Communities of Color in Classical Music: SMCO’s Season Opener

by Maggie Molloy

The United States is a melting pot of cultures and musical identities made richer by communities of color—yet even in the 21st century, classical music programs predominantly feature white male composers.

The Seattle Metropolitan Chamber Orchestra has dedicated their 2017-2018 season to celebrating diversity and honoring voices that have been too often marginalized—or worse, silenced—throughout the classical music tradition.

The season, titled “Voices of Courage,” kicks off this Wednesday and Sunday with a collaborative concert that weaves together contemporary music and poetry in a powerful statement of unity. The program examines the search for an American musical identity, exploring the lasting influence of communities of color in classical music and addressing issues of representation on concert programs. Seattle’s first Civic Poet, Claudia Castro Luna, joins the orchestra to read her own original poetry as well as the prose of Federico García Lorca.

The evening begins with a bang: Jessie Montgomery’s urgent and innovative Banner, which combines classical strings with elements from African-American spirituals and anthems of the U.S., Mexico, and Puerto Rico. It’s followed by the impossibly gorgeous, elegiac Lyric for Strings by George Walker, the first African-American composer to win a Pulitzer Prize for Music.

Mexican composer Silvestre Revueltas follows with the mariachi textures and driving rhythms of with his heroic Homenaje a Federico García Lorca. He composed the piece in 1936 in honor of the Spanish poet Federico García Lorca, who was murdered by fascist militia forces. Aaron Copland’s Music for the Theatre evokes the playful jazz solos, brassy fanfares, and lively cabaret culture of the Roaring Twenties, and Scott Joplin’s infectious Maple Leaf Rag rounds out the program.

We talked with SMCO Music Director Geoffrey Larson to learn more about the music and the people behind this week’s program:

Second Inversion: What inspired the theme of this season, “Voices of Courage”?

Geoffrey Larson: Classical music has never existed in a vacuum, and I believe that in times like these our art form becomes more relevant than ever. The political and social climate in our country today contributed significantly to the programming direction of SMCO’s current season, which features musical voices typically marginalized throughout the history of classical music, including composers of color, women, and immigrants. Copland, Barber, Bernstein, and Tchaikovsky were also part of a minority with respect to their sexual orientation, and experienced forms of persecution because of it.

Additionally, as SMCO strives to fulfill our mission of serving the entire Seattle community, we as an organization believe that it is important that our programming reflects the diversity of cultures that make this city whole. We will continue to feature music of women and people of color, and strive to ensure they are represented onstage as well.

SI: How did you choose the repertoire for this season opener?

GL: SMCO’s October 11 and 15 program showcases just some of the powerful cross-cultural influences at work in the classical music world. When I set about programming a season, I make a large list of pieces that I love and would like to perform, and I have been looking forward to programming all of these works for some time. The Montgomery is an intensely powerful statement, and is very cleverly put together; George Walker poured his heart into the Lyric for Strings, it’s just so beautiful and personal; the Revueltas uses a sort of Mexican village band orchestration, achieves some really jaw-dropping sounds, and uses Latin-American rhythms in such cool ways; the Copland is a total blast to perform with all its swinging jazz elements and brassy fanfares. Pianist Amanda Harris will also perform a solo work by Scott Joplin.

It is important that music of women and composers of color appear on programs such as this, as they are chronically under-represented on classical music programs, but it’s important to remember that these are stunning, incredible pieces of music first and foremost. The Copland falls at the end of the program, synthesizing the influences of musical forms earlier on the program that come from communities of color.  

SI: What makes this concert different from your average classical music performance?

GL: SMCO is always striving to present music in context, and I believe that pairing poetry with the music of this program will not only add beauty but will add a powerful real-world relevance as well. Claudia Castro Luna will read her own work as a response to Jessie Montgomery’s Banner, which is possibly the most timely work on the program: it has a section that mimics the Pledge of Allegiance and quotes African American spirituals, the Mexican and Puerto Rican Anthems, and other melodies all mixed together with a transformation of the U.S. National Anthem.

Claudia will also read the prose of Federico Garcia Lorca between each movement of the work that was inspired by his writing, the Homenaje a Federico Garcia Lorca by Silvestre Revueltas. We also strive to present music in a more relaxed and welcoming setting, removing the stereotypical stuffiness of classical music shows that I think is seen as a barrier to a lot of first-time listeners.

SI: How did the collaboration with Claudia Castro Luna come about, and how do the poems relate to the music?

GL: I have admired Claudia’s work as our first Civic Poet, especially her Seattle Poetic Grid, which tells the personal story of the different neighborhoods of the city through the voices of the people who live there.

Every person who lives in this city and in this country has a connection to it and all the people who call it home; everyone deserves respect and a voice. This huge variety of heritage and experience is part of our identity as a nation, and our musical identity reflects it. Claudia was enthusiastic about being a part of this program because she is passionate about its themes: the respect and empowerment of marginalized voices, and celebration of the influence of racial and cultural minorities.


SMCO’s Music, Poetry, and the Influence of Communities of Color is this Wednesday, Oct. 11 at 7:30pm at Fremont Abbey and Sunday, Oct. 15 at 2pm at Langston Hughes Performing Arts Institute. For tickets and additional information, please click here.

October Concerts You Can’t Miss

by Maggie Molloy

SI_button2

Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

thvLYmNB

Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and tag it with “new music.”

October 2017 Concert Flyer

 

Racer Sessions
A weekly showcase of original music with a jam session based on the concepts in the opening presentation.
Every Sunday, 8-10pm, Cafe Racer | FREE

Wayward Music Series
Concerts of contemporary composition, free improvisation, electronic/electroacoustic music, and sonic experiments. This month: saxophone sextets, prepared guitar improvisations, music for speaking pianist, and more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15

Philharmonia Northwest: At the Japanese Garden
East meets West in this concert featuring Toru Takemitsu’s Three Film Scores for string orchestra and Kosaku Yamada’s Symphony in F Major, the first symphony ever written by a Japanese composer.
Sun, 10/1, 2:30pm, St. Stephen’s Episcopal Church | $15-$20

Tom Baker Quartet: Reunion Show
From 2004-2011 the Tom Baker Quartet performed unusual and avant-garde music across the Northwest and in New York City. Now they reunite for a one-night-only show at the Royal Room in Seattle.
Mon, 10/2, 7:30pm, The Royal Room | Donations

The Esoterics: GRAVITAS
Exploring themes of gravity in music, the Esoterics perform works by Robert Paterson and Steven Stucky alongside three world premieres by the winners of this year’s POLYPHONOS competition.
Fri, 10/6, 8pm, St. Stephen’s Episcopal Church, Laurelhurst| $15-$22
Sat, 10/7, 8pm, Holy Rosary Catholic Church, West Seattle | $15-$22
Sun, 10/8, 7pm, Christ Episcopal Church, Tacoma | $15-$22

STG Presents: Ludovico Einaudi
Known around the world for his chart-topping albums, famous film scores, and genre-crossing live performances, Italian composer and pianist Ludovico Einaudi brings his inimitable piano music to Seattle for an evening at the Moore Theatre.
Sat, 10/7, 8pm, The Moore Theatre | $39-$94

BetaSounds: A First Exploration
Dedicated to bridging the gap between modern audiences and classical music, BetaSounds presents an inaugural coffee shop concert featuring works by Britten, Barber, Bartók, Dvořák, and Ravel.
Mon, 10/9, 6pm, The Conservatory Coffee Shop | $15

SMCO: Music, Poetry, and the Influence of Communities of Color
Seattle Metropolitan Chamber Orchestra examines the search for an American musical identity, exploring the lasting influence of Black music in the classical world. Featuring music by Jessie Montgomery, George Walker, Silvestre Revueltas, and Aaron Copland, plus poetry by Claudia Castro Luna.
Wed, 10/11, 7:30pm, Fremont Abbey | $15-$25
Sun, 10/15, 2pm, Langston Hughs Performing Arts Institute | $15-$25

Seattle Modern Orchestra: In Time of War
Seattle Modern Orchestra presents historic works penned by George Crumb and Julius Eastman in response to the cultural and political turmoil of the 1970s.
Thurs, 10/12, 7:30pm, Good Shepherd Chapel | $10-$25

Jesse Myers: The Minimal Piano
Jesse Myers premieres his new piece for solo piano and six-channel soundtrack. Also on the program are minimalist masterpieces by John Adams, Philip Glass, and Steve Reich, plus new works for piano and electronics by Missy Mazzoli and Christopher Cerrone.
Fri, 10/13, 8pm, Good Shepherd Chapel | $5-$15

Seattle Symphony: [untitled] 1
This late-night, no-intermission concert brings to life the the dramatically shifting soundscapes of John Adams’ Road Movies paired with the restless momentum and searing imagery of Steve Reich’s Different Trains. All aboard!
Fri, 10/13, 10pm, Benaroya Hall | $16

The Sound Ensemble: Kammermusik
Paul Hindemith’s Kammermusik (German for “chamber music”) is performed alongside eclectic chamber works by Darius Milhaud, Michael Djupstrom, Judd Greenstein, and Seattle-based composer James Falzone.
Sat, 10/14, 7pm, Good Shepherd Center | $5-$15

Nosferatu: A Symphony of Horror
F.W. Murnau’s 1922 classic Nosferatu is beloved by horror fans and film buffs alike for its creepy story and stark images. Pianist Rick Friend and members of the Seattle Symphony bring this spine-tingling vampire tale to life as they perform the live score alongside the film.
Tues, 10/17, 7:30pm, Benaroya Hall | $35-$90

NOCCO: Echoes & Dances
The North Corner Chamber Orchestra opens its season with Roupen Shakarian’s Violin Concerto featuring concertmaster Victoria Parker. Works by Prokofiev and Poulenc round out the program.
Sat, 10/21, 2pm, University Christian Church | $25

Music of Today: Intercontinental Experimental Music Ensemble
This rare convergence of world-renowned musicians from four continents features visiting artists collaborating with University of Washington School of Music faculty members in a program of strings, percussion, keyboard, đàn tranh, guzheng, and live electronics.
Wed, 10/25, 7:30pm, Meany Theater | $10-$15

Emerald City Music: Andy Akiho
Brooklyn-based composer and steel pan player Andy Akiho takes over the Emerald City Music stage to curate an exclusive evening of his own compositions alongside the works of Arvo Pärt and Philip Glass.
Fri, 10/27, 8pm, 415 Westlake Ave, Seattle | $45
Sat, 10/28, 7:30pm, The Minnaert Center, Olympia | $10-$43

Sound of Late: Steelworks
Sound of Late presents the West Coast premiere of Anna Clyne’s Steelworks, written for flute, bass clarinet, percussion, and tape recordings from the last steelworks factory in Brooklyn. Plus, works by Sarah Kirkland Snider, Somei Satoh, and more.
Sat, 10/28, 8pm, Flutter Studios | $15

From Concert Hall to Capitol Hill Nightclub: Seattle Metropolitan Chamber Orchestra’s SPARK

by Maggie Molloy

When it comes to classical music, the Seattle Metropolitan Chamber Orchestra likes to think outside the concert hall. This Saturday, Second Inversion is thrilled to sponsor the launch of SMCO’s new SPARK performance series: an immersive concert experience that presents classical music old and new in nightclubs and other unexpected venues.

“It’s every musician’s dream for their friends who have no experience with classical music to enjoy this incredible art form as much as we do,” said Geoffrey Larson, Music Director of SMCO. “I wanted to provide a space to enjoy classical music without any rules, real or perceived: where audience members could have a drink, get up and dance, applaud and scream and shout whenever they want. I wanted to show how music of the classical genre can be relevant to our lives today—whether it was composed 300 years ago or three days ago.”

The series launch, which takes place amid the neon lights of the Fred Wildlife Refuge on Capitol Hill, features music from both eras. The concert unfolds as a fully-produced, continuous musical experience that oscillates between guest artist DJ Suttikeeree’s electronic dance music sets and SMCO’s electrifying classical music performances.

Under Geoffrey Larson’s baton, SMCO pairs a Vivaldi chamber concerto with Max Richter’s modern recomposition of the Baroque master’s famous Four Seasons. The centerpiece of the evening is Mason Bates’ infectious and aptly-titled Rise of Exotic Computing for sinfonietta and laptop, and a world premiere of a new work for horns and orchestra by William Rowe—co-commissioned and performed by SMCO and the Skylark Quartet—rounds out the program. Electronic interludes from DJ Suttikeeree provide both dynamic contrasts and fluid connections between the evening’s wide-ranging works.

“Suttikeeree will be spinning his own brand of electro-hop, mixing in fragments of the orchestral music our audience will hear onstage and providing a heartbeat that ties together the different genres throughout the night,” Larson said.

The first of its kind in Seattle, the SPARK series was created with the guidance of composer and producer Gabriel Prokofiev, whose orchestral arrangement of Sir Mixalot’s “Baby Got Back” premiered to viral success with the Seattle Symphony in 2014. The grandson of legendary Russian composer Sergei Prokofiev, Gabriel is also the founder of the Nonclassical record label and Club Night series based in London.

“Gabriel was extremely helpful in helping me strategize three things: what role the DJ should play in the event, how to structure the general ‘flow’ of the evening, and (to a lesser extent) what sort of music we should consider performing,” Larson said. “Through trial and error, Gabriel has come up with a pretty strong and unique concept for the flow of the larger Nonclassical Club Night events, and this sort of timing has been adapted into our plans for the SPARK series.”

Like Nonclassical Club Nights, the SPARK series aims to create immersive, cross-disciplinary performances that redefine the rules of classical chamber music, breaking away from the constraints of the traditional concert hall and sparking new and inspiring collaborations.


The SPARK series launch is this Saturday, May 20 at 8pm at the Fred Wildlife Refuge on Capitol Hill. Click here for tickets and more information.

New Composed Music: May 2017 Seattle * Eastside * Tacoma

SI_button2Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

thvLYmNB

Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and be sure to tag it with “new music.”


Program Insert - May 2017

Racer Sessions
A weekly showcase of original music with a jam session based on the concepts in the opening presentation.
Every Sunday, 8-10pm, Cafe Racer | FREE

Wayward Music Series
Concerts of contemporary composition, free improvisation, electronic/electroacoustic music, & more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15

Eighth Blackbird with Will Oldham (Bonnie “Prince” Billy)
Will Oldham joins Eighth Blackbird for half the program with original songs and Frederic Rzewski’s Coming Together. The program also includes Bryce Dessner’s Murder Ballades, and David Lang’s Learn to Fly.
Thursday, 5/4, 7:30pm, The Neptune Theatre | $33.50

Harry Partch’s Oedipus: A Musical Theater Drama
The UW School of Music presents the rarely performed Oedipus by Harry Partch after the play by Sophocles. This performance is a “multi-genre theatrical work” featuring a unique collection of Harry Partch’s handmade instruments currently in residence at UW.
Friday, 5/5, 7:30pm, Meany Theater | $10-$20
Saturday, 5/6, 7:30pm, Meany Theater | $10-$20
Sunday, 5/7, 2:00pm, Meany Theater | $10-$20

Seattle Classical Guitar Society Presents Antigoni Goni
Award winning guitarist and renowned pedagogue Antigoni Goni performs a solo recital including music by contemporary Greek composers and others.
Saturday, 5/6, 7:30pm, Nordstrom Recital Hall, Benaroya Hall | $38

Angelo Rondello: Music of Our Sister Cities
Seattle Music Exchange Project presents pianist Angelo Rondello.  The program includes music of Seattle’s sister cities in Italy, Japan, Hungary, and Norway.
Thursday, May 11, 7:30pm, Nordstrom Recital Hall, Benaroya Hall | $20-$42

Seattle Symphony: Celebrate Asia
Seattle Symphony is joined by Indian composer, producer, and performer A. R. Rahman is their ninth annual celebration of the musical traditions of Asia, focusing this year on India and Japan.
Friday, 5/12, 7:00pm, Mark S. Taper Auditorium, Benaroya Hall | $40-$105

DXARTS: Music of Today
The UW School of Music and The Center for Digital Arts and Experimental Media (DXARTS) present a concert of audio and video by current DXARTS students and alumni.
Friday, 5/12, 7:30pm, Meany Theater | $10-$15

Gamelan Pacifica: Lou Harrison at 100 Years
Celebrate the centenary of Lou harrison with a rare opportunity to experience his music for gamelan and percussion live.
Saturday 5/13, 8:00pm, Good Shepherd Chapel | $5-$15

Seattle Rock Orchestra Performs The Beatles
In a Seattle Mother’s Day tradition, Seattle Rock Orchestra performs the Beatles.  Bring your mom.
Saturday, 5/13, 8:00pm, Moore Theatre | $25
Sunday, 5/14, 2:00pm, Moore Theatre | $25

Nat Evans’s Vertical Saxophone Aura Readings at Seattle Art Museum
Nat Evans presents an interactive work for saxophonists on escalators. Two saxophone players serve as personal sound escorts to museum patrons on the escalators leading up to the Seeing Nature exhibition.
Thursday, 5/18, 7:00pm, Seattle Art Museum | free-$20

Ecco Chamber Ensemble: Enough is Enough
Ecco ends their inaugural season with music that protests modern violence and points toward peace, including a premiere by Seattle composer Sarah Bassingthwaighte.
Saturday, May 20, 2:00pm, St. John United Lutheran Church, | $15

Seattle Metropolitan Chamber Orchestra: SPARK.1
This Capitol Hill performance marks the first event in SMCO’s genre-bending SPARK series.  Live SMCO musicians are joined by local DJ Suttikeeree and the Skylark Horn Quartet.
Saturday, May 20, 8:00pm, Fred Wildlife Refuge (21+) | $25

New Composed Music: March 2017 Seattle * Eastside * Tacoma

SI_button2Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

thvLYmNB

Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list, submit your event to the Live Music Project at least 6 weeks prior to the event and be sure to tag it with “new music.”


 

Racer Sessions
A weekly showcase of original music with a jam session based on the concepts in the opening presentation.
Every Sunday, 8-10pm, Cafe Racer | FREE

Wayward Music Series
Concerts of contemporary composition, free improvisation, electronic/electroacoustic music, & more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15
waywardmusic.org (check website for complete listings)

2
Utterances
James Falzone and Bonnie Whiting present a seamless evening of original, composed, and improvised music based on text, spoken word, and translation.
Thurs, 3/2, 8pm, Good Shepherd Chapel | $5-$15
waywardmusic.org

4
The Sound Ensemble: From Page to Stage
TSE melds the artistic mediums of art and literature in this concert in which each piece is inspired by texts from different authors.
Sat, 3/4, 7pm, Good Shepherd Chapel | $5-$15

5
sound|counterpoint: The Red Earth Project
Curated by Seattle composer Adam Haws, this program spans centuries and genres with a re-imagining of Bach, tunes from jazz and rock greats, & more.
Sun, 3/5, 4pm, Waterfront Park Community Center, Bainbridge Island | $10-$20

8
Second Inversion Presents: Gabriel Kahane
Kahane presents his song cycle Craigslistlieder, Schumann’s Dichterliebe, and songs from previous albums and brand new, unreleased material.
Weds, 3/8, 7:30pm, The Triple Door | $15-$18

11
On Stage with KING FM: Seattle Marimba Quartet
SMQ showcases classical favorites and modern marimba repertoire from the 20th and 21st centuries plus drumming styles from around the world.
Sat, 3/11, 7:30pm, Resonance at SOMA Towers, Bellevue | $20

11
Seattle Modern Orchestra: Double Portrait
SMO celebrates the centennial of American composer Robert Erickson and the 80th birthday of legendary Seattle trombonist and composer Stuart Dempster.
Sat, 3/11, 8pm, Good Shepherd Chapel | $10-$25

11
Sound of Late: 2000 Moving Parts
Harpist Jennifer Ellis invites the audience to experience the customarily inaudible elements of this grand instrument. Music by Ellis, Andrew Stiefel & more.
Sat, 3/11, 8pm, FLUTTER Studios | $15

17
Seattle Metropolitan Chamber Orchestra: Hearing Nature
SMCO partners with Seattle Art Museum to trace the natural inspirations of composers of four different time periods, comparing their music to the visual art of their contemporaries.
Fri, 3/17, 8pm, First Free Methodist Church | $15-$20

23
Cursive: Tall Wind
Specializing in performing hidden gems of modern classical music, Cursive presents a unique program inspired by the passions and unease of changing seasons.
Thurs, 3/23, 8pm, Good Shepherd Chapel | $5-$15

24-26
Choral Arts Northwest: A Kipling Passion
John Muehleisen uses the passion form to explore how we might find healing in the face of unspeakable tragedy, honoring and bringing voice to veterans and families.
Fri, 3/24, 8pm, Plymouth Church, Seattle | $24-$28
Sat, 3/25, 8pm, Everett First Presbyterian | $24-$28
Sun, 3/26, 2pm, Our Lady Star of the Sea, Bremerton | $24-$28

25
Philharmonia Northwest: An Afternoon of PDQ Bach
Philharmonia Northwest presents the West Coast premiere of PDQ Bach’s Concerto for Simply Grand Piano and Orchestra with pianist Jeffrey Biegel.
Sat, 3/25, 2pm, Benaroya Hall | $20-$30

31
Universal Language Project: Undertones
Marimba sounds merge with intimate whispering, stream-of-consciousness thoughts, DIY life philosophy, and beautifully minimal music. Featuring Erin Jorgensen and curated by Jim Holt.
Fri, 3/31, Resonance at SOMA Towers, Bellevue | $15-$20
Sat, 4/1, Cornish Playhouse’s Alhadeff Studio | $15-$25

New Music Concerts: May 2016 Seattle * Eastside * Tacoma

SI_button2Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

thvLYmNB

Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list drop us a line at least 6 weeks prior to the event.

Program Insert - May 2016(updated) - onesided

 

 

Racer Sessions
A weekly showcase of original music with a jam session based on the concepts in the opening presentation.
Every Sunday, 8-10pm, Cafe Racer | FREE

Wayward Music Series
Concerts of contemporary composition, free improvisation, electronic/electroacoustic music, & more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-15

1
Noise Yoga with John Teske
Noise Yoga is a series of yoga classes that combine the meditative intentionality of yoga with the sonic depth of live performance by local musicians
Sun, 5/1, 11:30am, Frye Art Museum | $10

5
Josh Archibald-Seiffer + Ania Stachurska
UW composers Josh Archibald-Seiffer & Ania Stachurska present works with themes spanning political civil war, children’s lit, language, & the uncanny.
Thurs, 5/5, 8pm, Good Shepherd Chapel | $5-$15

6
Seattle Composers’ Salon
Composers, performers, & audience gather in a casual setting that allows for experimentation & discussion of finished works & works in progress.
Fri, 5/6, 8pm, Good Shepherd Chapel | $5-$15

6-8
The Esoterics: Milton Babbitt
A celebration of Babbitt’s centenary featuring his entire catalog of a cappella choruses, several of which have never been performed in live concert.
Fri, 5/6, 8pm, St. Stephen’s Episcopal Church, Seattle | $15-$20
Sat, 5/7, 8pm, Holy Rosary Church, West Seattle | $15-$20
Sun, 5/8, 7pm, Christ Episcopal Church, Tacoma | $15-$20

7
Seattle Wind Symphony: American Places
Donald K. Miller leads the SWS in a program of Donald Grantham, William Schuman, Eric Whitacre, Ron Nelson, and more.
Sat, 5/7, 7:30pm, Shorewood Performing Arts Center | $5-$20

7/8
Seattle Rock Orchestra performs Neil Diamond
SRO celebrates the man, the myth, the legend: Neil Diamond. SRO will explore his entire catalogue, performing hidden gems and revered hits alike.
Sat, 5/7, 8pm, The Moore Theatre | $20-$37.50 (+ fees)
Sun, 5/8, 2pm, The Moore Theatre | $20-$37.50 (+ fees)

10
Inverted Space: Long Piece Fest
A double-header concert featuring two commissions from Seattle composers Kevin Baldwin and Takemitsu prize-winner Yigit Kolat.
Tues, 5/10, 7:30pm, Good Shepherd Chapel | $5-$15

13
Seattle Symphony: Sonic Evolution: This is Indie!
This concert features Michael Gordon, William Brittle, Tomoko Mukaiyama, Fly Moon Royalty & Filmmaker Bill Morrison. Co-Presented With SIFF.
Fri, 5/13, 8pm, Benaroya Hall | $25-$52

20/21
Universal Language Project: The Elements
An interactive event featuring visual artist Scott Kolbo and iconoclast band TORCH.
Fri, 5/20, 8pm, Resonance at SOMA Towers, Bellevue | $10-$25
Sat, 5/21, 8pm, Velocity Dance Center | $15-$25

21
Kirkland Choral Society: Luminous
KCS premieres a commission from Ola Gjeilo plus many Gjeilo favorites from previous concerts and will be joined by the Skyros Quartet.
Sat, 5/21, 7:30pm, Bastyr University Chapel | $15-$20

21
SMCO Season Finale: Mozart, Carter, Ligeti, and Haydn
Seattle Met. Chamber Orchestra welcomes Cristina Valdes, Matthew Kocmieroski & Maria Mannisto – 3 soloists in high demand for contemporary music!
Sat, 5/21, 8pm, First Free Methodist Church | $15-$20

22
Music of Remembrance: Jake Heggie’s Out of Darkness
This two-act opera and portrait of survival conveys the vastness of the Holocaust’s scope through emotionally rich depictions of those caught in its grasp.
Sun, 5/22, 4pm, Benaroya Hall | $30-$45 ($5 TeenTix)

24
Town Music at Town Hall: Season Finale
Joshua Roman, Arnaud Sussman, Karen Gomyo, & Kyle Armbrust will perform Britten’s String Quartet No. 2 and a commissioned piece by Andrius Zlabys.
Tues, 5/24, 7:30pm, Town Hall | $5-$25

27
Second Inversion Showcase at Folklife
Join us for Second Inversion’s 2nd annual showcase at Northwest Folklife! We’ll feature bi-coastal musicians and local favorites alike.
Fri, 5/27, 8pm, Center House Stage | FREE

 

Seattle New Music Concerts: February 2016

SI_button2Second Inversion and The Live Music Project have partnered to create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, and Tacoma. 

thvLYmNB

Keep an eye out for our this flyer in concert programs (and in coffee shops!) around town. Feel free to download, print, and distribute it yourself! And if you’re interested in being a part of this collaboration, drop us a line!  
Program Insert - February 2016 - onesided

Wayward Music Series
Concerts of contemporary composition, free improvisation, electronic/electroacoustic music, & more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-15

Racer Sessions
A weekly showcase of original music with a jam session based on the concepts in the opening presentation.
Every Sunday, 8-10pm, Cafe Racer | FREE

Gabriel Kahane & Brooklyn Rider
This show samples their new collaborative album, The Fiction Issue, and is co-presented by Second Inversion.
February 1, 8pm, Tractor Tavern | $15

Counterpoint | Phase: All Steve Reich
Gloriously hypnotic sounds: clarinet, marimbas, cello, violin
February 2, 8pm, On the Boards | $10

Seattle Symphony [untitled] 2
This program includes works by New York Experimental composers Feldman, Wolff, Cage, and Brown.
February 5, 10pm, Benaroya Hall Lobby | $15

Sunday Sunset Concerts with Erin Jorgensen
An intimate concert as the sun sets and the week ends. Think more punk rock yoga nidra than classic concert.
February 7, 7:30pm, Velocity Kawasaki Studio | $10

Lake Union Civic Orchestra: Higdon’s blue cathedral
This deeply moving tribute by Higdon is paired with Beethoven’ Symphony No.2 & Lalo’s Cello Concerto.
February 12, 7:30pm, Town Hall Seattle | $13-18

NW Symphony Orchestra: Huling, Tonooka, Jones, & more
This show features local composers, including a premiere by Tonooka featuring trombonist Ko-Ichiro Yamamoto.
February 12, 7:30pm, Highline Performing Arts Center, Burien | $12-15

North Corner Chamber Orchestra: The 3 B’s (with a twist)
Bach and Brahms get nudged out by Barber and Bartok on this reimagining of the typical “3 B’s” of classical music!
February 20, 2pm, University Christian Church (2/20)
February 21, 7:30pm, Royal Room (2/21)
$15-25, FREE for Music Students & Youth (under 18)

STG Presents: Kronos Quartet: Vrebalov’s Beyond Zero
This new work commemorates the centennial of the outbreak of World War I & integrates film by Bill Morrison.
February 20, 8pm, Moore Theatre | $20-75

Music of Today: Garth Knox, viola
The UW School of Music presents new and improvised music by internationally renowned violist Garth Knox.
February 22, 7:30pm, Meany Theatre | $10-15

Town Music: we do it to one another
Joshua Roman presents his commissioned song cycle to Tracy K. Smith’s Pulitzer Prize-winning “Life on Mars.”
February 25, 7:30pm, Town Hall Seattle | $5-25

Seattle Metropolitan Chamber Orchestra: World Sounds
SMCO presents the winning works of the 2nd International Composition Competition for Young Composers.
February 27, 8pm, First Free Methodist Church | $15-20

STG Presents: Trader Joe’s Silent Movie Mondays
A viewing of Ben Hur – A Tale of the Christ, featuring the original score performed live with Seattle Rock Orchestra.
February 29, 7pm, Paramount Theatre | $25.50

Archives:
January 2016