If there’s one thing fairy tales and fantasy novels have taught us, it’s that there is something magical about midnight.
That’s always when the portal to another world closes, when humans turn to monsters, and when monsters wreak havoc. If you have any magical business to take care of, midnight is always the deadline. No matter what, Cinderella’s carriage always turns back into a pumpkin at midnight.
On this Saturday’s episode of Second Inversion, we’re taking a little midnight stroll. We’ll hear music inspired by dark skies and the mysterious secrets they hide.
Monsters and witches and werewolves, oh my! The spooky season is upon us—and nothing sets the scene for All Hallows’ Eve quite like some ghostly music.
Let us provide the soundtrack for your Halloween haunts. On this Saturday’s episode of Second Inversion, we’re exploring the music of ghosts, goblins, and things that go BUMP in the night. Listen along as we visit a musical Frankenstein, spend a night at the Bates Motel, dance with an army of skeletons, and step inside a composer’s nightmare.
Vampires never die—and there’s one in particular who keeps coming back to haunt us.
When Bram Stoker first penned the immortal tale of Dracula back in 1897, even he probably couldn’t have imagined the coffin he was opening. The vampire novel has spawned over 200 movie adaptations, not to mention theatre, TV, literature—and of course, music.
On this Saturday’s episode of Second Inversion, we’re sinking our teeth into the music of Dracula. We’ll explore four spine-chilling Dracula film scores, from the haunting to the hypnotic—and the just plain scary. Plus, the story of one actor who took the role of Dracula to the grave…literally.
From ocean to desert, forest to tundra, composers have always found music in nature. The rhythm of waves, the rustling of leaves, the song of the mountain—or the colors of the wind.
On this Saturday’s episode of Second Inversion, we’ll explore music of the great outdoors. We’ll hear the pulse of the Amazon River, a duet with the Moab Desert, field recordings from the Pacific Crest Trail, and even music made from living plants.
The string quartet is an ensemble that just about every composer writes for at some point in their career. Two violins, one viola, one cello—and an entire world of possibilities.
Robert Schumann described the string quartet as a conversation among four people. Like any good conversation, a good string quartet is one where each voice contributes—where the players listen to one another, exchange ideas, and share a bit of their own personalities.
As we’ll hear on this Saturday’s episode of Second Inversion, the string quartet can also serve as a conversation between different musical cultures. This weekend, we’ll explore string quartets from four different corners of the globe. Tune in for music inspired by the mountains of Peru, the shamanic rituals of Mongolia, the musical modes of Azerbaijan, and the folk songs of Sweden.