Second Inversion hosts share a favorite selection from their weekly playlist. Tune in on Friday, January 12 to hear these pieces and plenty of other new and unusual music from all corners of the classical genre!
Angélica Negrón: La Isla Mágica (Innova Recordings)
Eleonore Oppenheim, double bass
Brimming with whimsy and wistful nostalgia, Angélica Negrón’s La Isla Mágica combines punchy, video game-worthy electronics with double bass, percussion, and ambient vocals. Performed here by Eleonore Oppenheim on her debut solo album Home, her bass swings, sways, and dances amid a swirl of technicolor electronics. At times it sounds almost as though she’s in the middle of a theme park, playing among the neon signs, the colorful carnival games, and the translucent stars above. – Maggie Molloy
Tune in to Second Inversion in the 1pm hour today to hear this piece.
Gabriela Lena Frank: Danza de los Saqsampillos (Naxos Records)
Alias Chamber Ensemble
I seriously can’t get enough of these works by Gabriela Lena Frank, with all their vibrant colors and stunning rhythmic character. Gabriela was born in the US to parents of Peruvian/Chinese and Lithuanian/Jewish ancestry, and much of her music is influenced by her heritage. Danza de los Saqsampillos is inspired by the Peruvian “saqsampillo,” a rambunctious jungle-dweller with a characteristic jumping two-person dance. This performance from the Alias Chamber Ensemble album Hilos is the version for two marimbas.
– Geoffrey Larson
Tune in to Second Inversion in the 3pm hour today to hear this piece.
David Bowie: “Ashes to Ashes” (arr. Bischoff)
Amanda Palmer and Jherek Bischoff
David Bowie once said that “Ashes to Ashes” represented his own feelings of inadequacy about his work not having much importance. Until “Ashes to Ashes” was released in 1980, much of Bowie’s music was cloaked in concept and personas so the vulnerability and maturity of this song was, among other things, his way of closing that chapter and moving on. In this version, from an album recorded just two weeks following Bowie’s death in 2016, the harsh textures, edginess, and synthesized guitars of the original are replaced with softer melancholy strings and sultry nightclub vocals. Bowie is celebrated here, not emulated, and that’s what makes this tribute shine.
– Rachele Hales
Tune in to Second Inversion in the 6pm hour today to hear this piece.
David Crowell: “Waiting in the Rain for Snow” (New Amsterdam Records)
This is exactly what waiting in the rain for snow sounds like.
NOW Ensemble’s flute, clarinet, double bass, oboe, piano, and electric guitar combine the excitement and anticipation of dramatic, beautiful flakes drifting from the sky, with the anxious desire to stay dry while the undesirable in-between phase of sleet insistently pounds the pavement in front of you. – Brendan Howe
Tune in to Second Inversion in the 9pm hour today to hear this piece.