Second Inversion hosts share a favorite selection from this Friday’s playlist. Tune in during the indicated hours below on Friday, September 23 to hear these pieces. In the meantime, you’ll hear other great new and unusual music from all corners of the classical genre 24/7!
Utterly lovely. Two words are all one needs to describe Gabriel Kahane’s “Last Dance.” It starts softly with poetic vocals accompanied by a light instrumental touch and swells then swerves to a more energetic, somewhat off-kilter indie pop composition heavy on guitar. It’s an intelligent, beautiful song full of empathy. – Rachele Hales
Tune in to Second Inversion in the 12pm hour today to hear an excerpt from this piece.
Autumn is in the air, so I’m in the mood for music that encourages nesting. I’ve found such a piece in Five Sheep, Four Goats, a traditional tune on the Danish String Quartet’s 2013 release Wood Works. This arrangement by the DSQ is comforting without being boring. The folk tune itself is simple and gorgeous, but the true gem on this track is the placidly rhapsodic flugelhorn solo by Mads la Cour. Crank this one up and break out the cinnamon donuts! – Seth Tompkins
Tune in to Second Inversion in the 4pm hour today to hear this piece. In the meantime, enjoy the recording that DSQ made of this piece in our studios!
“The Circus Prospered” is the kind of melancholy curtain-raiser that accompanies the opening scene of a crackling black and white silent film—or perhaps more specifically, a Charlie Chaplin film.
Composed by Seattle-based jazz giant Wayne Horvitz and arranged by The Westerlies for their two-trumpet, two-trombone brass quartet, the piece was originally conceived as a 21st century accompaniment for Charlie Chaplin’s 1928 film The Circus. With swelling harmonies and soulful dissonances, the piece harbors the nostalgic warmth of a black and white film while also capturing the irresistible whimsicality and color of the circus.
Recorded on Lopez Island amidst the calm and quiet of the Pacific Northwest’s most beautiful landscapes, the quartet’s muted colors bleed softly into one another like a cloud-smudged sunrise—and just like those old Charlie Chaplin flicks, the music sparkles with charisma, charm, and a certain cinematic timelessness. – Maggie Molloy
Tune in to Second Inversion in today to hear this piece.