Second Inversion hosts share a favorite selection from their playlist. Tune in during the indicated hours below on Friday, October 28 to hear these pieces. In the meantime, you’ll hear other great new and unusual music from all corners of the classical genre 24/7!
Whenever I need a random boost of energy, there’s a high likelihood I’ll reach for this track. From the get-go, the “HIIIIIIIIIIIIIIIIIIIIIIGH” and rhythmic vocal sounds send me into a goofy, bouncy side-to-side chair dance. From there, the smooth, gliding soprano vocals interspersed with pointillistic staccatos mingle with the forthcoming endless variety in the rest of the track. It’s just SO GOOD and totally pumps me up. (PS William Brittelle is a master of quirk in his titles. Other favorites include “Hey Panda” “Them’s Lasers” and “Catwalk to the Multiplex.”) – Maggie Stapleton
Tune in to Second Inversion in the 11am hour today to hear this piece.
A few years ago, composer and pianist Timothy Johnson asked the simple question “What if Debussy were a minimalist?” This piece is the answer he provided. This music contains the soothing sounds of Debussy, but has a strong flavor of the “furniture music” of Erik Satie. This is music that will almost certainly improve your mood, even if you forget that it is happening. Push play on this track and let it transport you to a less anxious place. – Seth Tompkins
Tune in to Second Inversion in the 1pm hour today to hear this piece.
This ambient piece is the closing track of Poppy Nogood’s album Music For Mourning, which seeks to explore the phases of loss. In the movement “it’s cloudy outside” Nogood uses his piano as an emotional rake, collecting denial, anger, bargaining and depression into a tidy pile of gentle, foggy acceptance that unfurls inside your ears. Nogood has approached mourning with grace, tenderness, and, perhaps most importantly, tact. It’s beautiful. – Rachele Hales
Tune in to Second Inversion in the 5pm hour today to hear this piece.