Second Inversion hosts share a favorite selection from their playlist. Tune in during the indicated hours below on Friday, January 6 to hear these pieces. In the meantime, you’ll hear other great new and unusual music from all corners of the classical genre 24/7!
“The Witch” is the 8th vignette in a 13-piece song cycle titled Unremembered from fabulous composer Sarah Kirkland Snider. Aggressive strings and a militant orchestration set the scene for a spooky narrative that takes us into shadowy woods full of subtle horrors. Shara Nova’s growling vocals capture both the beauty and foreboding of this imagistic and vivid score. Snider’s “The Witch” is layered, grisly and intense from start to finish. Highly recommended for listeners of all ages, just maybe not before bedtime. – Rachele Hales
Tune in to Second Inversion in the 2pm hour today to hear this piece.
Starting the new year swamped with work and already behind from the previous year is not ideal, but it is the situation many of us find ourselves in this January. Alarm Will Sound’s version of Aphex Twin’s Mt. Saint Michael is the perfect music for this situation. Perhaps embracing the chaos along with pursuit of self-care
is the way forward. – Seth Tompkins
Tune in to Second Inversion in the 3pm hour today to hear this piece.
You could say the 20th century experimental composer and expatriate Conlon Nancarrow was a bit of an introvert. He lived most of his life in isolation, and for decades composed only for player pianos—working alone, by hand, to produce and perfect a massive library of swingin’ blues and boogie-woogie piano rolls, his famous 49 Studies for Player Piano among them.
Well, composer Evan Ziporyn decided to take a few of those piano roll etudes and put them into human hands—the hands of the Bang on a Can All-Stars. Ziporyn created a mixed ensemble arrangement that retains the visceral intensity and mechanical energy of Nancarrow’s original rolls, but reimagines them through the Technicolor timbral palette of Bang on a Can. It’s snazzy, jazzy, and full of color—proof that although player pianos have become largely obsolete, Nancarrow’s music is still very much alive. – Maggie Molloy
Tune in to Second Inversion in the 7pm hour today to hear this piece.
I have to confess that I was super biased to love this piece even before I heard it; as a clarinetist, I am a huge fan of the unaccompanied clarinet repertoire, and as a musician, I am huge fan of Lisa Bielawa. Incredible, bizarre, enigmatic works have been written for clarinet alone by composers like Igor Stravinsky, William Bolcom, and Shulamit Ran. As they require one single voice to command the listener’s attention, they are tremendously difficult to compose and perform. Luckily, the clarinet’s huge range provides ample opportunity to create a wide variety of colors and characters, and a bit of extended techniques can help as well. Bielawa’s work presents the performer with a number of different fragments and gives them free reign to decide the order in which they are played, and how many times they are used. The idea behind “What I Did Over Summer Vacation” and the other 14 Synopses (all with six-word titles) is tied to Hemingway’s six-word short story “For sale, baby shoes: never used.” Apparently, Bielawa’s musical fragments each represent a different vacation activity. BMOP’s clarinetist Michael Norsworthy does a lot of trilling and running around the register of the instrument – sounds like he had a busy summer vacation.
Tune in to Second Inversion in the 9pm hour today to hear this piece.