STAFF PICKS: Friday Faves

Second Inversion hosts share a favorite selection from their playlist. Tune in during the indicated hours below on Friday, January 20 to hear these pieces. In the meantime, you’ll hear other great new and unusual music from all corners of the classical genre 24/7!

David P. Jones: Music for South Africa (Caballito Negro)

For many living in the United States, this past week has felt like a lit fuse. Today, protests & rallies will explode all over the country as marginalized groups and their allies rebuke violence, advocate for social justice, and work together from every corner of the nation to make a statement of unity. Seems like a good time for some “music of hope,” which is how David P. Jones describes Music for South Africa. In this piece, Jones took inspiration from the struggle against apartheid and drew from traditional South African music to create a percussion-heavy composition akin to the sounds of Johannesburg night-club jazz. Whether or not you participate in a mass movement, let Music for South Africa encourage thoughts of hope and expressions of your limitless potential. – Rachele Hales

Tune in to Second Inversion in the 2pm hour today to hear this piece.


Joseph Byrd: Prelude to “The Mystery Cheese Ball” American Contemporary Music Ensemble (New World)

ACME’s album exploring Joseph Byrd’s work in NYC from 1960-1963 has some interesting sounds, not least of which is the final track. This experimental work for balloon ensemble serves as the prelude to a chamber opera that was performed at Yoko Ono’s loft in the spring of 1961 (with Ono as one of the performers). There is no score, rather only a sort of oral history of the event to follow: each performer is instructed to allow air to escape their balloon, creating different pitches by stretching the neck in different ways. It results in an improvised crowd of squeaks and whines, and it goes for some time – maybe the balloons are pretty big in this recording. Some combine together to almost form a melody, but not quite. It’s a good bit nose-thumbing anti-music, with a hilariously abrupt ending as the last bit of air escapes. – Geoffrey Larson

Tune in to Second Inversion in the 2pm hour today to hear this piece.


Madeleine Cocolas: If Wisdom Fails (Futuresequence) 

A distillation of her “track-a-week-for-52-weeks” composition project, Cocolas’s album Cascadia was written after the composer relocated from Australia to Seattle.  Lately, my ever-deepening connections to the Seattle area have been an indispensable source of solace, and those feeling were brought back to the surface by If Wisdom Fails.  Seattle’s The Stranger newspaper called this album “cathartic;” I wholeheartedly agree. – Seth Tompkins

Tune in to Second Inversion in the 5pm hour today to hear this piece.


Matt Marks: The Little Death, Vol. 1 (New Amsterdam Records)

Matt Marks’ The Little Death, Vol. 1 is a classic tale of boy meets girl—except for instead of the familiar happily-ever-after ending, the boy and girl take a romantic ride through the world of Fundamentalist Evangelism, struggling to cope with their religion-prescribed repressed sexuality in the 21st century.

Performed by Marks and Mellissa Hughes, the post-Christian nihilist pop opera features 11 provocatively-titled chapters which detail the extraordinarily convoluted relationship between religion and sexuality using surprisingly modest means: Marks self-produced the album using only a couple microphones and a laptop running Ableton Live.

The ambitious two-character theatrical work draws on sampled material from Marks’ own collection of 1970s gospel, hip-hop, and soul albums, crafting surprisingly catchy tunes that fuse hypnotic pop hooks with satirical lyrics and apocalyptic Christian imagery. It’s definitely not your traditional church service—but it’s a surprisingly spiritual experience.
Maggie Molloy

Tune in to Second Inversion in the 7pm hour today to hear an excerpt from this recording.

Staff & Community Picks: July 29

A weekly rundown of the music our staff and listeners are loving lately! Are you interested in contributing some thoughts on your favorite new music albums? Drop us a line!



the_little_death_album_cover_1-1Religion + hormones + hip hop beats = nihilist pop opera.  The Little Death Vol. 1 is boppy, fun & sentimental.  Strong vocals from Mellissa Hughes and Matt Marks’ twisted take on the traditional “boy meets girl” story make this one of my favorite CDs in our music library.  I dare you not to dance to “I Don’t Have Any Fun.” – by Rachele Hales

 

 

 


71GJwJ+HBtL._SY355_If you enjoy Spanish and Latin American music, you’ll find a lot to love in “Andalusian Fantasy,” a collection of pieces written and performed by pianist Lionel Sainsbury. The compositions embrace the darker, more romantic side of traditional Latin music, incorporating a pleasantly crunchy chord just seldom enough to keep things melodic overall. Imagine if tango, Debussy, and Gershwin all met in one album, and you’ll get a sense for Sainsbury’s music. – by Jill Kimball

 

homepage_large.e22fb394I’ve been a huge Arcade Fire fan for years, and I was completely awestruck when this album came out.  The whole idea behind the works on this album – letting the human body dictate the tempi, is one of the most revolutionary concepts I’ve encountered in new music.  I can’t really think of many albums that represent Second Inversion SO WELL – the composer/genre/artist crossover, the musicians on the album – yMusic, Kronos Quartet, Nadia Sirota, Nico Muhly, Aaron and Bryce Dessner – all are revolutionaries in the new music world and helping to create music that completely breaks the mold of classical, despite the instruments they’re playing. – by Maggie Stapleton