STAFF PICKS: Friday Faves

Second Inversion hosts share a favorite selection from their playlist. Tune in during the indicated hours below on Friday, January 6 to hear these pieces. In the meantime, you’ll hear other great new and unusual music from all corners of the classical genre 24/7!

Sarah Kirkland Snider: Unremembered: VIII. The Witch (New Amsterdam)

unremembered_cover-300x300“The Witch” is the 8th vignette in a 13-piece song cycle titled Unremembered from fabulous composer Sarah Kirkland Snider. Aggressive strings and a militant orchestration set the scene for a spooky narrative that takes us into shadowy woods full of subtle horrors. Shara Nova’s growling vocals capture both the beauty and foreboding of this imagistic and vivid score. Snider’s “The Witch” is layered, grisly and intense from start to finish. Highly recommended for listeners of all ages, just maybe not before bedtime. – Rachele Hales

Tune in to Second Inversion in the 2pm hour today to hear this piece.

Aphex Twin: Mt. Saint Michel performed by Alarm Will Sound (Cantaloupe Music)

acoustica_300dpi_cmykStarting the new year swamped with work and already behind from the previous year is not ideal, but it is the situation many of us find ourselves in this January. Alarm Will Sound’s version of Aphex Twin’s Mt. Saint Michael is the perfect music for this situation. Perhaps embracing the chaos along with pursuit of self-care

is the way forward. – Seth Tompkins

Tune in to Second Inversion in the 3pm hour today to hear this piece.

Conlon Nancarrow (arr. Evan Ziporyn): Four Player Piano Studies performed by the Bang on a Can All-Stars (Cantaloupe Music)

55805527bd9c35da77388ee16ee84cb456d8fd53You could say the 20th century experimental composer and expatriate Conlon Nancarrow was a bit of an introvert. He lived most of his life in isolation, and for decades composed only for player pianos—working alone, by hand, to produce and perfect a massive library of swingin’ blues and boogie-woogie piano rolls, his famous 49 Studies for Player Piano among them.

Well, composer Evan Ziporyn decided to take a few of those piano roll etudes and put them into human hands—the hands of the Bang on a Can All-Stars. Ziporyn created a mixed ensemble arrangement that retains the visceral intensity and mechanical energy of Nancarrow’s original rolls, but reimagines them through the Technicolor timbral palette of Bang on a Can. It’s snazzy, jazzy, and full of color—proof that although player pianos have become largely obsolete, Nancarrow’s music is still very much alive. – Maggie Molloy

Tune in to Second Inversion in the 7pm hour today to hear this piece.

Lisa Bielawa: Synopsis No. 12 “What I Did Over Summer Vacation” Michael Norsworthy, clarinet (BMOP/Sound)

bmop1017sI have to confess that I was super biased to love this piece even before I heard it; as a clarinetist, I am a huge fan of the unaccompanied clarinet repertoire, and as a musician, I am huge fan of Lisa Bielawa. Incredible, bizarre, enigmatic works have been written for clarinet alone by composers like Igor Stravinsky, William Bolcom, and Shulamit Ran. As they require one single voice to command the listener’s attention, they are tremendously difficult to compose and perform. Luckily, the clarinet’s huge range provides ample opportunity to create a wide variety of colors and characters, and a bit of extended techniques can help as well. Bielawa’s work presents the performer with a number of different fragments and gives them free reign to decide the order in which they are played, and how many times they are used. The idea behind “What I Did Over Summer Vacation” and the other 14 Synopses (all with six-word titles) is tied to Hemingway’s six-word short story “For sale, baby shoes: never used.” Apparently, Bielawa’s musical fragments each represent a different vacation activity. BMOP’s clarinetist Michael Norsworthy does a lot of trilling and running around the register of the instrument – sounds like he had a busy summer vacation.

Tune in to Second Inversion in the 9pm hour today to hear this piece.

WEST COAST SPOTLIGHT: Carlsbad Music Festival

by Maggie Stapleton

Beer garden, food trucks, adventurous music by the beach? Yes, please, all of it.


That’s what you’ll get at the Carlsbad Music Festival, the brainchild of Matt McBane: a 3-day summer music festival in his hometown of Carlsbad, California. McBane is no stranger to Second Inversion listeners and blog readers, who have undoubtedly heard his compositions recorded by Build and the Jake Schepps Quintet on our 24/7 stream. He’s twice been featured on our regular “Staff Picks,” blog posts for pieces “imaginary winter” and “On and On and”. This year’s festival is happening this weekend, August 26-28 with over 60 shows!

With an eye toward embracing the entire west coast a bit more, we have a snapshot of our wish-we-could-be-there picks for CMF, whose programming is very well aligned with Second Inversion’s: an eclectic mix of creative and adventurous music ranging from contemporary classical, to indie rock, to world music, to electronic, to jazz, to musicians who work across genres and fall between the cracks.If you’re in the vicinity of Carlsbad, get yourself there over the weekend to catch one of these fantastic performances!

MATT MCBANE AND FRIENDS: Friday, August 26, 7:00-7:30pm


Festival Founder and composer/violinist Matt McBane and friends perform his critically-acclaimed suite of compositions for bluegrass string band, “Drawn.” concert program and more info

“a natural composer, a fresh voice and, from the evidence of his festival, a first-rate organizer with a broad range of musical interests” -Los Angeles Times

WILD UP perform FUTURE FOLK: Friday, August 26, 8:00-9:15pm


Modern music collective slash chamber orchestra wild Up creates a communal concert of sound/noise/experience that celebrates old-world ways of living in the modern era. Featuring works by Meredith Monk, Julius Eastman, members of the ensemble and more. concert program and more info

“All the performances, led by Rountree, were exceptional, the ensemble turning on an astonishing stylistic dime.” -Los Angeles Times

LA PERCUSSION QUARTET: Saturday, August 27, 5:00-6:00pmdownload

Grammy-nominated LA Percussion Quartet performs newly commissioned music by Ellen Reid, Daniel Bjarnason, Kevin Volans, and a west-coast premiere by Matt McBane for triangle quartet. concert program and more info

“mesmerizing.., colorful, atmospheric and…supremely melodic music.” -New York Times

HOCKET: Sunday, August 28, 1:00-2:00pm

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LA-based contemporary piano duo HOCKET comprised of composer-pianists Sarah Gibson and Thomas Kotcheff, performs recent works written for the group including world premieres by Alexander Elliott Miller and Michael Laurello, plus their arrangements of Aphex Twin’s Avril 14th and Nanou 2, concert program and more info

“Their teamwork was exemplary, their playing was a delight… They not only showed a commitment to the music, but to communicating with each other.” -San Diego Union-Tribune

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Matt McBane

“a natural composer, a fresh voice and, from the evidence of his festival, a first-rate organizer with a broad range of musical interests” -Los Angeles Times

Matt McBane founded the Carlsbad Music Festival in his hometown of Carlsbad in 2004. In addition, he is a composer whose music ranges from visceral rhythms and complex grooves to delicate melodies and rich textures, freely and intuitively incorporating a wide array of influences including: minimalism, avant pop, experimentalism, European classical music, art rock, jazz, film music, fiddle music and electronic music. He is the composer and violinist for his band Build which received widespread critical acclaim for its two albums (Place 2011 and Build 2008) on New Amsterdam Records. In 2015 his 5 movement suite for bluegrass string band “Drawn” was released on the Jake Schepps Quintet’s album “Entwined” which was selected as a top album of the year by Colorado Public Radio. He is currently a Doctoral Fellow at Princeton University.