VIDEO PREMIERE: ‘Spirals’ by Maria Huld Markan Sigfusdottir

Nordic Affect (Left to right: Hanna Loftsdóttir, Guðrún Hrund Harðardóttir, Halla Steinunn Stefánsdóttir, and Guðrún Óskarsdóttir.)  Photo by David Oldfield.

by Maggie Molloy

“Hér” is the Icelandic word for here. That idea of being present—of listening, of connecting here and now through music is at the heart of Nordic Affect’s new album He(a)r. Out now on Sono Luminus, the album is a collection of seven world premiere recordings penned by women composers and performed by women musicians.

He(a)r is an ode to hear, here, hér, and her,” writes Halla Steinunn Stefánsdóttir, the ensemble’s artistic director and violinist. Wide-ranging sound worlds from Stefánsdóttir, Anna Thorvaldsdottir, María Huld Markan Sigfúsdóttir, Mirjam Tally, and Hildur Guðnadóttir comprise the album, each offering a distinct perspective on the ways in which we hear and create sound—our individual voices and the ways in which they interact.

“Spirals,” one of two works contributed by María Huld Markan Sigfúsdóttir, circles around these themes and expands outward: dense chords, hazy melodies, and fragmented sounds from an old music box echo and grow into an immersive meditation on time itself.

We are thrilled to premiere a brand new video for Sigfúsdóttir’s composition “Spirals,” performed by Nordic Affect.


Nordic Affect’s He(a)r is out now on Sono Luminus. Click here to listen to the full album.

Sneak Peek Audio Leak: Daníel Bjarnason’s ‘Collider’

by Maggie Molloy

Photo by Börkur Sigthorsson.

Daníel Bjarnason’s music is at its most potent when he’s writing for symphony orchestra. He has a masterful way of balancing the cavernous depths of a large ensemble against moments of shimmering near-silence, often within a matter of seconds. 

His luminous orchestrations are on full display in his forthcoming album Collider, a collection of three works that glisten with timbral detail. Bjarnason conducts the Iceland Symphony Orchestra in the lively, interlocking textures of “Blow Bright” before transitioning to the haunting three-part work “The Isle is Full of Noises,” a setting of three monologues from Shakespeare’s The Tempest featuring the ethereal vocals of the Hamrahlid Choir.

“Collider” unwinds a bit more slowly, moments of eerie stillness gradually building into an eruption of restless energy that pulls the listener deeper and deeper into a shifting sound maze. We’re thrilled to premiere the title track from the brand new album ahead of its October 26 release date. Click below to hear Bjarnason’s “Collider.”


Daníel Bjarnason’s Collider comes out October 26 on Bedroom Community. Click here to pre-order the album.