New Music Concerts: October 2016 Seattle * Eastside * Tacoma

SI_button2Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

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Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list drop us a line at least 6 weeks prior to the event.

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Racer Sessions
A weekly showcase of original music with a jam session based on the concepts in the opening presentation.
Every Sunday, 8-10pm, Cafe Racer | FREE

Wayward Music Series
Concerts of contemporary composition, free improvisation, electronic/electroacoustic music, & more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15
Check website for complete listings

2
Chorosynthesis: New Choral Music Reading Session & Happy Hour
A 3-hour reading session of “hot-off-the-press” choral works from Chorosynthesis’ call for scores, centered on themes of social justice. Happy Hour to follow.
Sun, 10/2, 1pm, UW School Music Room 213 | Free

5
Town Music at Town Hall: Duos
Musical wunderkinds Caroline Goulding, violin & Joshua Roman, cello present a program of duos by Handel-Halvorsen, Kodály, & Ravel.
Wed, 10/5, 7:30pm, Town Hall | $10-20

6
Cursive Presents: Imagist Alchemy
Rarely heard American works inspired by the Imagist poetry movement, a world premiere by Peter Nelson-King, and the first performance in 80+ years of George William Thomas’s In a Garden.
Thu, 10/6, 7:30pm, Kenyon Hall | $5-$14

7-9
The Esoterics: WILDE: Like silhouettes against the sky
New music set to Oscar Wilde poems by Kenji Oh, Casey Rule, & Gordon Williamson (2016 POLYPHONOS competition winners) plus new works by Dominick DiOrio & Eric Banks.
Fri, 10/7, 8pm, St Stephen’s Episcopal Church | $15-25
Sat, 10/8, 8pm, Holy Rosary Catholic Church | $15-25
Sun, 10/9, 7pm, Christ Episcopal Church, Tacoma | $15-25

8-9
Early Music Guild Presents Chanticleer
Chanticleer offers an evening of hope through compelling acapella works ranging from Renaissance master Thomas Morley to contemporary Paul Simon.
Sat, 10/8, 7:30pm, Nordstrom Recital Hall | $26 under 35; $46 general
Sun, 10/9, 2:30pm, Nordstrom Recital Hall | $26 under 35; $46 general

11/13
Loop 2.4.3 Percussion
Hear the Northwest premiere of Time-Machine_music by Thomas Kozumplik featuring the chamber ensemble Loop 2.4.3, with original video projections.
Tue, 10/11, 7pm, Old Town Slavonian Hall, Tacoma | Free
Thurs, 10/13, 8pm, Good Shepherd Chapel | $5-15

15
Seattle Rock Orchestra performs Pink Floyd
SRO pays tribute to psychedelic rock pioneers Pink Floyd with a retrospective that features The Piper At the Gates of Dawn, The Wall, & The Dark Side of the Moon.
Sat, 10/15, 7pm, Auburn Performing Arts Center | $22 student/senior; $25 general

22
Seattle Rock Orchestra performs David Bowie
SRO pays honor to David Bowie with a program that explores his early glam years as Ziggy Stardust and culminates with a string of dance hits from his middle and late career.
Sat, 10/22, 7:30pm, Kirkland Performance Center | $40

23
Frequency: Debut Concert
This dynamic new chamber ensemble (Saeunn Thorsteinsdottir, Melia Watras, & Michael Jinsoo Lim) presents interconnected works by Beethoven, Janacek & Watras.
Sun, 10/23, 7:30pm, Meany Hall | $10 student/senior; $20 general

26
Music of Today: Eighty and Ninety: Stuart Dempster and Bill Smith
UW Music celebrates 50 years of collaborative music-making by two beloved faculty all-stars: Stuart Dempster & William O. Smith, turning 80 and 90 in 2016.
Wed, 10/26, 7:30pm, Meany Hall | $10 student; $15 general

28
Seattle Symphony: [untitled] 1
Captivating and remarkable worlds of sound: Two landmark works by Lutosławski (Chantefleurs et Chantefables & Chain 1) alongside Polish composer/singer Agata Zubel’s Chapter 13.
Fri, 10/28, 10pm, Benaroya Hall Lobby | $16

28-29
Universal Language Project: Crowning Day
A new work by Marcus Oldham work focusing on racial reconciliation through the eyes of a NC plantation through the centuries. Featuring Skyros Quartet.
Fri, 10/28, 8pm, Resonance at SOMA Towers | $20
Sat, 10/29, 8pm, Velocity Dance Center | $20

29
The Sound Ensemble: In Nature’s Realm
A program full of music inspired by nature, including susurrus by John Teske, songbirdsongs by John Luther Adams, Hrim by Anna Thorvaldsdottir & more.
Sat, 10/29, 7pm, Good Shepherd Chapel | $10 student/senior; $15 general

30
Live Music Project presents: Dead Music Project
A Halloween benefit concert featuring new works that channel long-dead composers.Enjoy music by (very much alive) Seattle composers Spencer Arias, Kaley Lane Eaton, Aaron Grad, and Michaud Savage.
Sun, 10/30, 7pm, Steinway Piano Gallery of Seattle | $10-$25 suggested donation

New Music Concerts: May 2016 Seattle * Eastside * Tacoma

SI_button2Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

thvLYmNB

Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list drop us a line at least 6 weeks prior to the event.

Program Insert - May 2016(updated) - onesided

 

 

Racer Sessions
A weekly showcase of original music with a jam session based on the concepts in the opening presentation.
Every Sunday, 8-10pm, Cafe Racer | FREE

Wayward Music Series
Concerts of contemporary composition, free improvisation, electronic/electroacoustic music, & more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-15

1
Noise Yoga with John Teske
Noise Yoga is a series of yoga classes that combine the meditative intentionality of yoga with the sonic depth of live performance by local musicians
Sun, 5/1, 11:30am, Frye Art Museum | $10

5
Josh Archibald-Seiffer + Ania Stachurska
UW composers Josh Archibald-Seiffer & Ania Stachurska present works with themes spanning political civil war, children’s lit, language, & the uncanny.
Thurs, 5/5, 8pm, Good Shepherd Chapel | $5-$15

6
Seattle Composers’ Salon
Composers, performers, & audience gather in a casual setting that allows for experimentation & discussion of finished works & works in progress.
Fri, 5/6, 8pm, Good Shepherd Chapel | $5-$15

6-8
The Esoterics: Milton Babbitt
A celebration of Babbitt’s centenary featuring his entire catalog of a cappella choruses, several of which have never been performed in live concert.
Fri, 5/6, 8pm, St. Stephen’s Episcopal Church, Seattle | $15-$20
Sat, 5/7, 8pm, Holy Rosary Church, West Seattle | $15-$20
Sun, 5/8, 7pm, Christ Episcopal Church, Tacoma | $15-$20

7
Seattle Wind Symphony: American Places
Donald K. Miller leads the SWS in a program of Donald Grantham, William Schuman, Eric Whitacre, Ron Nelson, and more.
Sat, 5/7, 7:30pm, Shorewood Performing Arts Center | $5-$20

7/8
Seattle Rock Orchestra performs Neil Diamond
SRO celebrates the man, the myth, the legend: Neil Diamond. SRO will explore his entire catalogue, performing hidden gems and revered hits alike.
Sat, 5/7, 8pm, The Moore Theatre | $20-$37.50 (+ fees)
Sun, 5/8, 2pm, The Moore Theatre | $20-$37.50 (+ fees)

10
Inverted Space: Long Piece Fest
A double-header concert featuring two commissions from Seattle composers Kevin Baldwin and Takemitsu prize-winner Yigit Kolat.
Tues, 5/10, 7:30pm, Good Shepherd Chapel | $5-$15

13
Seattle Symphony: Sonic Evolution: This is Indie!
This concert features Michael Gordon, William Brittle, Tomoko Mukaiyama, Fly Moon Royalty & Filmmaker Bill Morrison. Co-Presented With SIFF.
Fri, 5/13, 8pm, Benaroya Hall | $25-$52

20/21
Universal Language Project: The Elements
An interactive event featuring visual artist Scott Kolbo and iconoclast band TORCH.
Fri, 5/20, 8pm, Resonance at SOMA Towers, Bellevue | $10-$25
Sat, 5/21, 8pm, Velocity Dance Center | $15-$25

21
Kirkland Choral Society: Luminous
KCS premieres a commission from Ola Gjeilo plus many Gjeilo favorites from previous concerts and will be joined by the Skyros Quartet.
Sat, 5/21, 7:30pm, Bastyr University Chapel | $15-$20

21
SMCO Season Finale: Mozart, Carter, Ligeti, and Haydn
Seattle Met. Chamber Orchestra welcomes Cristina Valdes, Matthew Kocmieroski & Maria Mannisto – 3 soloists in high demand for contemporary music!
Sat, 5/21, 8pm, First Free Methodist Church | $15-$20

22
Music of Remembrance: Jake Heggie’s Out of Darkness
This two-act opera and portrait of survival conveys the vastness of the Holocaust’s scope through emotionally rich depictions of those caught in its grasp.
Sun, 5/22, 4pm, Benaroya Hall | $30-$45 ($5 TeenTix)

24
Town Music at Town Hall: Season Finale
Joshua Roman, Arnaud Sussman, Karen Gomyo, & Kyle Armbrust will perform Britten’s String Quartet No. 2 and a commissioned piece by Andrius Zlabys.
Tues, 5/24, 7:30pm, Town Hall | $5-$25

27
Second Inversion Showcase at Folklife
Join us for Second Inversion’s 2nd annual showcase at Northwest Folklife! We’ll feature bi-coastal musicians and local favorites alike.
Fri, 5/27, 8pm, Center House Stage | FREE

 

Goals for 2016

(“In which a Roman quotes a Greek”)

by Joshua Roman

So, after all of the drama of 2015, what’s in store this year?

The number one thing that’s now set and will help in my quest for a focused year is: a place to call home. After almost eight years in NYC (and a few months in Jersey), I’m now living in a small one bedroom in Chelsea. It’s ideal for getting around town, close to all kinds of subway stops, and walking distance from many of my usual hangs. It’s only 20 minutes to visit my sister and her family, and there are great grocery stores about a block away in every direction. Last night I was able to get to Carnegie Hall to see the Philadelphia Orchestra in about 15 minutes.

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View out my window… The Metlife clock tower

This is the reason to be in NYC! Especially for someone who’s gone a lot, it’s hard to justify the rent if you’re not taking advantage of the many wonderful goings on. There are so many wonderful people doing exciting things, and this year one of my top priorities will be feeling grounded in the cultural life of this city. Reconnecting with friends I haven’t seen while on the road can be difficult, but I have renewed hope and energy now that I’m in a central location.

Everything else this year flows from that, the physical settling that I can now begin. I still travel a lot, but another goal is to develop a sense of routine. Of course, my idea of routine might be very different from someone else’s – mine revolves around performance dates, writing deadlines, and flight departures. But it’s still an important concept, especially at a time when there are many balls in the air that need to be managed with careful attention.

Some of the results I hope to achieve:

  • Feeling ahead of the practicing game, enough so that I can do extra projects like Everyday Bach with regularity.

  • Polishing my existing compositions to satisfaction.
  • Getting ahead with the projects I’m working on. Examples: this blog, concerts at Town Hall Seattle, other programming.
  • Engaging more with my communities, especially my music friends and TED friends, so that the relationships I care about most are well tended.
  • Finding ways to integrate the issues I’m most passionate about into what I do when appropriate. Some of this needs to happen regularly, like continuing to expand diversity in my music making, both in terms of performing partners and in the music itself. Some of it is a little trickier to pin down: how does one do anything to promote campaign finance reform? Some of it is related to relationships with organizations like Street Symphony in Los Angeles, and will happen project by project over time.
  • More performance opportunities.

The balance of fresh and routine is always important. Last year was fresh-heavy, but this year it’ll be fun to find ways to develop routines without closing the door to great opportunities. You never know what’s coming your way, on the street, or when you glance at your inbox, or even sometimes on stage! I welcome any tips on time management, especially from those who are juggling similarly diverse projects. By March, I hope to be far enough ahead to watch one movie without feeling guilty.

To close today’s thoughts, I want to talk about the zone. We’ve all felt it, I hope. I get the feeling a lot on stage, but it can happen other places as well. There’s a zone when exercising, there’s one for reading (easy to get into), there’s one for writing, and for cooking, etc. There are also zones that are shared, when there’s a mutual connection in chamber music, for example. Or, if you’re lucky, sex.

I’m a zone junkie, and if there’s one thing I’ve learned, it’s that SOME kind of routine or trigger, whether conscious or not, is very important in getting into that creative or performative zone. We create the habits we live by – I think it was Aristotle that said “We are what we repeatedly do. Excellence, then, is not an act, but a habit.” If you’re interested in digging into the zone, I recommend this book which I read more than a decade ago. It resonated with a lot of what I felt to be true but was unable to articulate at the time: The Inner Game of Tennis.

So, 2016’s broad goals: Openness by way of focus and maintenance.

Methods of achieving this: Routine, buffer time, and management of distractions.

We’ll get into some details of the various manifestations of these practices later. For now, I leave you with a playlist and some encouragement to stake your claim on your time, and go for whatever it is you’ve been holding back on.

The Westerlies: Wish The Children Would Come On Home (SI’s Album Review)
Third Coast Percussion: The Works For Percussion 2
Jeff Buckley: Grace

2015-16 SEASON PREVIEW: Fresh music, from Britten to Bowie

by Jill Kimball

With Seattle’s ever-growing and ever-diversifying population, it’s easy to see why our city has become a top destination for up-and-coming composers, young musical talent, and adventurous concert formats. The 2015-16 season is so packed with new music concerts that, on most weekends, you’d need both hands (and maybe a few toes) to count them. From revitalized Britten to badass multimedia concerts to the classiest Bowie you’ve ever heard, there’s a little something for everyone. Read on for our top picks of the season.


The Town Music series at Town Hall Seattle, curated by our own Artistic Advisor Joshua Roman, is a bastion for cutting-edge music. The season kicks off with a young Russian violinist’s interpretations of Bach’s beautiful, complicated Sonatas and Partitas. And the rest of the season is anything but staid: it includes the premiere of a work composed over two continents, a dynamic performance of Britten’s second string quartet, and a new piece by Roman himself, featuring Pulitzer Prize-winning poetry by Tracy K. Smith and the up-and-coming soprano Jessica Rivera.


Another go-to destination for edgy music with global influences is the UW World Series, an arts season at Meany Hall featuring big names and even bigger ideas. This season is packed with exciting concerts that feature mainstays on the Second Inversion stream. In October, the ETHEL quartet teams up with Native American flutist Robert Mirabal for a concert focused on water’s essential role in all our lives. If drums and mallets are your thing, you must check out So Percussion’s set of modern classics by Reich, Cage, and more. For those who prefer concerts that combine edgy work with timeless pieces, go see the young, bearded Danish String Quartet (they take on music by Beethoven, Schnittke, and a composer from their homeland, Per Nørgaard), pianist Jeremy Denk (he’ll work in some Hindemith and Nancarrow between the Bach and Byrd), or the Daedalus String Quartet (a Huck Hodge world premiere is sandwiched between Beethoven chamber works). If you can’t make it to some of these much-anticipated concerts, don’t worry: we’ll have your back with a live broadcasts or a video from each one.


The UW World Series isn’t the only destination for new music on the University of Washington campus. The School of Music itself has an impressive lineup of concerts. On Halloween weekend, we’re excited to hear the Chicago-based Ensemble Dal Niente perform the works of Seattlites Huck Hodge, Joël-François Durand, and Marcin Pączkowski, among others. In late April, the Carnegie Hall resident ensemble Decoda caps off its weeklong UW residency with a Meany Hall concert of new and old music. And finally, some UW students pay homage to Harry Partch, who created new instruments along with new music, with performances of some of his work.

The UW isn’t the only higher education arts game in town, of course. Cornish College of the Arts is a wealth of compositional talent and its concert season, Cornish Presents, attracts world-class acts every year. Cornish teacher Wayne Horvitz starts off the new-music feast with his piece “Some Places are Forever Afternoon/11 Places for Richard Hugo,” performed with chamber groups Sweeter Than The Day and the Gravitas Quartet. A few days later, flutist Camilla Hoitenga teams up with composer and sound designer Jean-Baptiste Barrière for an electronic concert with video. In December, Paul D. Miller, better known as DJ Spooky, uses interviews from survivors of the Hiroshima and Nagasaki bombs to create a moving original composition. And for an ultimate exploration of music from both sides of the Pacific, stop by PONCHO Hall in November, when a famous gamelan ensemble joins four Seattle string players for a performance of new, local music.


Full-time locavores may not be satisfied until everything about the concert, from composer to performer to creator, is Northwest-based. If you want all local, all the time, your concert season destination should be the Universal Language Project. Founded by trumpeter and composer Brian Chin, the project draws on local talent to present a commissioned premiere in every concert. This season, we’ll hear music inspired by local landscapes written by Karen P. Thomas, Brian Cobb, and Tim Carey; music for strings performed by Seattle-based Scrape Ensemble; and an interactive concert with stunning visuals by Scott Kolbo.


And if that’s not enough to whet your new music appetite, the Seattle Modern Orchestra‘s upcoming season has even more new music. Each of its three main concerts features a premiere of some sort, from Orlando Jacinto Garcia’s From Darkness to Luminosity to an as-yet-unnamed work by Ewa Trębacz to the U.S. premiere of Anthony Cheung’s 2011 work Discrete Infinity.


In the last few years, Benaroya Hall has become an internationally recognized center for cutting-edge new music, from the avant garde to the crossover. If you’re into the former, you probably already know about the Seattle Symphony’s famed [untitled] series, which takes place in the Benaroya lobby fashionably late at night. This [untitled] season proves it means business with a season kickoff made up entirely of world premieres, then goes on to focus on New York City’s avant garde scene and an Arctic-themed piece by Pulitzer Prize-winning composer John Luther Adams. If the latter is more your taste, check out the undefinable Sonic Evolution series, which this season focuses on the way different artists influence each other across genres and the phenomenon of indie music and film.


Finally, if you’re looking to get some culture but indulge in musical guilty pleasures at the same time, your go-to season should be the Seattle Rock Orchestra‘s. The ensemble that famously covers popular music on orchestral instruments has put together a killer 2015-16 series, which includes a David Bowie showcase, a collection of Mowtown music, and an evening devoted to Neil Diamond. A quintet from SRO also closes out Classical KING FM’s inaugural concert series with a very exciting Eastside concert featuring covers of Beck, Bjork, Radiohead, and more.

These are only a few highlights from an expansive, diverse, and exciting upcoming concert season. For a full listing of shows around the Northwest that’ll make you rethink classical, check our full event calendar.

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LIVE BROADCAST: Timo Andres World Premiere at Town Hall

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Join Second Inversion, Joshua Roman, and Seattle Youth Symphony (current members and alums!) for a LIVE BROADCAST of the Town Music at Town Hall Season Finale on Saturday, June 27 at 7:30 PDT!

 RSVP to our Facebook Event!

Tune in to this exciting broadcast at bit.ly/SI-stream

This talented group of musicians will present the world premiere of a new work by Timo Andres, John Adams’ Shaker Loops, and Bartok’s Divertimento for Strings.

Composed in 1978, “Shaker Loops” has been called a “bona fide contemporary classic” by The New York Times, been highlighted in feature films, and performed worldwide. The concert also features Bartok’s “Divertimento” for strings and an original work, commissioned by Town Hall from Timo Andres, about whose work The New Yorker says “achieves an unhurried grandeur that has rarely been felt in American music since John Adams came on the scene.” The ensemble, conducted by Town Music Curator Joshua Roman, will be comprised of members and alumni from Seattle Youth Symphony Orchestras.