New Music Concerts: June 2016 Seattle * Eastside * Tacoma

SI_button2Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

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Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like your concert included on an upcoming flyer drop us a line at least 6 weeks prior to the event.

Program Insert - June 2016 onesided (updated)

Racer Sessions
A weekly showcase of original music with a jam session based on the concepts in the opening presentation.
Every Sunday, 8-10pm, Cafe Racer | FREE

Wayward Music Series
Concerts of contemporary composition, free improvisation, electronic/electroacoustic music, & more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-15

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UW Sound Lab
Students present their explorations into experimental sound, theater and audio design, led by Associate Professor of Composition, Huck Hodge.
Sat, 6/4, 7:30pm, Brechemin Auditorium, UW School of Music | Free
music.washington.edu/events

4 & 5
Bellevue Chamber Chorus & Dunava: Bridges of Song
Experience human connections with this festival of folk music from around the world with delightful songs arranged by Tormis, Holst, Copland.
Sat, 6/4, 7:30pm, St. Luke’s Lutheran, Bellevue | $5-$20
Sun, 6/5, 3pm, Maple Leaf Lutheran | $5-$20

4 & 5
NOCCO: Chamber Dances
Join the North Corner Chamber Orchestra for their season finale, featuring Joan Tower’s Chamber Dances.
Sat, 6/4, 2pm, University Unitarian Church | $13-$30 (under 18: FREE)
Sun, 6/5, 8pm, Royal Room | $13-$30 (under 18: FREE)

4 & 5
sound|counterpoint: Red Earth Project
Early music favorites, a re-imagining of a solo violin sonata by Bach, tunes from jazz and rock greats, and premieres of two new works for period instruments.
Sat, 6/4, 7:30pm, Queen Anne Christian Church | $25
Sun, 6/5, 2pm, St. Paul’s Episcopal Church | $20

5
Mostly Nordic: Winds of Change – The Icelandic Spirit
Brother and sister team Saeunn and Skuli bring Icelandic spirit to this program with arrangements of Icelandic folk songs and new works by Skuli.
Sun, 6/5, 4pm, Nordic Heritage Museum | $30-$60

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Wayward Music presents Cursive: Black Anemones
Cursive seeks to perform great, unknown modern works with a modular ensemble. This performance features masterworks by Schulhoff, Fine, Schwantner, & more.
Thurs, 6/9, 8pm, Good Shepherd Chapel | $5-$15

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Seattle Modern Orchestra: Discrete Infinity
SMO presents the US Premiere of Anthony Cheung’s Discrete Infinity along with Gérard Grisey’s Periodes & Claude Vivier’s Samarkand.
Sat, 6/11, 8pm, Good Shepherd Chapel | $10-$20

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Washington Wind Symphony
WWS presents Samuel Hazo’s Ride, Karel Husa’s Music for Prague 1968, Grainger’s Molly on the Shore, Alfred Reed’s Armenian Dances, & more!
Sun, 6/12, 2pm, Kirkland Performance Center | $6-$16

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Seattle Rock Orchestra: Beach Boys Tribute
SRO pays homage to “America’s Band,” with selections from the 1966 album Pet Sounds & a plethora of their surfing and hot rod inspired hits.
Sat, 6/18, 8pm, Kirkland Performance Center | $40

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Seattle Symphony: TUNING UP!
Join SSO for 9 concerts over 2 weeks to celebrate American music from Gershwin’s swing to the Alaskan “sonic geography” of John Luther Adams.
Fri, 6/17, 8pm, Benaroya Hall | $25 “Rhapsody in Red, White & Blue”
Mon, 6/20, 7:30pm, Nordstrom Recital Hall | $25 “The Theremin Returns”
Thu, 6/23, 7:30pm, BH | $25 “From Appalachian Spring to the Red Violin”
Fri, 6/24, 7:30pm, NRH | $25 “Great American Chamber Music”
Sun, 6/26, 4pm, Marymoor Park, Redmond | $25 & up “SSO Plays Gershwin”
Wed, 6/29, 7:30pm, NRH | $25 “Triadic Memories: A Minimalist Masterpiece”
Fri, 7/1, 10pm, Stroum Grand Lobby | $15 “[untitled] 3: In the White Silence”
Sat, 7/2, 8pm, BH | $25 “The Symphony in Hollywood”

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Inverted Space: Geoges Aperghis (Long Piece Fest)
Inverted Space’s season finale features Aperghis’s long dramatic work for actor and eclectic ensemble, including saxophone, accordion and video.
Tues, 6/28, 8pm, Good Shepherd Chapel | $5-$15

2015-16 SEASON PREVIEW: Fresh music, from Britten to Bowie

by Jill Kimball

With Seattle’s ever-growing and ever-diversifying population, it’s easy to see why our city has become a top destination for up-and-coming composers, young musical talent, and adventurous concert formats. The 2015-16 season is so packed with new music concerts that, on most weekends, you’d need both hands (and maybe a few toes) to count them. From revitalized Britten to badass multimedia concerts to the classiest Bowie you’ve ever heard, there’s a little something for everyone. Read on for our top picks of the season.


The Town Music series at Town Hall Seattle, curated by our own Artistic Advisor Joshua Roman, is a bastion for cutting-edge music. The season kicks off with a young Russian violinist’s interpretations of Bach’s beautiful, complicated Sonatas and Partitas. And the rest of the season is anything but staid: it includes the premiere of a work composed over two continents, a dynamic performance of Britten’s second string quartet, and a new piece by Roman himself, featuring Pulitzer Prize-winning poetry by Tracy K. Smith and the up-and-coming soprano Jessica Rivera.


Another go-to destination for edgy music with global influences is the UW World Series, an arts season at Meany Hall featuring big names and even bigger ideas. This season is packed with exciting concerts that feature mainstays on the Second Inversion stream. In October, the ETHEL quartet teams up with Native American flutist Robert Mirabal for a concert focused on water’s essential role in all our lives. If drums and mallets are your thing, you must check out So Percussion’s set of modern classics by Reich, Cage, and more. For those who prefer concerts that combine edgy work with timeless pieces, go see the young, bearded Danish String Quartet (they take on music by Beethoven, Schnittke, and a composer from their homeland, Per Nørgaard), pianist Jeremy Denk (he’ll work in some Hindemith and Nancarrow between the Bach and Byrd), or the Daedalus String Quartet (a Huck Hodge world premiere is sandwiched between Beethoven chamber works). If you can’t make it to some of these much-anticipated concerts, don’t worry: we’ll have your back with a live broadcasts or a video from each one.


The UW World Series isn’t the only destination for new music on the University of Washington campus. The School of Music itself has an impressive lineup of concerts. On Halloween weekend, we’re excited to hear the Chicago-based Ensemble Dal Niente perform the works of Seattlites Huck Hodge, Joël-François Durand, and Marcin Pączkowski, among others. In late April, the Carnegie Hall resident ensemble Decoda caps off its weeklong UW residency with a Meany Hall concert of new and old music. And finally, some UW students pay homage to Harry Partch, who created new instruments along with new music, with performances of some of his work.

The UW isn’t the only higher education arts game in town, of course. Cornish College of the Arts is a wealth of compositional talent and its concert season, Cornish Presents, attracts world-class acts every year. Cornish teacher Wayne Horvitz starts off the new-music feast with his piece “Some Places are Forever Afternoon/11 Places for Richard Hugo,” performed with chamber groups Sweeter Than The Day and the Gravitas Quartet. A few days later, flutist Camilla Hoitenga teams up with composer and sound designer Jean-Baptiste Barrière for an electronic concert with video. In December, Paul D. Miller, better known as DJ Spooky, uses interviews from survivors of the Hiroshima and Nagasaki bombs to create a moving original composition. And for an ultimate exploration of music from both sides of the Pacific, stop by PONCHO Hall in November, when a famous gamelan ensemble joins four Seattle string players for a performance of new, local music.


Full-time locavores may not be satisfied until everything about the concert, from composer to performer to creator, is Northwest-based. If you want all local, all the time, your concert season destination should be the Universal Language Project. Founded by trumpeter and composer Brian Chin, the project draws on local talent to present a commissioned premiere in every concert. This season, we’ll hear music inspired by local landscapes written by Karen P. Thomas, Brian Cobb, and Tim Carey; music for strings performed by Seattle-based Scrape Ensemble; and an interactive concert with stunning visuals by Scott Kolbo.


And if that’s not enough to whet your new music appetite, the Seattle Modern Orchestra‘s upcoming season has even more new music. Each of its three main concerts features a premiere of some sort, from Orlando Jacinto Garcia’s From Darkness to Luminosity to an as-yet-unnamed work by Ewa Trębacz to the U.S. premiere of Anthony Cheung’s 2011 work Discrete Infinity.


In the last few years, Benaroya Hall has become an internationally recognized center for cutting-edge new music, from the avant garde to the crossover. If you’re into the former, you probably already know about the Seattle Symphony’s famed [untitled] series, which takes place in the Benaroya lobby fashionably late at night. This [untitled] season proves it means business with a season kickoff made up entirely of world premieres, then goes on to focus on New York City’s avant garde scene and an Arctic-themed piece by Pulitzer Prize-winning composer John Luther Adams. If the latter is more your taste, check out the undefinable Sonic Evolution series, which this season focuses on the way different artists influence each other across genres and the phenomenon of indie music and film.


Finally, if you’re looking to get some culture but indulge in musical guilty pleasures at the same time, your go-to season should be the Seattle Rock Orchestra‘s. The ensemble that famously covers popular music on orchestral instruments has put together a killer 2015-16 series, which includes a David Bowie showcase, a collection of Mowtown music, and an evening devoted to Neil Diamond. A quintet from SRO also closes out Classical KING FM’s inaugural concert series with a very exciting Eastside concert featuring covers of Beck, Bjork, Radiohead, and more.

These are only a few highlights from an expansive, diverse, and exciting upcoming concert season. For a full listing of shows around the Northwest that’ll make you rethink classical, check our full event calendar.

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NEW CONCERT RECORDING: Seattle Modern Orchestra’s “Electro-Colors”

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[photo credit: Amy Bowen]

Second Inversion is pleased to present the audio from Seattle Modern Orchestra’s 2014-15 season opener, Electro-Colors, featuring the US premiere of Huck Hodge’s Alêtheia!

Participating Musicians:

Paul Taub, flute
Daria Binkowski, flute
Angelique Poteat, clarinet
Rachel Yoder, clarinet
Melanie Voytovich, percussion
Becca Baggenstoss, percussion
Bonnie Birch, accordion
Cristina Valdes, piano
Mayumi Tayake, piano
Eric Rynes, violin I
Kimberly Harrenstein, violin II
Rose Bellini, cello
Mary Riles, cello

Be sure to check our live concert archive for more live performances, and stay tuned for more upcoming Seattle Modern Orchestra performances!

LIVE CONCERT SPOTLIGHT: November 13 & 15

by Maggie Molloy

This week’s multihued, multidisciplinary music events blur the line between music and other artistic mediums.

The Frank Agency and Nonsequitur Present “People. Make. Awesome.”

©Tim SummersNWNW 2013Paris Hurley

[Paris Hurley]

Music and movement are mixing this Thursday at a multidisciplinary performance experience. The Frank Agency and Nonsequitur have teamed up to present a new interdisciplinary art project titled “People. Make. Awesome.”—a three-part series of artistic pairings exploring different aspects of sound.

This week’s event explores the space between sound and movement, pairing local composers with local dancers and performance artists. The featured artists are multidisciplinary dance artist Ezra Dickinson, multi-instrumentalist and composer Chris Credit, dance artist Karin Stevens, composer and pianist Michael Owcharuk, performance artist Paris Hurley, and composer and vocalist Hanna Benn.

With so many different types of artists and artistic mediums, the performance possibilities are endless—but one thing’s for certain: it will be awesome.

“People. Make. Awesome.” will take place this Thursday, Nov. 13 at 8 p.m. in the Chapel Performance Space at the Good Shepherd Center in Wallingford.

 

Anthony de Mare Presents “Liaisons: Re-Imagining Sondheim from the Piano”

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For decades Stephen Sondheim has dominated the theatre stage with his music and lyrics in classics like “Sweeney Todd,” “Into the Woods,” and “A Funny Thing Happened on the Way to the Forum.” However, his works have never graced the concert hall—until now.

“Liaisons: Re-Imagining Sondheim from the Piano” is a commissioning and concert project which celebrates and reimagines Sondheim’s music through unique contemporary music performances of his works. Conceived by renowned concert pianist Anthony de Mare, the project features Sondheim’s music reimagined by influential contemporary composers Steve Reich, Nico Muhly, Daniel Bernard Roumain, Adam Guettel, Mason Bates, Ethan Iverson, and countless others.

De Mare, who specializes in contemporary music, has performed these works throughout the U.S. This week, he is bringing the best of Sondheim to Seattle.

The performance will take place at the Cornish Playhouse at Seattle Center this Thursday, Nov. 13 at 8 p.m.

 

Seattle Modern Orchestra Presents “Electro-Colors”

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Seattle Modern Orchestra is putting pigment into pitches this weekend at their 2014-2015 season opener titled “Electro-Colors.” The performance features a colorful program with a broad spectrum of compositions.

The concert is the U.S. premiere of American composer Huck Hodge’s “Alêtheia” for large ensemble, a vibrant and dramatic composition which won the International Society for Contemporary Music’s League of Composers Competition earlier this year. The event will also feature Hodge’s “Zeremonie.”

The multihued program also features a composition by Pierre Boulez, one of the most influential avant-garde composers of the 20th century. Boulez’s “Dérive 1” radiates with rich colors and melodies, creating a vivid rainbow of textures and timbres.

Seattle Modern Orchestra musicians will also perform a work by French spectralist composer Tristan Murail. The piece, titled “Treize couleurs du soleil couchant” (“Thirteen Colors of Sundown”), transports its listeners into a fascinating exploration of sound and color.

The performance will take place this Saturday, Nov. 15 in the Chapel Performance Space at the Good Shepherd Center in Wallingford. There will be a pre-concert presentation at 7:30 p.m. and the concert begins at 8 p.m.

ALBUM OF THE WEEK: Life is Endless Like Our Field of Vision (Huck Hodge)

by Maggie Stapleton

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Here at Second Inversion we aim to “Rethink Classical,” but the array of sounds on Huck Hodge’s new album, “Life is Endless Like Our Field of Vision,” steps beyond that mantra.  “Rethink Sound,” perhaps?  The four pieces offer a varied textural output and alternation of pieces without and with electronics – chamber ensemble (Talea Ensemble under Jim Baker), piano with computer-realized sound, chamber ensemble (ditto Talea/Baker), string quartet (JACK Quartet) with live processed melodica, performed by Hodge.

Alêtheia (roughly translated as “truth”), composed in 2011, opens the disc. Alêtheia is based on Hodge’s reconciliation of two opposing philosophies of truth, particularly as noted by Parmenides, who sees truth as a fixed and unchanging reality, and Heraclitus, offering the notion that reality is in constant flux.  The music reflects this juxtaposition of truth in the musical form of time – many sections of the piece have simultaneously still, static, fixed ideas (e.g. a single harmony lasting 30 seconds) but with rapidly changing timbres.  Melody also portrays this opposing force of truth; the piece is strongly rooted in melody, represented as a fixed element.  Fragmented and textural moments with a style marking of “Disjunctly lyrical” counteract the fixed nature of the melody.  The US Premiere of this piece is this Saturday, November 15 at 8pm, performed by the Seattle Modern Orchestra!

Moving along, Pools of shadow from an older sky is in five movements for live-processed bent piano, computer-realized sound and video projection.  While we don’t get the visual stimulation in this recording, there is no lack of richness for the sense of sound, performed here entirely by Huck Hodge.  The piece was commissioned by the American Academy in Rome in 2011 (while Hodge was in Rome celebrating his receipt of the Rome Prize) in commemoration of Galileo’s first telescope demonstration.  The premiere was on April 11, 2014, exactly four hundred years afterward.  While Alêtheia dealt with juxtaposition of truth interpretations, Pools of shadow from an older sky displays a past vs. present negotiation.  Hodge weaves church bells and hymns of Roman cathedrals with present sounds from Rome (sirens and street noise), all the while with a clear homage to Galileo.  Piano twinkling stars and intergalactic radio wave sounds create a soundscape that is truly otherworldly.  Close your eyes as you listen – I hope you’ll feel as transported as I do!

Continuing with the theme of “this or that,” re[(f)use] can be interpreted in many ways.  First, there’s the world “refuse”:

ref·use /rəˈfyo͞oz/ v. indicate or show that one is not willing to do something

ref·use /refˌyo͞os/ n. matter thrown away or rejected as worthless; trash

…but also within the word there are many other words: fuse (noun & verb), use, reuse.  Each shade of meaning has something to do with the piece.  re[(f)use] uses a lot of “junk” sounds – cell phone noise, speaker hums, cell phone ringtones.  The aesthetic here is an attempt to reverse the hierarchy of “beauty” to which many composers and musicians often strive.  Rather than taking something that’s already beautiful, like a violin melody, and transforming it into something less beautiful (perhaps in attempt to question its beauty), re[(f)use] takes sounds which are inherently ugly and transform them into something beautiful.  Hodge performs on live processed melodica along with the (amplified) JACK Quartet.

It’s always a pleasure to feature Seattle-based artists here on Second Inversion.  Huck Hodge has received more accolades before the age of 40 than many of the world’s greatest composers have achieved in their entire life, including the Rome Prize, Guggenheim Fellowship, Gaudeamus Prize, and the Aaron Copland Award..  Alêtheia and another one of Hodge’s  works, Zeremonie, will be featured on the upcoming Saturday, November 15 Seattle Modern Orchestra concert.  PS, Tune in to The Takeover on Wednesday, November 12 at 3pm to hear SMO Co-Artistic Director Jeremy Jolley share some of the music from the upcoming season.

You can purchase the disc from New World Records here.  Enjoy!