From ocean to desert, forest to tundra, composers have always found music in nature. The rhythm of waves, the rustling of leaves, the song of the mountain—or the colors of the wind.
On this Saturday’s episode of Second Inversion, we’ll explore music of the great outdoors. We’ll hear the pulse of the Amazon River, a duet with the Moab Desert, field recordings from the Pacific Crest Trail, and even music made from living plants.
The string quartet is an ensemble that just about every composer writes for at some point in their career. Two violins, one viola, one cello—and an entire world of possibilities.
Robert Schumann described the string quartet as a conversation among four people. Like any good conversation, a good string quartet is one where each voice contributes—where the players listen to one another, exchange ideas, and share a bit of their own personalities.
As we’ll hear on this Saturday’s episode of Second Inversion, the string quartet can also serve as a conversation between different musical cultures. This weekend, we’ll explore string quartets from four different corners of the globe. Tune in for music inspired by the mountains of Peru, the shamanic rituals of Mongolia, the musical modes of Azerbaijan, and the folk songs of Sweden.
When most of us think about hypnosis, the first image that comes to mind is a doctor swinging a pocket watch back and forth in front of the patient’s face, their eyes fixated on the watch as they slowly fall into a trance. And while that’s certainly an oversimplified image of hypnosis, it does get at some of the major characteristics: repetition, visual fixation, altered consciousness.
On this week’s episode of Second Inversion, we’re exploring sonic hypnosis. From aural illusions to mesmerizing trances, we’ll hear works that focus the mind and play with our perception of time.
There’s no place like home: the sounds, the smells, the secret places that shape our childhood experiences.
Robert Honstein’s Soul House explores memories of his own childhood home in New Jersey, with each movement inspired by a unique space within or nearby the house. From the playful to the introspective, he captures the fleeting moments that make a childhood house into a home. The title comes from an ancient Egyptian tradition of burying clay model houses in tombs with the deceased, intended as a vessel for the soul to inhabit in the afterlife.
We’re thrilled to premiere a brand new video for the piece, performed by Hub New Music and Urbanity Dance and captured by Four/Ten Media.
Hub New Music’s debut album Soul House is out now on New Amsterdam Records. For more details, click here.