend school, they formed a quartet in late 2011. Since then, they have cultivated a new brass quartet repertoire featuring over 50 original compositions as well as adaptations of composers as diverse and wide-ranging as Ives, Ellington, Bartók, Ligeti, and many more.

But no matter what they play, the one element that remains constant across all of their music is the warmth, camaraderie, and good-humored personalities of four longtime friends. We sat down with the guys to see what we can expect at the Second Inversion Showcase:

Second Inversion: How would you describe or characterize your ensemble’s sound?

Andy ClausenAndy Clausen: When The Westerlies first came together as an ensemble in 2011, it felt much more like a rock band in spirit. We were four childhood friends from Seattle who had just moved to New York and found a little slice of home when we were hanging out. At the same time, we were all seeking some sort of escape from the musical confines of jazz and classical conservatories. 

As we started composing and arranging for the group, we realized rather quickly that it wasn’t going to be a traditional classical chamber ensemble, or a “brass band”—that what we were seeking was something entirely other. 

Whenever we approach a new piece with the ensemble, whether it’s an original composition, a folk song, a Ligeti piano piece, an Ellington piece, a Bulgarian choral piece, or a Wayne Horvitz composition, we are trying to find the most personally expressive means of interpretation. Sometimes that involves dramatically reimagining the structure and whittling a piece down to its simplest essence, sometimes it involves a more literal reading of the score.

Having the freedom to radically personalize every piece we play through a democratic arranging process, and allowing each piece to grow and evolve over years of touring is something we have not experienced in any other type of ensemble.

We each come to the ensemble with variety of musical interests: folk, jazz, contemporary classical, gospel, Hindustani, indie rock, metal, Romantic, minimalist, maximalist, country, and blues.

Whatever “sound” The Westerlies have stumbled upon is the result of four friends channeling these diverse interests through warm air, buzzing lips and conical brass tubes—with a lot of love and saliva in there too.

SI: The Pacific Northwest is really blossoming in the contemporary classical music sphere—what do you think makes our music scene here so unique?

Willem de KochWillem de Koch: I think the Pacific Northwest in general, and Seattle in particular, has always been viewed as a distant outpost by the rest of the country. The geographic isolation and dramatic natural beauty of the region allow for a spirit of experimentation and entrepreneurship in every field, but that spirit is definitely imbued in the music of the Pacific Northwest of every genre.

Seattle has an immense and robust arts infrastructure, thanks in big part to the unique culture of philanthropy that has been cultivated here over the years. The nonprofit sector in Seattle is thriving, and that includes the numerous arts organizations and music presenters in the city. The musicians here would not have the freedom and ability to create exceptional work if it were not for the platform provided by organizations like KING FM and Second Inversion, Earshot Jazz, Town Hall Seattle, and of course Northwest Folklife. The list goes on. 

It should also be acknowledged that Seattle has a long history of exceptional music education. All four of us are products of the music programs at our Seattle public schools, and our time spent in those programs was a formative experience for all of us. Organizations like Seattle Youth Symphony Orchestra and Seattle JazzEd continue to ensure that every student has access to excellent music education, and that Seattle’s music education legacy will be upheld for many years to come. I really believe that music education scene in Seattle is completely unparalleled. 

SI: Northwest Folklife strengthens local communities through art and music, celebrating diverse cultural heritages and working to ensure their continued growth and development. What types of communities or music traditions are represented in your music?

Riley MulherkarRiley Mulherkar: The four of us come from differing musical backgrounds so there’s definitely a wide variety of traditions and communities represented in our music. One of the most direct influences we share comes from our mentor Wayne Horvitz, whose music we recorded for our debut album. Wayne has worn a number of hats in his career, from being a leading figure in New York’s downtown scene in the late 80s to film scoring and writing chamber music, jazz, and electronic music. His ability to seamlessly weave it all together is something we’ve admired since before we even existed as an ensemble.

Growing up in Seattle, the jam sessions around the city played a huge role in our development—whether at Cafe Racer or the Faire Cafe, these long nights of music opened up our ears and our minds. When we moved to New York, we were all introduced to a thriving contemporary classical community as well as a creative landscape in Brooklyn that has played a huge role in our development both individually and as an ensemble. More than anything, these communities have instilled values in us which shape the way we think, compose, and play.

SI: As Seattle natives, what does the Northwest Folklife Festival mean to you?

Zubin HenslerZubin Hensler: Folklife was the first music festival I ever went to. My parents brought me along when I was 7 months old and I’m pretty sure I didn’t miss a year from then until I was 18 and moved to NYC. So, it means a huge amount! What a privilege to grow up in a city where diverse music is celebrated and presented regularly. I owe so much of my musical (and life) education to the performances that I was exposed to at Folklife and the other festivals in the region. So, it’s a great honor to be able to come back and hopefully pass on some of that inspiration.

 

 

SI: What are you most looking forward to with this performance, and what do you hope audiences will gain from it?

Willem de Koch: It’s always a treat to return home and perform for our hometown crowd. We grew up performing at Folklife in our high school jazz bands, so we’re excited to have the opportunity to perform at the festival with our own band. We’re also really looking forward to being a part of the Second Inversion Showcase. Maggie Stapleton and everybody else at KING FM and Second Inversion have been doing a tremendous service for Seattle in highlighting both local and national artists who are creating unique new sounds.

We’re honored to be a part of the Second Inversion community and are really looking forward to hearing the other artists at the Showcase. All we hope for the audience is that they’re each able to make their own personal connection with our music, in whatever form that may be. The Westerlies on Lopez Island

Photo credit: Andrew Swanson

The Westerlies will be featured along with Sound of Late and the Skyros Quartet at our 2nd Annual Second Inversion Showcase at Folklife on Friday, May 27 at 8 p.m. For more information, please click here or RSVP to our Facebook event.