PAUL TAUB: EMBRACING AND SHARING NEW SOUNDS

by Maggie Stapleton

PaulTaub

Seattle’s rich and vibrant flute community would not be nearly such without the presence of influence of Paul Taub.  He is a Professor of Music at Cornish College of the Arts and founding member of the Seattle Chamber Players, two organizations constantly pushing the envelope of contemporary music through innovative performance venues and adventurous repertoire.  I’m thinking most recently of the Icebreaker VII Festival at On the Boards in Seattle.  (Listen if you haven’t heard these excerpts!)

Paul has performed and recorded American and world premieres by Robert Aitken, John Cage, George Crumb, Janice Giteck, Sofia Gubaidulina, Wayne Horvitz, Ned Rorem, Toru Takemitsu, Reza Vali, and Peteris Vasks  – composers you’ll likely hear on any given day here on Second Inversion!  In 2011, Paul released Edge, a collection of “Flute Music from the Periphrey of Europe” on the Present Sounds label here in Seattle.  Chamber music by Armenian Artur Avanesov, Latvian Peteris Vasks, Georgian Giya Kancheli, Azerbaijani Elmir Mirzoev, and Russian Sergei Slonimsky are represented by some of Seattle’s finest musicians.

Giya Kancheli’s Ninna Nanna Per Anna was commissioned by the National Flute Association in recognition of Paul Taub’s multiyear Board of Directors and New Music Advisory committee roles. Dr. Elena Dubinets writes, “This beautiful and uncannily slow lullaby uncovers itself through a very gradual blinking of major and minor keys in the pastel tones of nostalgia and half-forgotten memories.”

Please enjoy this entire track performed by flutist Paul Taub and many amazing collaborative musicians from the Seattle Area. (Paul Taub, flute; Mikhail Shmidt, violin; Natasha Bazhanov, violin; Julie Whitton, viola; David Sabee, cello)

JUMPING JACKS AT UW

by Maggie Stapleton

JACK Quartet

The members of the JACK Quartet are no strangers to Second Inversion’s playlists – their recordings of Xenakis, Amy Williams, Ken Thomson are in regular rotation on our stream. On Saturday, March 15, they conclude a week-long residence at the UW School of Music and UW World Series with TWO performances at Meany Studio Theatre.

The “Early Show” at 7:30pm features world premieres by UW composition faculty: Juan Pampin’s “Respiración Artificial” (2014) for bandoneon, string quartet and electronics and Richard Karpen’s “Elliptic” (2014) for traditional Vietnamese instruments, electric guitar, and string quartet.

The “Late Show” at 10pm features improvised music with UW faculty musicians Cuong Vu (trumpet), Ted Poor (drums), Richard Karpen (piano), and Juan Pampin (live electronics), Stomu Takeishi, bass, and the members of the JACK Quartet.

This collaboration between the University of Washington and JACK Quartet really aligns with their mission to broaden and diversify the potential audience for new music through educational presentations designed for a variety of ages, backgrounds, and levels of musical experience. We highly recommend this event, and hope to present a broadcast of this concert in the coming months. Don’t miss this opportunity to hear them in Seattle!

And if you’re going to the early show, be sure to say “hello” to Seth Tompkins at the KING FM table – he will be representing KING and Second Inversion as part of our community outreach!

MUSIC ON THE MAP

by Maggie Stapleton
John Teske

Seattle composer John Teske takes inspiration from nature and space in a lot of his compositions, including his upcoming premiere topographies (along with Andrew C. Smith’s Topology (A/∀)) to be performed on Saturday, March 22, 8pm at the Good Shepherd Center’s Chapel Performance Space.  The work is composed as a set of graphic scores based on a topographical map and will be performed by 2 saxophones, cello, double bass, & percussion.  This should be a great catalyst for musical discovery – John is curious to find how the performers carve their own path.. both alone and together.

Here’s a conversation between Second Inversion’s Maggie Stapleton and John Teske on the inspiration behind this piece (including which particular map inspired this piece), his approach to collaboration with performers, educational outreach, and his overarching love of space and seas in his compositions.

To tide you over until March 22, here are some of John’s recent recordings with introductory comments:

BYRD ENSEMBLE SINGS THE NEW & OLD

by Maggie Stapleton

The Byrd Ensemble (yes, as in William Byrd, 1540-1623) may not be the first ensemble in Seattle that you’d associate with new music, but on February 1, 2014 this 12-voice choir performed a program of (almost) all 20th and 21st century music.

Byrd Ensemble Artistic Director Markdavin Obenza offered me some of his thoughts behind this old-meets-new juxtaposition. “This particular program aimed to highlight similarities between modern vocal music and Renaissance music – a strong foundation in tonality and melody, and religious text. I thought a program centered around music by Arvo Part, Peter Hallock, Herbert Howells, and Renaissance composer Robert White would best do the job.”

Obenza also feels that new music seems to be easy to find, though rarely performed.   So, to round out the program, the Byrd Ensemble held a composition contest to draw upon composers of today.  Markdavin says, “To be honest, the idea was an experiment to see if it might get more people to the program, and, generally attracting a non early music demographic to our work.” The award for the contest was an audio and video recording of the piece (a real treat, considering Markdavin is also the co-founder of a tremendous record label, Scribe Records).  The response was better than expected, with 13 submissions and works by Erica Row, Gary James, Jeffrey Junkinsmith, and Markdavin Obenza himself were selected for performance on this program:

With many professional ensembles, programming new music can be a nerve-wracking territory with fear of poor audience attendance – many loyal followers of the Byrd Ensemble are most attracted to music of the Renaissance.  Was the risk of going outside the box worth it for them?  “More than I thought. Towards the end of the concert while I was acknowledging the composers, I noticed some louder clapping and mild cheering at the mention of doing a program entirely of new music by local composers. There’s some great music being written and I’d love to encourage them to keep writing, and I hope Byrd Ensemble’s willingness to perform new music does just that. We definitely plan to keep our modern/new music program in our rotation”

Cheers to you, Byrd Ensemble!

CATCHY STUFF FROM A FAR CRY

by Jill Kimball

You know what’s really impressive? Musicians who can conduct and play…at the same time.

That’s the whole concept behind A Far Cry, a collective of 17 awesome musicians (they call themselves “criers”), all of whom can lead or follow whenever necessary. This group is all about diverting expectations and experimenting with new ways to prepare, perform and present music.

They visited our studios to record some liners the other week…

In this exclusive clip, A Far Cry plays a collection of short pieces from composer Ljova, aka Lev Zhurbin, aka “a man about town”–or so says Jesse Irons! Bagels, the Israeli-Palestinian conflict, and weddings in New Jersey play a part. It’s fun, catchy, and the crowd went nuts. Hit play and give it a listen while you surf. It’s Fiddler on the Roof meets Bartok’s Rumanian Folk Dances meets… well, A Far Cry.