This year, Leonard Bernstein would have been 100 years old. To celebrate, pianist Lara Downes took on a massive project called For Lenny that involves arrangements of Bernstein’s songs, new works dedicated to him, collaborations with artists from diverse genres, and an online component that includes extensive videos, podcasts and more.
As an artist whose work also moves between genres, traditions, and other boundaries, Downes feels a kinship with Bernstein. For example, of her time in the studio with beatboxer Kevin “K.O.” Olusola of Pentatonix she said, “You know, when I was in the studio with him and we were working on this beatbox version of ‘Something’s Coming,’ I just felt this freedom to try different things—both of us working together coming from vastly different ends of the American music spectrum and just having fun with it, and I thought, you know, we wouldn’t be here if it weren’t for Leonard Bernstein.”
In this interview, Downes talks more about who Bernstein was, about her love of American music, and about the experience of working with artists from such different corners of the musical world on one project.
An entire chorus of women’s voices has risen up this year in unparalleled numbers—and not just through protests and political marches, but also through the beautiful subtleties of music, performance, and poetry.
Women in (New) Music is proud to premiere pianist Lara Downes’ Just Like A Woman: a brand new video series which weaves together the work of today’s top women composers and poets. Each episode features Downes performing a solo piano work by a woman composer, paired with a poetry reading by a woman writer.
“As an artist who works in both music and words, I want to create a space for women’s voices to come together in the expression of shared desires, dreams, and destinies,” Downes said. “These videos are meant to be glimpses into the creative lives of women.”
The first episode, which just launched on International Women’s Day, features Pulitzer Prize-winning poet Rita Dove’s achingly nostalgic “Singsong” paired with composer Rachel Grimes’ introspective “Every Morning.”
We’re thrilled to premiere Episode Two right here on Second Inversion. In this second installment, Downes lends her fingers to Sarah Kirkland Snider’s liquidly lyrical “The Currents,” the music woven together with Safiya Sinclair’s vividly emotive poem “Hands.”