When most of us think about hypnosis, the first image that comes to mind is a doctor swinging a pocket watch back and forth in front of the patient’s face, their eyes fixated on the watch as they slowly fall into a trance. And while that’s certainly an oversimplified image of hypnosis, it does get at some of the major characteristics: repetition, visual fixation, altered consciousness.
On this week’s episode of Second Inversion, we’re exploring sonic hypnosis. From aural illusions to mesmerizing trances, we’ll hear works that focus the mind and play with our perception of time.
Second Inversion is now airing in a NEW TIME SLOT: Saturdays at 9pm.
The best trips are the ones you can’t wait to write home about. You send a postcard saying, “You’ll never believe what I saw, did, touched, and tasted while I was exploring this new place…”
On this Saturday’s episode of Second Inversion, we’re exploring musical postcards. We’ll hear composers’ impressions of new and familiar places. From the Amazon jungle to the Arctic tundra and the rooftops of Bamako, Mali, we’ll hear musical snapshots from all around the world.
If there’s one thing fairy tales and fantasy novels have taught us, it’s that there is something magical about midnight.
That’s always when the portal to another world closes, when humans turn to monsters, and when monsters wreak havoc. If you have any magical business to take care of, midnight is always the deadline. No matter what, Cinderella’s carriage always turns back into a pumpkin at midnight.
On this Saturday’s episode of Second Inversion, we’re taking a little midnight stroll. We’ll hear music inspired by dark skies and the mysterious secrets they hide.
You can learn a lot from the birds—when you’re quiet enough to listen.
The freedom and spontaneity of birdsong has inspired composers across the ages, including many composers today. Each one has its own unique melody, rhythm, timbre, and tune.
This week on Second Inversion, we’re listening to the birds. From mourning doves to evening vespers, we’ll hear music written for an entire orchestra of birds. Plus, a piece that brings together birdsongs from all around the globe.
The human voice may be the original musical instrument, but in the 21st century composers are taking it to new heights—literally.
On this week’s episode of Second Inversion, we’ll hear new and novel approaches to vocal music, including music that loops, layers, and transforms the human voice—plus artists who speak volumes without ever using words.